“Please, Mrs. Henry” by Bob Dylan – Chords, Tabs, & How to Play

“Please, Mrs. Henry”
Bob Dylan

C#                                                               F#
Well, I’ve already had two beers, and I’m ready for the broom.
C#                                              F#
Please, Mrs. Henry, won’t you take me to my room?
C#                                                G#
I’m a good ol’ boy, but I’ve been sniffin’ too many eggs,
F#                                               C#
Talkin’ to too many people, drinkin’ too many kegs.

C#
Please, Missus Henry, Missus Henry, please!
F#
Please, Missus Henry, Missus Henry, please!
C#
I’m down on my knees, and I ain’t got a dime…

Well, I’m groanin’ in a hallway, pretty soon I’ll be mad.
Please, Mrs. Henry, won’t you take me to your dad?
I can drink like a fish; I can crawl like a snake.
I can bite like a turkey; I can slam like a drake.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, don’t crowd me, lady, or I’ll fill up your shoe.
I’m a sweet bourbon daddy, and tonight I am blue.
I’m a thousand years old, and I’m a gorgeous bomb.
I’m T-boned and punctured, but I’m known to be calm.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, I’m startin’ to drain; my stool’s gonna squeak.
If I walk too much farther, my crane’s gonna leak.
Look, Mrs. Henry, there’s only so much I can do.
Why don’t you look my way and pump me a few?

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Please, Mrs. Henry” (Bob Dylan Cover)

For Bob Dylan chords / tabs / lyrics, CLICK HERE!

By Chris Moore:

And, just like that, I’m back with my second session of the night!

As a follow-up to my previous music video, this is “Please, Mrs. Henry,” also from Bob Dylan’s 1975 release The Basement Tapes.  Generally, I am most impressed with complete, clean studio recordings of songs from my favorite bands, yet there are many instances of great music being created when an artist has stripped away at all the usual standards and practices of studio recording.  A most recent — and admittedly weird — instance of this is the re-release of Beck’s early nineties indie rock release One Foot in the Grave.  While this album really isn’t the kind of music I’ll be showing off to my friends, there is this really raw and unique sound to it.  One of the benefits to these types of recordings is the quantity of music usually available — i.e. 24 Basement Tapes tracks and 32 tracks on the aforementioned Beck album.  In the first 16 album tracks, songs like “Cyanide Breath Mint,” “Asshole” (later covered by Tom Petty for the She’s the One soundtrack!), and “Painted Eyelids” would never make it anywhere near the radio.  I love the lyrics and sound to some of the bonus tracks, as well — “Favorite Nerve,” “Burning Boyfriend,” and, “Feather in Your Cap” to name a few.

Of course, with these types of recordings, there are always going to be throwaway tracks and songs that will make you want to say, “What was he thinking?!”  But that’s to be expected…

Getting back to the Laptop Session at hand, “Please, Mrs. Henry” is one of the songs I initially disliked from this album.  More specifically, I found it kind of plain.  Now that I’ve gone back to it — specifically during my Bob Dylan mp3 marathon earlier this month — I have a newfound appreciation for the lyrics as well as the music.  Where else can you get the perspective of a singer/narrator who is not only telling you he is drunk, but actuallly sounds drunk while he’s doing it?  Dylan’s inflection aside, how else can you read lyrics like “I’ve been sniffin’ too many eggs…Drinkin’ too many kegs” or “I’m groanin’ in a hallway; pretty soon, I’ll be mad” or, who could forget, “Why don’t you look my way and pump me a few?”

Great stuff.

With that, I’ll leave you to watch my interpretation of one of the many songs on The Basement Tapes that have been capturing the attention of fans since it was recorded in 1968.  Even before the album was officially released, these tracks became some of the most bootlegged songs in rock music history.  (Think: Great White Wonder.)  And now you have my version to add to the mix.  It certainly doesn’t approach the level that Dylan’s on, but it was a lot of fun to try!  (Check out the chords, linked at the top of this post, so you can play, too…)

See you next session!

Bob Dylan Discography: 1961 – 1969

By Chris Moore:

A couple years ago, a friend at work asked me for some information about Bob Dylan and his work in the 1960s. Little did she know I would not only give her son as much verbal information as he required, but I would also type up a brief discography of his albums. I just came across it today, and I figured I would share it with you all!

Bob Dylan Discography

– The Sixties

1961 – January: Moves to New York

1962 – March: Bob Dylan

-Very folky album, mostly comprised of covers. His early original “Song to Woody” (for his hero, Woody Guthrie) is notable.

1963 – May: The Freewheelin’ Bob Dylan

-His first big success and one of his true classics! This is the album that made bands like the Beatles stand up and take notice of him.

1964 – January: The Times They Are A-Changin’

-Deep in the heart of his “protest song” era, this topical album solidified his standing with the folk artists of the 1960’s.

August: Another Side of Bob Dylan

-In this album, Dylan’s desire to break away from topical songs and write more personal material—“My Back Pages,” etc.—becomes evident.

1965 – March: Bringing It All Back Home

-Dylan begins to “go electric” with this half acoustic, half electric album.

August: Highway 61 Revisited

-This is where Dylan pulled out all the stops and made a sound that was all his own. Best known for its lead-off song, “Like A Rolling Stone.”

1966 – May: Blonde on Blonde

-Dylan pushes his sound a step further with this album; widely considered to be among the (if not THE) best album of his career.

1967 – December: John Wesley Harding

-Following his motorcycle accident in 1966 and the cancellation of his upcoming tour dates, fans were somewhat thrown by his return to a more folky sound.

1968 –

Records in a basement with the Band; those widely bootlegged takes were later
released as The Basement Tapes

1969 – April: Nashville Skyline

-Making the transformation complete, he released this country rock album with a new version of “Girl of the North Country” (originally from Freewheelin’) as a duet with Johnny Cash.

“Odds and Ends” by Bob Dylan – Chords, Tabs, & How to Play

For the cover song music video, CLICK HERE!

“Odds and Ends”
Bob Dylan

A  A7
I plan it all and I take my place;
You break your promise all over the place.
A7   D7
You promised to love me, but what do I see?
A7
Just you comin’ and spillin’ juice over me.

E7
Odds and ends, odds and ends…
A (no chord)
Lost time is not found again.

E7 – A

Now, you take your file and you bend my head;
I never can remember anything that you have said.
You promised to love me, but what do I know?
You’re always spillin’ juice on me like you got some place to go.

Odds and ends, odds and ends…
Lost time is not found again.

Now, I’ve had enough; my box is clean.
You know what I’m sayin’ and you know what I mean.
From now on, you best get on someone else,
And while you’re doin’ it, keep that juice to yourself.

Odds and ends, odds and ends…
Lost time is not found again.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **