“Peacemaker” (Green Day Cover)

For Green Day chords, tabs, and lyrics, click HERE!

By Chris Moore:

Hello and welcome to your all-new Monday edition of the Laptop Sessions.  It’s been a while since I’ve featured a recently released song, so I’m going to put an end to that right now.

Tonight, I present to you “Peacemaker,” a track from Green Day’s 2009 album 21st Century Breakdown.  This is perhaps my quickest turnaround time from the release of a song to the recorded Laptop Session, as this album just hit the record store racks on Saturday.  I don’t know why Green Day opted for a “special Saturday release,” but it was kind of cool to have something brand new (and on sale!) on the shelves when I was browsing Newbury Comics this weekend.

What is my take on the album, you might ask?  Well, it DID knock Bob Dylan’s Together Through Life out of the number one spot in the UK, but I suppose I can overlook that…

Seriously, I don’t really know why I keep buying Green Day records.  One of my favorite lines from the movie Fracture is when a doctor asks the Ryan Gosling character, “Do you always keep asking the same question until you get a different answer?”  He responds, “I’m a lawyer.  That’s what I do.”  In this case, I’ve never been a fan of the band.  I liked early hits like “When I Come Around,” but I couldn’t get into their acclaimed album Dookie.  I’ve never really given it a fair shake, so it has ended up back in my “To Be Listened To” pile (currently housed in my Best Buy-exclusive Together Through Life crate — thank you, Mike!).

I finally picked up their 2004 album American Idiot after recommendations from several friends and critical acclaim from multiple music magazines, but I have yet to get into that album, as well.  I have consistently found it somehow too blunt.  Even the songs that I like — yes, mostly the overplayed radio hits — strike me as too formulated, too stamped out for the enjoyment of the average mainstream listener.  Who knows; perhaps someday I’ll be able to break the code of this concept album.

That is indeed why I picked up this latest installment in the Green Day catalog: it’s a concept album based loosely around the story of two characters named Christian and Gloria.  As with American Idiot, I much prefer to pay attention to the thematic threads.  Now, whereas in the 2004 album I have never been able to appreciate the lyrics, I have found several tracks on this new album that I like for several reasons — the lyrics, the overall instrumental sound, and Billie Joe Armstrong’s vocals.  Not to sound even more critical or anything, but Armstrong’s vocals on American Idiot have a tendency to get on my nerves.  That being said, he plays with his range and style in several different ways on this album.  Some songs are stripped down to basic piano or acoustic, and some songs are layered from top to bottom with spot-on vocal harmonies and distortion guitar blasts.  From start to finish, the album generally knows when to slow it down and when to kick it up a notch.

I have only heard the album three times in full, so I should reserve any final opinions for the future.  What I do know is that I like this concept album much more than American Idiot, from the sound all the way down to the album art.  Like their previous album, the cover artwork and liner notes are beautiful, carefully designed pages that feature the handwritten lyrics and various background designs.  If nothing else, this is a band that tries really hard to create an album that works as a whole.  And, after five years since their last album — more time between releases than ever before — they’ve certainly had enough time to perfect this one!

Without further ado, I’ll let you move on to my cover song music video of “Peacemaker.”  This is sure to be one of Jim’s favorite sessions of the year, so it may be difficult to outdo myself next week.  And yet, I suppose I’ll just have to try… 🙂

See you next session!

Super Bowl XLIV Halftime Show: The Who’s Set List

This is a Weekend Review SPECIAL REPORT!

By Chris Moore:

SET LIST BELOW!!

I can’t believe it’s already been a year since the Bruce Springsteen and the E-Street Band Halftime Show, an event that inspired such a high degree of anticipation that people were literally placing bets on which songs would be played. There was a certain degree of mystery around what Springsteen would choose to play, and he gave very few clues as to what the set list would look like. Except, of course, that it would be an action-packed twelve minutes.

Well, we are rapidly approaching the Who’s twelve minutes of fame and they are much less concerned with such anticipation.

As Pete Townshend said earlier this week, “We’re doing kind of a compact medley, like a mash-up of stuff,” he says. “A bit of ‘Baba O’Riley,’ a bit of ‘Pinball Wizard,’ a bit of the close of ‘Tommy,’ a bit of ‘Who Are You’ and a bit of ‘Won’t Get Fooled Again.’ It works — it’s quite a saga. A lot of the stuff that we do has that kind of celebratory vibe about it — we’ve always tried to make music that allows the audience to go a bit wild if they want to. Hopefully it will hit the spot.”

And so, with no new album — either recent or upcoming — to promote, a medley it is!

The Who, performing an acoustic set the week before Super Bowl XLIV.

The Who go acoustic three days before Super Bowl XLIV.

There are certainly going to be those who poo-poo at The Who taking the stage before what is annually the largest crowd assembled for one television program. And yet, their age and the percentage of surviving members (50%) notwithstanding, we’re talking about the Who.

In the hierarchy of rock’n’roll, there aren’t too many who get billing above this band. The Beatles, to be certain. The Rolling Stones. Dylan.

Quite impressive company.

As Ray Waddell of the Macon Daly wrote in what is certainly the most interesting of the pre-Super Bowl articles, “The power and continued relevance of Townshend’s writing are obvious, but few could argue that Daltrey’s supercharged vocals don’t play a key role in the longevity of the songs.

The Who Super Bowl T-Shirt!

The Who Super Bowl T-Shirt!

Even for an avid music fan like myself, the Who have passed beneath my radar save for their greatest hits (I have two of those, actually) and Tommy. The more I’ve been reading about them and listening to them this week, the more I’ve realized what a shame that is. The Who have repeatedly received that label that Dylan oh-so-despises — voice of a generation. They pioneered, albeit not initially on purpose, the so-called “instrument destruction” aspect of some emotional rock concerts. This band was among the first rock bands to incorporate synthesized sounds into their records, which were increasingly more conceptual throughout their career.

The list goes on.

And although by most standards they dropped off the map in the early to mid-eighties, here are Pete Townshend and Roger Daltrey to take the stage in front of the largest single audience a band could hope for. Very fitting indeed, as this is, of course, the band that set the record for the largest indoor concert in 1975…

There’s not as much for me to predict, bet, or suggest as there was last year, but I can tell you that, while I am interested in tonight’s excellent match-up between the Colts and the Saints, I am very excited for the Who. Say what you will about their last album Endless Wire — and the critics panned it — but that album had its moments of strength. I can’t imagine that tonight will be anything less than one of those strong high points of their recent career.

I’m off to the Super Bowl party with my girlfriend, so that’s it for now. Stay tuned for the set list, or medley order, or whatever it ends up being… I’ll be updating it here, at guitarbucketlist.com, minute by minute.

THE WHO’s HALFTIME SET LIST

1 ) “Pinball Wizard”

2 ) “Baba O’Riley”

3 ) “Who Are You”

4 ) “See Me, Feel Me”

5 ) “Won’t Get Fooled Again”

REVIEW:

While the Who didn’t quite match the immediacy and the downright sweaty performance by Bruce Springsteen and the E-Street Band last year, their set evoked a calm and a confidence that, although predictable, was nice to see. After all, this was a mere twelve minutes of playing hits that they’ve been touring with for decades.

In other words, there was nothing unpredictable about the Halftime Show.
I would have settled for just one guitar being smashed.

Or at least a microphone…

The staging was perhaps the most impressive aspect of the set, as the Who opted out of the by-now-typical mass of fans that crowd the field for the mini concert. Instead, their stage was expansive and incorporated a variety of light patterns – spelling out “The Who,” lyrics to songs, and more. With Townshend’s well-known hearing issues, I was surprised, but happy, to see the fireworks display.

And did you see those classic blue, white, and red cymbols on the transparent drum set?

Overall, this was a very entertaining show. Again, it was nothing phenomenal and there will undoubtedly be those who will disparage these sixty-something rockers, but there was never a dull moment. Most songs were — the theme of the night– predictable (Townshend told us, after all, and, come on, how could they avoid playing “Who Are You” on CBS??) but I didn’t see “See Me, Feel Me” coming.

The onside kick that followed the concert overshadowed the set, but it was fun to see the Who and I, for one, hope the Super Bowl continues to call on these classic acts!

“Bob Dylan’s Dream” (Bob Dylan Cover)

By Chris Moore:

Thanks for coming to the best acoustic cover song music blog on the Internet!  Today, our featured cover is “Bob Dylan’s Dream.”  Bob Dylan, believe it or not, is the original songwriter.  Who would have guessed?  Well, I guess anyone could have…

This song was originally released on Dylan’s early folk album The Freewheelin’ Bob Dylan and it is what you would call a deep track, as it was never a hit, no one that I know of ever covered it for an album, and it never appeared on any live compilations.  At least, not official ones.  But, regardless of how little attention it has received, I think that it is a perfect candidate for the Laptop Sessions treatment.  First, it’s originally acoustic, recorded once as a “live-in-the-studio” recording, which makes it easily translatable to an acoustic cover song.  Second, it has a really nostalgic feel to it.  By nostalgic, I don’t mean that it sounds like an oldtime song or anything like that.  Rather, I mean that it really makes you think about your own “first friends” — those people that you spent your youth with, engaged in simple activities that brought indescribable happiness.

Well, those “first friends” very rarely make it into your future.  And while it’s always nice to look back and remember them, it can be very sad to think about the exits they took from your life.  Like Bob Dylan, I would pay a good deal of money to go sit “simply in that room again.”  But you can never go back…

…you can only write and sing songs like this one that describe the feeling!  Another thing I love about the song is that it starts off with the line, “While riding on a train going west…”  It gives the feeling of someone nodding off as a train barrels on down the tracks, and as that person just drifts off, these memories of his life come rushing back to him.  I think that’s a great way to start the song.

While this is certainly not my first Bob Dylan cover song — it’s one of many Bob Dylan songs I’ve learned and performed — it is one of the few that I haven’t known for years.  Many times, when I record a Dylan music video, I just dig back to a song that I used to play all the time and re-learn it.  This song was new to my acoustic cover song repetoire, so it was really fun to learn it.  And, of course, a little harmonica on a Dylan song goes a long way…

I hope that you’ve been noticing and enjoying all of the changes and additions to the blog these past few days.  The home page has been rearranged a bit to make it easier for newcomers and longstanding fans alike to find the band categories and search for their favorite material.  In addition, the first seven volumes of the new and improved Laptop Sessions FREE MP3 albums are avaiable in the left column.  Finally, last week saw the addition of a truckload of new live music from the Fusco-Moore team.  All you need to do now is go to the Fusco-Moore Store and choose which concert you want to listen to — some music is FREE and some is avaiable for a low, low price.  I really hope you’ll go over and check it out.  We really worked hard to make some quality sets, and it’s interesting to be able to look back now.  Well, listen back — there’s no video, but it’s really the sound that matters, right?

That’s it for me for now, but don’t forget to hurry back tomorrow for another all-new acoustic cover song music video from our very own Jeff Copperthite.

See you next session!



“Wishful Thinking” by Wilco – Chords, Tabs, and How to Play

“Wishful Thinking”
Wilco

D     F#m     Bm     E     G     D     G

Em                                 D
Fill up your mind with all it can know;
G                                      Em
Don’t forget that your body will let it all go.
Em                                    D                             G
Fill up your mind with all it can know…
D                         Bm              G                   D
What would we be without wishful thinking?

F#m     Bm     E     G     D     G

D                                          F#m
Chambers of chains with red plastic mouths,
Bm                             E
The inside of outside… No one has found
G                              D                        G
How to unring the bell, it’s just as well.

The turntable sizzles, the casting of spells,
The pressure devices… Hell in a nutshell.
Is any song worthy singing if it doesn’t help?

Fill up your mind with all it can know;
Don’t forget that your body will let it all go.
Fill up your mind with all it can know…
‘Cause what would love be without wishful thinking?

Open your arms as far as they will go.
Take off your dress; an embarrassing poem
Was written when I was alone in love with you.

I shook down these lines to shine up the streets,
I got up off my hands and knees to thank my luck stars
That you’re not me…

D                         Bm                G                D
What would we be without wishful thinking?
Am                      Em                G                D
What would we be without wishful thinking?
Am                      Em                G                D           Bm
What would we be without wishful thinking?

Am     Em     G     D     F#m     Bm     E

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **