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“A Winter’s Tale” (Moody Blues)

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For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of the Laptop Sessions.  To kick off another full week of new material, I’ve reached into the Moody Blues catalog of songs — specifically from their 2003 album December — to bring you a cover song version of their cover of the Mike Blatt and Tim Rice song “A Winter’s Tale.”

Now, although I am an English teacher, this is not to be confused with the William Shakespeare play “The Winter’s Tale.”  Not only is there a notable difference in parts of speech (namely the indefinite – “a” – versus the definite – “the” – articles), but there is also a big difference in tone.  Still, “The Winter’s Tale” is quite a trip.  Consider, for instance, that this play contains one of Shakespeare’s most infamous stage directions: “Exit, pursued by a bear.”  What I find the most interesting is that there is contention over whether he used an actual bear for the original productions, or simply a man dressed in a bear costume.

I would assume the latter, but the former is just so much more fascinating…

But this is all beside the point.

“A Winter’s Tale” is one of those songs that is indisputably beautiful, sung perfectly by Justin Hayward.  For those who have seen them in concert recently, you may have noticed my apparel is a nod to Hayward’s typical onstage wardrobe.  That wasn’t too difficult to arrange, as I simply removed my tie and jacket and voila!  Of course, this is also one of those songs that, upon playback, forces me to remember I’m a rhythm guitarist hammering away at what is such a subtle, pretty song at heart.  During our MoU Christmas concerts, Mike would front the band on this one, fingerpicking and taking the lead — and for good reason!

The reason I’m standing up is because the song simply didn’t sound right when I played it sitting down.  I found I was having trouble getting comfortable as I played it.

Of course, the majority of the song being played on barre chords didn’t help either…

Several takes and several strained ligaments in my hands later, you’ve got yourself a new Laptop Session.

As a final note about the song, I found it very interesting that this song, originally written by songwriters Mike Batt and Tim Rice, hit #2 on the UK charts back in 1982.  Batt teamed up with Rice to write the song for performer David Essex.  Another interesting bit of trivia is that Batt went on to produce Justin Hayward’s solo album Classic Blue between 1988 and 1989 at Abbey Road Studios in London.  Classic Blue, ironically, is an album of covers.  The track listing includes three songs written by Batt, as well as classics from Brian Wilson, Lennon/McCartney, and Led Zeppelin.

I hope that you enjoy this installment of the Laptop Sessions, and I encourage you to hurry back for more.  If you missed the music review, you should know that I just kicked off a top five albums of the decade countdown, with a new album revealed and reviewed each weekend, culminating in my full “Top Thirty Rock Albums of the Decade” list and my review of the number one rock album of the decade.

Thus far, the Barenaked Ladies’ Maroon (2000) has cinched the #5 slot.  Which album will rank as the fourth best album of the decade?

You’ll have to tune in to the Weekend Review to find out…

See you next session!

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“Broken” (Jack Johnson Cover music video)

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For Jack Johnson chords & lyrics, CLICK HERE!

By Chris Moore:

The best part about contributing to this blog is that, every so often, all the pieces fall together at just the right time.  For example, I still have the remnants of a cough that just doesn’t seem to want to leave me entirely, yet I really wanted to record a new video for tonight.  Meanwhile, over the weekend, I was listening to Jack Johnson on shuffle when this song — “Broken” from his Sing-a-Longs and Lullabies from Curious George soundtrack CD — and immediately felt the urge to learn and record it.

Fortunately, the register is fairly low and the chords are very simple, so this was a joy to lay down as a session.

Of course, every cover song music video is not without its challenges when it involves me…

The only difficult aspect of this song is that, although I’ve heard it dozens of times and could sing along to the chorus in my sleep, I really don’t know the verse.  Thus, I put “Broken” on repeat in my car on the way home.  After listening to it seven or eight times straight, I didn’t seem to be much closer to nailing the lyrics.  Still, I soldiered on — I typed up the lyrics from the booklet and practiced a few times to the music.  Finally, I practiced a few times on my own before I hit the “record” button.

And, a few takes later, you have a session to watch!

The reason I was listening to Jack Johnson in the first place was that Mike showed Jim and I his copy of En Concert, the new live CD/DVD, this past Thursday at wrestling.  Based on my disappointment at his last record, I hadn’t purchased the CD myself, but Mike had nothing but great things to say about it, so it’s only a matter of time before I find my way back to the “J” section of my local Newbury Comics store…

Speaking of new music, I am wildly curious about tomorrow’s new Weezer release.  The title alone has caused some controversy.  Based on a recommendation from The Office actor Rainn Wilson (who plays Dwight Schrute), Rivers Cuomo and company titled their latest studio album Raditude.  I’ve heard the first track, “(If You’re Wondering If I Want You To) I Want You To” and it may be cheesy, but it sounds great and it’s fun to listen to.  That being said, the other titles on the album alone are enough to make one question what Raditude will be like — tracks like “I’m Your Daddy” and “Girl Got Hot.”

All I will say for now is that The Red Album seemed very weird at first, and it quickly grew on me.  I was just listening to it this weekend, in fact, and realizing that it is truly one of my favorite Weezer releases.  I can’t imagine that this new album will be up to that level, but I have promised myself that I will reserve judgment until after I’ve heard it a few times.  Based on their incredible catalog alone, Weezer really does deserve the benefit of the doubt.

More on that next time…

And that about does it for me, at least for now.  This week is crazy for me, as my grades are due this Friday.  In addition, I have meetings today and now Thursday, a full day of professional development (i.e. no time to grade) tomorrow, and I’m monitoring the selling of tickets at the drama production on Thursday, Friday, and Saturday.  Add in some wrestling on Thursday night and a whole lot a gradin’ goin’ on, and I’ve got one busy week!  I am looking forward to the weekend, as I’ll be completing a swap with my former student Geoff — some Ben Folds for some Tom Waits.  It’s bound to give me some more interesting listening and perhaps some more interesting Laptop Sessions songs…

See you next session!

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The Deep Racks Report: “A.M.”

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By Chris Moore:

We’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to going deep into the CD racks to bring you brief but focused reports on ALBUMS that have not received as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS:  Chris – “Box Full of Letters”

A.M. by Wilco

This is an album that seems to get universally hated on.  It is Wilco’s first album, released in 1995 following the breakup of the alt.country band Uncle Tupelo.  All of Tupelo’s members except Jay Farrar became Wilco and proceeded to record an album of songs that sound very similar to Tupelo’s work with one significant difference — they sound somewhat more together, less raw than your average Uncle Tupelo tracks.

Reception?  Well, fans and critics alike appear to have agreed that Jay Farrar’s new band, Son Volt, released a superior debut album.  To be fair, I have only heard selected tracks from the Son Volt release and I do understand the inevitability of comparisons between Son Volt and Wilco.  Still, I haven’t been overly impressed with what I’ve heard from Son Volt.  (Please, send your letters and complaints care of Chris at Laptop Sessions!)  Yes, A.M. is a pretty simple rock record.  No, songs like “I Must Be High” and “Passenger Side” aren’t going to win any lyrical accolades with lines like “You’re pissed that you missed the very last kiss” and “You’re gonna make me spill my beer if you don’t learn how to steer,” respectively.  Even Jeff Tweedy expressed disatisfaction with the straightforwardness of the record, and he was among the first to suggest that this was Wilco “treading some water with a perceived audience.”

Okay, but it’s a fun record!  Anyone who is familiar with Wilco’s catalog now knows that, from the second album on, the band became progressively more experimental and interested in making great records.  A.M. is breath of fresh rock’n roll air!  Not until 2007’s Sky Blue Sky would their sound be as compositionally straightforward again, and as much as I love all the albums in between, isn’t the cliche “variety is the spice of life”?  I never skip these tracks when they come up on random and I continue to be drawn in by tracks like the catchy “Box Full of Letters,” the heart-breaking “Should’ve Been in Love,” and the haunting “Dash 7.”  (I’m excited that I finally figured out that “Dash 7” refers to, as Wikipedia states, “The de Havilland Canada DHC-7 [airplane], popularly known as the Dash 7.”)

So, contrary to the press it received, I would highly recommend you pick up a copy of A.M. today.  It’s not their best album, but who cares?  And please, for crying out loud, ignore the genre nonsense altogether — alt.country, country rock, rock’n roll, alternative rock??? — and just enjoy the music!

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“Box Full of Letters” (Wilco Cover)

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By Chris Moore:

Hello and welcome to yet another all-new Laptop Session at your web blog for a session-a-day, guaranteed through December 31st, 2008. Now, that guarantee is swiftly running out, but don’t fret. We’ll be introducing a new schedule of performances for 2009 that will not only introduce many new types of posts to the blog on a regular basis, but also maintain a steady and prolific stream of new cover song music videos!

But, let’s focus on the present for now…

I had originally intended to record a Christmas song tonight, but I got busy with napping, fast food eating, Christmas shopping, and TNA Impact! viewing, so I decided to pull out my one and only “backup video.” If I haven’t already, I should introduce this video by announcing my desire to record a cover video for at least one song from each Wilco album. I’ve been listening to this band a lot these past several months, picking up their albums one by one as I find them on sale or used. I’ve already recorded a song from their third studio album, Summerteeth, called “How to Fight Loneliness” — that video is posted in the members only area of this blog (scroll down to the bottom to sign in and/or sign up!). Previous to that, I recorded “I Am Trying to Break Your Heart” from their critically acclaimed fourth album Yankee Hotel Foxtrot. This was a great song — easy to learn, fun to memorize the lyrics for the performance, and I even got a compliment from a former student who watched the video!

Last week, I picked up a copy of their subsequent album, A Ghost is Born. Ironically, I’m listening to that album now and — literally the moment I typed the title of the album (!) — I just heard Tweedy singing “a ghost is born…,” which is in the lyrics to the song “Theologians.” I don’t think that A Ghost is Born is as impressive an album as Foxtrot or as rocking and enjoyable an album as Summerteeth, but I’m warming to it. There’s a great deal of experimentation, particularly on the 15-minute penultimate track “Less Than You Think.”

But I’m not quite ready to record a song from that album yet, so I went back to the first Wilco album, A.M., which is the final album that I own thus far. This album was more of a straightforward country rock effort, reminiscent of their predecessor Uncle Tupelo. Tweedy himself doesn’t sound all that impressed with the album, but I think it’s actually the most upbeat of the Wilco albums I own. It’s certainly the best album to listen to in the car!

This is my version of the single from the album, titled “Box Full of Letters.” I don’t know what it is about this song — something about the combination of the guitar hooks, lower lead vocal that resonates, and the catchy chorus — but I love it.

And it puts me one step closer to having recorded one song from each album!

Thanks for reading and watching!

See you next session!

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