Even in an age of increasingly digital delivery of music media, album covers continue to be an integral piece of the vision for an album. In a sense, they are rapidly becoming the primary, if not sole, physical/visual component of the album. That being said, it also feels like, in many cases, album covers have fallen to the wayside as hastily composed and inspired out of necessity. Nevertheless, there are always some that stand out of the crowd; this year, there are five that deserve to be honored.
1) The Sound of the Life of the Mind – Ben Folds Five
2) Ten Stories – mewithoutYou
3) Those Around Us – Jim Fusco
4) The Idler Wheel… – Fiona Apple
5) Born and Raised – John Mayer
Honorable Mention:
Glad All Over – The Wallflowers
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
Hello and welcome to your weekend edition of the best video blog in the world! And we’re humble, too!
Seriously, though, we’ve really been putting a lot of effort into this acoustic cover song music blog — practicing and recording acoustic rock covers, writing detailed and interesting blog posts and articles, adding photos to our posts, and so much more. Next year, after the “session-a-day” project is completed, we have so many ideas for expansion that you’ll just have to check back regularly to experience them all. I can’t say too much for now, but you’ll have to trust me that music fans and even fans of other things will not be disappointed!
And now, to be anything but serious, I bring you Loudon Wainwright III’s most famous song, “Dead Skunk.” My father used to play this for me from a seventies acoustic rock tape that he had. It was always a lot of fun, and I still remember not quite believing that “Dead Skunk” was a real song when he sang the chorus to me before I had heard the studio version.
I’ve heard that Wainwright is somewhat bitter about the fact that this song found so much success — and I can’t say I really blame him; it’s quite the legacy! But this is not the only case of this; just think of the fact that Warren Zevon, with his amazing range of work, will probably only be remembered for “Werewolves of London.” Still, success is success.
Okay, that’s it for now, but make sure to hurry back tomorrow (as Zevon would sing, “Hurry home early, hurry on home…”) — if you’ve made Laptop Sessions your home, then Jeff Copperthite won’t disappoint with his latest music video tomorrow…
See you next session!
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
Greetings from the other side of the midnight chimes — this is your latest (and late) Laptop Session! Tonight, I bring you a new band to the sessions… Snow Patrol. Specifically, this is “Run,” the seventh track of their 2003 album Final Straw. This album was first recommended to me by then-fellow Staples Copy Center employee John Fortin, after he heard the Chris, Jim, and Becky album Live in the Studio. He said, based on our album, he thought I might enjoy the band.
At first, I liked the album, but I wasn’t crazy about it. It became one of those albums you go back to every so often, and over time, I grew to like it more and more. Recently, as I went back to both this album and their subsequent one, Eyes Open, I fell in love with the songs of Final Straw. The next album is solid, but lacks the hooks and flairs — really, the strength of individual tracks that are great and stand on their own — of the 2003 release.
My sister has also become a fan of Snow Patrol, so I hope that she gets a chance to read this post and check out the video. Jaime and I have fairly divergent tastes in music, but we have found much more overlap in the past few years — we can especially agree on the awesome-ness of Ben Folds and Elliott Smith! We actually both had a similar reaction to the new Snow Patrol single, “Take Back the City.” Specifically, we were hesitant about the new album based on the strength of this track. I can’t speak for her, but I know that — for me — the song seemed a bit forced at first, as if they were trying to make a hit single that could climb the charts as well as their last big hit, “Chasing Cars,” did. Really, though, what was most off-putting to me was what I initially interpreted as being a line — “God knows you’ve put your life into it tons.” Tons? Really? Is this the poetry I’m rushing to the store to purchase?
Well, those of you who know me will check this off on the list of times that I misinterpret something due to an accent. (Stories for another time…) The line is really “God knows you’ve put your life into its hands.” Lead singer Gary Lightbody’s Irish accent through me off. And, while I’m in a confessional mode, can I also admit that one of the factors that has always prevented me from entirely liking the band was the way Lightbody sings? Yes, it’s true… It took me until a few weeks ago to research and discover that they’re an Irish band. How I didn’t figure that out before is beyond me! But, now that I know, I’ve been going through a Snow Patrol renaissance of sorts.
Their 2008 release, A Hundred Million Suns, is — in my opinion — their best work since Final Straw. I was hesitant to buy it at first, based on their 2006 album and the aforementioned single. But, I’m really glad I did buy it. The opening track “If There’s a Rocket Tie Me to It” is one of my favorite track ones in a long time. Track two, “Crack the Shutters,” is one of my favorite songs on the album and would have been my choice for a single (To date, it has reached #9 on the iTunes alternative rock charts!). Then, track three is the single. Track four, “Lifeboats,” slows it down a bit and is another of my favorites. And it goes on from there…
I found it really interesting to read that the band considered this to be a more upbeat and “cheerful” album than previous releases. I didn’t really interpret it that way, but that could just be my current state of mind. Regardless, I do agree with their statement that it is their best album to date.
Well, that’s enough ranting and rambling about Snow Patrol for one post! In other news, I broke down and bought the first season of the Chappelle show, with hopes that Jim will want to watch some of the episodes. So far, I’ve only watched the first episode, which includes not only my favorite sketch (the Clayton Bigsby, black white supremacist skit) but also the Pop Copy sketch that so wonderfully makes fun of my previous profession as a Staples Copy Center employee! So, as you see, this post really comes full circle. It started with a band that was recommended to me by a Copy Center co-worker and ends with me going off to watch Pop Copy!
But, before I go, I should also mention that I have not made my last post of the day. In fact, there may be as many as two new posts from me in the next few hours. So stay tuned and come back soon for much more brand new fun on the best acoustic rock cover songs blog in the universe — the Laptop Session!
G Bm
Far, far away from those city lights,
Em Bm Bm – Bbm – Am
Might be shining on you tonight.
Am C
Far, far away from you.
C G Em C G
On the dark side of the moon.
G Bm
I long to hold you in my arms and sway,
Em Bm Bm – Bbm – Am
Kiss and ride on the CTA.
Am C
I need to see you tonight,
C G Em – C – Am
And those bright lights.
Oh, I know it’s right.
Deep in my heart,
Am G Em – C – G
I’ll know it’s right.
INSTRUMENTAL:
G – Bm
Em – Bm (Bm – Bbm – Am)
Am – C
G – Em – C – Am
G – Em – C – G
By the bed, by the light that you read by,
By the time that I get home to say goodnight.
I need to see you again
On the dark side, my friend.
G – Em – C – G
G Em – C – G
On the dark side…
** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **
Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.
