“Little Sadie” (Bob Dylan Cover)

By Chris Moore:

Okay, it’s time to separate the Dylan fans from the fanatics… If you’re familiar with this song, you’re probably in the latter category. For your pleasure (I hope), I decided to record “Little Sadie,” a very simple but fun song from Bob Dylan’s Self Portrait album. This is, of course, not to be confused with “In Search of Little Sadie,” the song two tracks earlier on the album with essentially the same lyrics but a different arrangement. Now, Dylan is known for never performing a song the same way twice, but he doesn’t usually record two different versions on the same album…

I know that Self Portrait is considered perhaps his weakest and most disappointing album (aside from Dylan, which wasn’t even released on CD!), but I’ve always loved the simple and soothing feel of the recordings. True, some are throw-aways, but I actually recorded my very first Laptop Session last year with “Living the Blues.” He does a couple great covers — Gordon Lightfoot’s “Early Mornin’ Rain,” for instance. His cover of Paul Simon’s “The Boxer” is just about the only recording I’ve ever heard where he double-tracks his voice. If you listen carefully, it sounds like one voice is the gruff Dylan and one voice is the “Lay Lady Lay” Dylan. Interesting…

Without further ado, I really hope you enjoy this song and please rate and/or comment on it!

Check back tomorrow at https://guitarbucketlist.com for another great all-new session from Jeff!

“Minstrel’s Song” (Moody Blues Cover)

For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to an all-new week of cover song music videos at my personal favorite blog on the web today — and I swear I’m not biased!  I had a busy but very enjoyable weekend, including going to see the Moody Blues as they tore the house down at the “Chevrolet” Theater in Wallingford, Connecticut.  (I put the Chevrolet part in quotations because I refuse to recognize that as the name.  Just about everyone I know still calls it the Oakdale, despite Chevy’s blatant self-promotion.)

The song I chose to learn and record came out of the music I listened to on the way home from the concert on Saturday night, namely the Moody Blues’ “Live at the Isle of Wight Festival,” a concert from 1970 that was released a year or so ago on CD and, more recently, on DVD.  As could be expected, this concert includes songs from their first three LPs, but it certainly includes a healthy portion of songs from their A Question of Balance album, released that same year.  My session tonight, a John Lodge track titled “Minstrel’s Song,” is a song from that aforementioned album.

The live version from 1970 is an upbeat version and a great performance, but there really is no comparison to the studio recording on the album.  Even though I agree that A Question of Balance simply doesn’t hit the same peaks of concept album perfection that On the Threshold of a Dream and To Our Children’s Children’s Children did — what a year 1969 must have been for Moody Blues fans and music lovers in general! — in my opinion, it can’t be beat in terms of production quality and a constant flow of catchy, interesting songs.  I suppose this makes sense, as it has been said that the album was an effort on their part to record songs that would be more easily reproduced in concert.  Thankfully, though, they did return to their inventive soundscapes for their following two releases.

Now, let’s pause for a moment to add in some Laptop Sessions trivia.  In the past, there have been two other tracks from A Question of Balance recorded as cover song music videos here at the blog.  One is a foregone conclusion — the truly amazing album opener “Question,” a true acoustic masterpiece, if only for the opening guitar strum pattern.  And I’ll even tell you that Jim recorded it.

My question is: what was the second song from this album to be recorded by a Laptop Sessions contributor, and which guitarist here at the blog recorded it?  If you know, then be the first to add a comment below!

The reason I chose this song is the same reason I have spent the past two days listening to the Moody Blues nonstop — first the concert CD, then A Question of Balance, followed by Strange Times — namely, because the concert was such an entertaining experience.  This is probably the third or fourth time I have seen Justin Hayward, John Lodge, and Graeme Edge in concert, and they continue to impress every year they come around.  (They must have a decent fanbase in Connecticut, as they appeared at the Mohegan Sun on Sunday, the next night after performing at the Oakdale!)  As my third and final concert of the summer, there was some pressure here based on how much I enjoyed my previous two, Bob Dylan and Wilco respectively.  And, again, there was no contest; the Moody Blues only get better — or, more realistically, stay at the same level of greatness — with age.

Some highlights from this stop on the Moody Blues’ “Summer Nights Tour 2009” included Justin Hayward foregoing his usual collared shirt for a lime green t-shirt with a definite summer feel to it, then a white t-shirt after the intermission break.  The set list included some interesting song choices, most notably “Peak Hour” from the “Lunch Break” segment of their debut album Days of Future Passed.  Supposedly, this song has not been performed in concert for about 40 years!  Regardless, it was one of the highlights of the night, combining catchy vocals and impressive harmonies with amazing instrumental work.

Perhaps the funniest moment of the night came when Graeme Edge, before performing “Higher and Higher,” recalled the classic mentality that it’s all about “sex, drugs, and rock ‘n’ roll.”  He claimed that it was still true, even if the drug of choice may have changed to Viagra.

Obvious crack at their age aside, I can’t stress enough that the Moody Blues are still at the top of their game.  Ever since Jim and I spent a summer a couple years ago listening to all of their albums (each one repeatedly) in sequence, the Moody Blues have held a special place in my heart and in my thoughts of the summer time.  Each time they come around, I realize they have a lot to live up to in terms of their past performances and their impressive discography.  All in all, they played for almost two hours and included at least one song from just about every studio album they ever released, with the exception of two of my favorites, The Present and Strange Times.  Jim might correct me here, as I decided to entirely enjoy this concert without keeping track of the set list or writing a full review, but my full review would have gone something like this: don’t miss out on the chance to see the Moody Blues if you get the chance!

Well, that about does it for me.  On a final note, is it a bad sign if, after playing my finished Laptop Session as I wrote this post tonight, my cat reached over and hit the “Volume Down” key on my MacBook?  I’m not even kidding here.  I hope you don’t have the same reaction!

See you next session!

“A Winter’s Tale” (Moody Blues)

For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of the Laptop Sessions.  To kick off another full week of new material, I’ve reached into the Moody Blues catalog of songs — specifically from their 2003 album December — to bring you a cover song version of their cover of the Mike Blatt and Tim Rice song “A Winter’s Tale.”

Now, although I am an English teacher, this is not to be confused with the William Shakespeare play “The Winter’s Tale.”  Not only is there a notable difference in parts of speech (namely the indefinite – “a” – versus the definite – “the” – articles), but there is also a big difference in tone.  Still, “The Winter’s Tale” is quite a trip.  Consider, for instance, that this play contains one of Shakespeare’s most infamous stage directions: “Exit, pursued by a bear.”  What I find the most interesting is that there is contention over whether he used an actual bear for the original productions, or simply a man dressed in a bear costume.

I would assume the latter, but the former is just so much more fascinating…

But this is all beside the point.

“A Winter’s Tale” is one of those songs that is indisputably beautiful, sung perfectly by Justin Hayward.  For those who have seen them in concert recently, you may have noticed my apparel is a nod to Hayward’s typical onstage wardrobe.  That wasn’t too difficult to arrange, as I simply removed my tie and jacket and voila!  Of course, this is also one of those songs that, upon playback, forces me to remember I’m a rhythm guitarist hammering away at what is such a subtle, pretty song at heart.  During our MoU Christmas concerts, Mike would front the band on this one, fingerpicking and taking the lead — and for good reason!

The reason I’m standing up is because the song simply didn’t sound right when I played it sitting down.  I found I was having trouble getting comfortable as I played it.

Of course, the majority of the song being played on barre chords didn’t help either…

Several takes and several strained ligaments in my hands later, you’ve got yourself a new Laptop Session.

As a final note about the song, I found it very interesting that this song, originally written by songwriters Mike Batt and Tim Rice, hit #2 on the UK charts back in 1982.  Batt teamed up with Rice to write the song for performer David Essex.  Another interesting bit of trivia is that Batt went on to produce Justin Hayward’s solo album Classic Blue between 1988 and 1989 at Abbey Road Studios in London.  Classic Blue, ironically, is an album of covers.  The track listing includes three songs written by Batt, as well as classics from Brian Wilson, Lennon/McCartney, and Led Zeppelin.

I hope that you enjoy this installment of the Laptop Sessions, and I encourage you to hurry back for more very soon.  In addition to your regularly scheduled (yuletide?) cover song music video tomorrow, there may be a brand new Guest Session on Friday, as well as another edition of the Weekend Review.  If you missed last weekend’s music review, you should know that I just kicked off a top five albums of the decade countdown.  Each weekend between now and January 2nd, 2009, I will reveal another album on the list, as well as a full review.  Then, on January 2nd, I will post my full “Top Thirty Rock Albums of the Decade” list, along with my review for the number one rock album of the decade.

Thus far, the Barenaked Ladies’ Maroon (2000) has cinched the #5 slot.  Which album will rank as the fourth best album of the decade?

You’ll have to tune in to the Weekend Review to find out…

See you next session!

“Minstrel’s Song” by the Moody Blues – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“Minstrel’s Song”
The Moody Blues

C             F         C          F            C
Words, a simple song, a minstrel sings
C            F             C
A way of life in his eyes.
C            F            C        F          C
Hear the morning call of waking birds
C                      F
When they are singing, bringing
F   C    G
Love — Love.

C       D         F                C
Everywhere, love is all around.
Everywhere, love is all around.

Now the winter’s gone,
Cold wind has blown
The endless stream in our lives
Where the minstrel sings
This simple song.
He’s always bringing, singing
Love — Love.

Everywhere, love is all around.
Everywhere, love is all around.

BRIDGE:   D – F        F – C – G – C    G

C                                 F           C
Listen to the one who sings of love.
F               C               F                C
Follow our friend, our wandering friend.
C                                 F           C
Listen to the one who sings of love.
G                               C
Everywhere, love is around,
G            C
Around, around…

Hear the nations sing
Our minstrel’s song,
As he walks by in their lives.
Soon the spring will come,
And everyone will all be singing, bringing
Love — Love.

Everywhere, love is all around.
Everywhere, love is all around.

BRIDGE

CHORUS (x2)

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **