F
They say you’re coming around to this cold New England town.
Well, that don’t mean much to them, but that sure means a lot to me.
G
You’ve seen many parts of the world, reporting on the Vietnamese.
All I want to see today is you in your red and green Christmas fleece.
G
Strange things have happened to me on these snowy Christmas eves…
They say you’re coming around, but they don’t say anything else.
Don’t leave me here in the dark; please lead me out in the cold.
Let me know that you’re coming for sure. (I’d wait forever for her.)
By now, you know that you’re the type of a girl who rocks the world
of a guy in a rural town.
Strange things are happening to me on this snowy Christmas eve…
E D
You don’t need a blanket, and you don’t need a bed.
E G
If all you’ve got’s my shoulder, baby, you can rest your head.
G C
Remember last Christmas, building the tree,
G C7
Lying under the branches, just you and me?
We were talking about Jesus, defining the Holy Ghost,
Wondering where our senses of humor went when we needed them most.
You don’t need a blanket, and you don’t need a bed.
If all you’ve got’s my shoulder, baby, you can rest your head.
I attended a Thursday mass in the center of town.
Looking out for your big, bright cathedral eyes.
I was always the one who tries, and you were the one.
And I in my sport coat, and you in your dress — we knew it was best…
INSTRUMENTAL (over G – C – G – C7)
G
Hay was all they had in the manger,
E
Hay was all that Mary had.
But that didn’t matter none to Mary ’cause
Good evening and welcome to what has become a Christmas tradition for me here at the Laptop Sessions. Each year since 2007, I have posted one yuletide original during the month of December. Last year, I wrote and recorded a song on Christmas eve, so this year I wanted to post another on the last Original Wednesday before Christmas Eve.
This year’s selection is one I wrote years ago and was first included on the Chris, Jim, and Mike holiday album Our Christmas Gift to You. To be honest, I don’t remember exactly when I wrote this song, but I certainly remember my first recording. I had never recorded using a multi-track mixer, so Mike lent me one that he had inherited from a local photographer. In its day, it had been a really nice system. Unfortunately, some of the controls were off and there were certain tracks that would become spliced together — I’m not sure how else to describe this. Essentially, I couldn’t lower or raise the volume on one track without another following it.
That being said, it felt like Mike was handing me a portable professional studio!
I rushed home late from Mike and Jim’s house that night, quietly snuck into my house (my parents were fast asleep), and set up in the small bathroom in the basement. After about twenty minutes of silent trips up to my bedroom, the mixer had been set up on the toilet, the microphone stands near the shower, the keyboard by the towel rack, and I was sitting on my stool with my back against the sink.
And yes, I am holding myself back from making the obvious stool/bathroom pun here…
The version I recorded that night was quiet and a bit sloppy, but it really wasn’t as sloppy as it should have been for my first recording. To be certain, many songs that I would record later on more reliable equipment seemed, at least to me, to be inferior to the overall feel of my first “Moment.”
The next version that I recorded was for the November 25, 2004 release of Our Christmas Gift to You. I felt very much like the rawer, indie cousin of my future bandmates, as my two songs weren’t as fully produced as Jim and Mike’s were. Still, it felt — and still feels! — exciting and, to be honest, like an honor to hear “Christmas Cards” and “Moment” alongside some of my all-time favorite Christmas originals, like “The First Snow” and “Christmas Evening.”
Although “Moment” sounds very quirky and I salivate just thinking about a day in the future when I might re-record it with a minimalist drum kit keeping time, I always liked it (and, of course, I’ll always have the MoU Christmas Concert 2006 CD to hold me over…). “Moment” is one of those songs that makes me feel something when I listen to it. Even now, years and years after writing it, I remember exactly how I felt the day I wrote it. It’s like being able to pick up a guitar or put on a CD and go back in time to the end of high school/beginning of college. As you’ll hear, it’s a song about a person who has just learned that the love of his life is returning to town after being away for a year, ostensibly as a journalist overseas. The narrator hasn’t heard from the person, only rumors, and is frustrated that no one seems to understand how important this news is to him. As the song continues, we get some flashbacks to the previous Christmas and a vague but satisfying real-time encounter set during a Christmas eve church service. The final line explains the title: “Hay was all they had in the manger — hay was all that Mary had; but that didn’t matter none to Mary ’cause Mary had Joseph to share each and every moment…”
If you’ve ever found yourself at Christmastime, connected to what used to be close friends merely by rumor and third-hand report, then you’ll understand where this song is coming from. For this recording, I tried to harken back to my first off-the-cuff, essentially one-take recording by staying in my pajamas and simply playing it once to rehearse it before hitting the “record” button.
The result? My third Original Wednesday post on the eve of Christmas.
The problem? I’m fresh out of original Christmas songs for next year…
I’ll just have to hope inspiration strikes before then!
