“New Year’s Eve” (Tom Waits) – Chords, Tabs, and How to Play

“New Year’s Eve”
Tom Waits

C                                        G
The door was open, I was seething;
.                    C                      F
your mother burst in, it was freezing.
.                     C                  G           C
She said, “It looks like it’s trying to rain.”

I was lost, I felt sea sick;
you’d convinced me that he’d left;
You said keep talking, but don’t use any names.

.                       F
I scolded your driver and your brother;
.                                                                                    C
we are all old enough to know how long you’ve been hooked.
.                 F
And we’ve all been through the war, and each time you score,
.                                                                   C                     G
someone gets hauled in, handcuffed, and booked.

It felt like four in the morning.
What sounded like fire works
turned out to be just what it was.

The stars looked like diamonds,
then came the sirens,
and everyone started to cuss.

All the noise was disturbing,
and I couldn’t find Irving;
it was like two stations on at the same time.
And then I hid your car keys,
and I made black coffee,
and I dumped out the rest of the rum.

Nick and Socorro broke up,
and Candice wouldn’t shut up, and
Fin he recorded the whole thing.

Ray he said, “Damn you,”
and someone broke my camera,
and it was New Year’s Eve, and we all started to sing:

F           C                           G
Should auld acquaintance be forgot and
C                         F
never brought to mind;
F           C                           G
should auld acquaintance be forgot for
Am             F              C
the sake of auld lang syne.

I was leaving in the morning with Charles for Las Vegas,
and I didn’t ever plan to come back.
I had only a few things,
two hundred dollars, and my records in a brown paper sack.
I ran out on Sheila, everything’s in storage;
Calvin’s right, I should go back to driving truck.

Should auld acquaintance be forgot and
never brought to mind;
should auld acquaintance be forgot for
the sake of auld lang syne.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s).  They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

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“Bathtub Gin” (Phish cover) [Ep 8, Fall 2011]

By Jeremy Hammond:

I recently had to take my acoustic/electric into the shop to get it looked at, since the “electric” half of it wasn’t working, and a Made in the U.S.A. Fender Strat was hanging on the wall.  I couldn’t resist.  I took it home (yes, I paid for it first).  It feels great and has great tone and sustain, even out of my tiny little amp. So here’s “Bathtub Gin” by Phish.  I laid down the rhythm and vocals first (single take), and then laid the solo over that track. This is a fun tune and I love the solo melody, particularly when played on my new ax.

[Editor’s Note: We’re happy to welcome Jeremy Hammond back for another featured performance on the Guest Sessions.  He’s another one we bend the rules for a bit — there’s a solo overdubbed — but this is hardly bending, since the main performance (electric and vocals) was recorded live, at the same time.  “Bathtub Gin” is a great song; lyrically, it sounds Dylan-esque, which is more than fine with us!  🙂  The guitar work is perfect, and the solo is spot-on.  So, go ahead and enjoy this cool cover song music video by Jeremy!]

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“Jorge Maravilha” (Chico Buarque cover) [Ep 7, Fall 2011]

By Rodrigo Palhano:

This is a song from a notorious Brazilian writer/singer Chico Buarque.  Some say its lyrics are addressed to the former Brazilian dictator’s daughter (1974).

The catchy phrase says:

“You don´t like me, but your daughter does.”

Hope you enjoy it!

[Editor’s Note: Here’s a serious first-time for the Laptop Sessions: an acoustic cover song music video performed in a language other than English!  It was only a matter of time before the LS blog went bilingual.  For years now, we have featured videos from artists in countries outside America, taking advantage of one of the wonderful uniting properties of the internet.  Rodrigo has contributed to the Guest Sessions before, but there is even more energy in this song than his previous work.  It’s our pleasure to bring it to you, and even if you don’t know all the words (I know I don’t), I’m certain that you’ll enjoy the performance and that catchy chorus line.  I know I did.]

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“Piles of Love Letters” (Chris Moore Original Acoustic Song)

By Chris Moore:

Hi there.  This is Chris, bringing you my “Original Wednesday” contribution for this week.  And I’m really trying here, but you’re going to have to cut me a break on the post length.  But I have a reason for the brevity of tonight’s post, I swear!

Whether you think it’s a valid reason, well, that might be another issue altogether…

Anyway, this original song, “Piles of Love Letters,” is potentially slotted for track four of my soon-to-be-recorded album, a debut offering me and a producer officially overseeing things, namely Jim Fusco.  In fact, Jim just made a HUGE contribution to the album tonight by suggesting what I have decided is an excellent idea for an album title.  He thinks the title should be based on the line in this song that states, “At least it’s tried and true.”

I can see this — the new album as Tried and True.  Or Untried and True.  Or Tried and Untrue.  Great idea, Jim!  Now, all I have to do is think a bit about the album and decide which version fits the most strongly with the dominant themes, etc.

Unfortunately, while I was recording this, I missed a performance by the Foo Fighters on the Grammy Nominations Concert Show.  I initially scoffed at the idea of a nominations show, but the concert idea was pretty cool.  Taylor Swift is a modern pop country singer, and yet I must say that her voice is amazing and she is beautiful and seems very sweet.  I wonder, of course, how she is as a normal person, away from the cameras.  (I don’t know if she can quite top my love for Katie Lloyd on Boston Legal (see previous post), but still…

Well, one thing led to another and before I know it, Jim and I are locked in a contest for who can stop watching television and return to working first.  You see, the Victoria’s Secret show came on in HD.  To look away would be to deny both one’s heterosexuality and love of HD television, so you can see why this was an unproductive stretch for us…  Nevertheless, after being told neither the true identity of Victoria nor what her secret is, I returned to my work.

Now, all distractions have dispersed and I am in bed listening to the Uncle Tupelo track “Outdone,” a demo from 1989 that is on their 89/93: An Anthology disc.  This is a fitting end to the day, as it’s been a wild musical ride — the past few days, in fact.  I have heard everything from Brian Wilson to Leonard Cohen to lots of Ringo Starr to What About Today? recently.  On the way home from work, I popped in Wilco’s AM before giving Paul McCartney’s (The Fireman’s) Electrical Arguments another set of rotations.  That led me to this essentials disc — I’ll definitely be recording one from them in the future, though possibly not until the new year.

And with that, I’m off to sleep.  Thanks for checking in for your daily dose of acoustic rock music, today in original form!

See you next session!

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