Announcing a new Laptop Sessions weekly feature: “The Weekend Review”

By Chris Moore:

Those of you who regularly check the Laptop Sessions homepage for fresh material may have noticed that I have been writing a music review once a week, posting it on either Saturday or Sunday.  Since we shifted away from the “session-a-day” format, these two days have generally been a dry spot for new material on the website.

And why shouldn’t there be something new to look forward to as you’re kicking back on the weekend and wishing you had something new to read or watch?

Starting now, the Laptop Sessions will be posting a music review once every week on either Saturday or Sunday.  This segment, titled “The Weekend Review,” will focus on new albums that have just been released, classic albums that transcend time, “deep racks reports” on albums that have been underrated and/or forgotten about, and live acoustic and rock music in the tri-state area.

If you or your band has released any music recently — albums, EP’s, singles, etc. — then submit your music HERE to be reviewed.

Get tuned in to the albums and songs worth writing about — don’t miss an edition of “The Weekend Review”!

More album reviews

Music Review: Weezer’s “Raditude”

RATING:  1 / 5 stars

By Chris Moore:

I was the first to scoff at early negative reviews of the new Weezer album.  It seemed there was an inordinate number of swipes at the admittedly odd title, Raditude.  After all, I reasoned, Rivers Cuomo hasn’t exactly built his career by being serious.

So, it was with high hopes that I started listening to Raditude.  From the opening track — “(If You’re Wondering If I Want You To) I Want You To” — it became immediately apparent that the lyrics would be juvenile.

And yet this was never a turn-off.

I had heard this song, the first single, about fifteen or twenty times before the album was even released.  It had been leaked on YouTube, then removed, then reposted by another source, and finally released officially as the single.  And, each time I heard it, I liked it more and more.  This is saying a great deal, considering that the song includes references to watching Titanic and eating meat loaf as key plot points.

The way I see it, there are two types of great Weezer songs:  introverted, introspective ballads and catchy, fun rock/pop gems.

Any serious Weezer fan who will disparage the quality of Cuomo’s lyrics in 2009 needs to think back to such earlier tracks as “No One Else” — “My girl’s got a big mouth, with which she blabbers a lot…” — and “Getchoo” — “Sometimes I push too hard; sometimes you fall and skin your knee…”  And can anyone even begin to transcribe the lyrics to “Hash Pipe”?

I didn’t think so.

Weezer's "Raditude" (2009)

Weezer's "Raditude" (2009)

So, the credibility and entertainment value of “(If You’re Wondering If I Want You To) I Want You To” being established, the other nine songs on Raditude should be addressed.  In a nutshell, the new album is generally a mixed bag — one part catchy guitar hooks, one part derivative stylistic choices, and two parts juvenile and (to be frank) ridiculous lyrics — that all amounts to a mediocre collection of material.

I’ve always been drawn to Rivers Cuomo’s firm embrace on the simple, pure, and raw emotions that we generally attribute to the innocence (and immaturity) of youth, but this time around, there is little for me to relate to or feel moved by.

“I’m Your Daddy” is about as two dimensional a song as you’ll ever find, stripped of Cuomo’s trademark quirky innocence to reveal an inexperienced Romeo.  It is also a bit creepy to listen to after learning that he began writing it while watching his daughter.

“The Girl Got Hot” is driven by catchy, distortion-drenched guitars, but again the lyrics fall short.  I kept waiting for a moral to the story — I would have settled for something as simple as “don’t judge a book by its cover” — but all I ended up with was the singer’s revelation that, when it comes to Kiki Dee’s friends, “She got hot, and they did not.”  Oh, and the phrase “buyer beware” is potentially problematic, but I won’t even go there.

Then comes the piece de la resistance, “Can’t Stop Partying.”  Again, I waited for the subtext that the lyrics must surely contain, considering the minor chords and Cuomo’s diction — “can’t stop” implies addiction.  And again, I was met with lines like “If you was me, honey, you would do it too” and “Screw rehab; I love my addiction.”  Just when I thought it couldn’t get less redeemable, Lil Wayne lays down a chauvinistic, obscenity laden ode to excess.

The remainder of the album is divided between forgettable, inane tracks — like “In the Mall” — and solid, albeit middle-of-the-road songs — like “Put Me Back Together.”  The latter track is one of my favorites from the new album, even though it is difficult to shake the feeling that this would have been a filler track on any earlier Weezer release.

Other tracks like “Let It All Hang Out” and “Love is the Answer” are debatable — on the upside, they do tap into the aforementioned pure, raw emotions that the band’s best material always has, yet there is nothing extraordinary about them.

At the end of the day, I have to reluctantly admit that my opinion is not so divergent from that of Slant reviewer Huw Jones — strictly in his opinion of this album, but NOT his opinion of Weezer’s overall career arc (he’s seriously off there).  Weezer has finally released an album that I can’t endorse — and that I, unfortunately, can’t listen to for very long without feeling disappointed.

More album reviews

“Cornerstone” (Arctic Monkeys Cover)

For Arctic Monkeys chords & lyrics, CLICK HERE!

By Chris Moore:

It is my pleasure to welcome you once again to a brand-new week of all-new acoustic cover song music videos here at the Laptop Sessions.  Following up my version of “Just Breathe” from Pearl Jam’s new 2009 album, I’m happy to present to you a new band to the blog and a new 2009 single.

If you’ve visited our site before, then you know that “New Music” is my niche here at the blog.  I get a great deal of direction in terms of what to learn, record, or write about from the new music that I’m listening to, week by week.  Up until last week, it had been a while since I delved into the new release racks for a session, so I’m attempting to make up for that tonight and later this week.

My video tonight is the mid-album cut “Cornerstone” from the Arctic Monkeys’ 2009 release Humbug.  Previous to hearing this record, I didn’t know all that much about the Monkeys, and frankly, there wasn’t much that I found appealing.  Since their rise to fame via the Internet in 2006, their work has been praised by some — Rolling Stone, for one — as outstanding, and it has also been disparaged as overrated.  In addition, they received a backlash of criticism upon releasing their Who the Fuck are Arctic Monkeys EP merely three months after their debut album.  Some called it a greedy move, while the band maintained that they wanted to release new material that they would be adding to their live shows.  Now, I’ve certainly never been one to defend EP’s (Ben Folds and the Supersunnyspeedgraphic nonsense, anyone?), and I don’t plan to start here.  Still, one should keep in mind that an album is typically recorded a significant time before its actual release — in this case, the EP was released seven months after the band finished recording their debut album.

Anyway, this album was recommended to me by a former student and friend who has tuned me in to some great material from Beck, Cold War Kids, and Harvey Danger — in other words, bands that I wouldn’t have listened to on my own.  He described it as being more “slow and contemplative instead of just in your face punk music” which, for anyone who knows me, immediately got my attention!

While I rated this album as a “Maybe So,” it really is one of my favorites this year.  It’s the type of album you can listen to again and again without it getting old.  I love their style here: the songs are unique, and yet reminiscent of some of the greatest rock of the sixties, and their lyrics really make the music stand out to me.

Which brings me to “Cornerstone.”

I will never forget driving to school, listening to this song for the first time.  I had been enjoying the album, but this song really made me stop and take notice.  There is this devious tone in Alex Turner’s voice as he sings the story of a man searching for a girl who has left him.  Did she break up with him?  Has she died?  Regardless, he is prowling the dirtiest-sounding dives, flirting and engaging with women of whom he soon makes an odd request.

He asks if it would be acceptable for him to refer to them by the name of his ex-lover.

No big deal.  It doesn’t hurt to ask, right?  Well, that’s not the case for most of the song.  But you’ll have to listen until the end to find out how he fares.

In other new music news, I’m excited about picking up Bob Dylan’s first ever Christmas album, Christmas in the Heart.  Of course, this is a mixed bag.  After all, contrary to the fact that several holiday albums are coming out tomorrow, I think that it’s far too soon to start listening to Christmas music.  I’ll probably end up listening to it once before I tuck it away for the day after Thanksgiving…  The other question in my mind is whether or not the deluxe edition is worth the extra money.  From what I can tell from the limited descriptions I’ve been able to find online, there are some greeting cards attached in the special edition.  Well, how many?  Do you save them or do you send them?  How many people would truly appreciate a Bob Dylan Christmas card?  Is his face on the cards?  Could be scary to small children or residents of small New Jersey towns…

Well, that’s enough for tonight.  I hope you enjoy my video.  If you like it, you should mark your calendars for October 15th when the official music video for “Cornerstone” is set to be released.  It has also been scheduled to be released as the second single from Humbug about a month after that.

See you next session!

More Laptop Sessions covers

“You’ve Got To Hide Your Love Away” (Beatles Cover)

For Beatles chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to my first traditional “video and a post” Laptop Session in weeks!  For the past few posts, I’ve opted to write reviews, but now its back to Beatles cover songs for me!  This was actually a lot of fun, but I don’t get to write as directly and personally as I do in a post like this one.  Thus, I’m back with a guitar, recording my first cover song music video since “God’s Gonna Cut You Down.” Let’s just say it’s good to be “back”!

You’ve probably already noticed that the Laptop Sessions main page has suddenly been filled with “chords & lyrics” posts.  Let me start by explaining these four new additions to the blog.

First, the Beatles chords (for “You’ve Got To Hide Your Love Away”) are obviously meant to accompany this post.  If you enjoy it, then by all means, jump in and start playing it yourself.  Actually, you might want to read the rest of my post before you break out your axe…

So, why the added chords and lyrics?

Well, I’ve been itching to record a cover version of a track from the new Pearl Jam album Backspacer ever since I started listening to it last Sunday.  Specifically, there are two largely acoustic tracks that are very easily translatable into acoustic music videos — namely, “Just Breathe” and “The End.”  The first single, “The Fixer,” is more of a full-band, harder rock affair, but its structure is fairly simple and it is truly a great deal of fun to sing.  I’m still deciding which song to record for my session (anyone care to hazard a guess before next week?).

Now, normally I would wait until next Monday to post the chords, but I’ve been learning/practicing all three and going out of my mind attempting to comprehend how anyone could post the chords and lyrics without having even the slightest idea as to what the correct words are.  This, in fact, is one of the most profoundly aggravating aspects of the decline of CD’s, at least in my mind — people who download digitally do not necessarily get a booklet, and even if they do, do not necessarily take the time to read the liner notes and lyrics.  Has music really become that abundant and easily accessible that we couldn’t care less what the singer is actually saying, or what the album as a whole is actually about?  This is the feeling I get when I surf the web for chords and lyrics.

This is also why I enjoy spending time in CD stores like Newbury Comics or — as I visited today — Exile on Main Street.  It’s a good feeling to see albums that you had forgotten about, never actually seen in person, or perhaps never even heard of before.  I left today with my hands covered in a thin layer of dust, having purchased an album that had collected a considerable amount of that aforementioned dust — the Charlie Sexton Sextet’s Under the Wishing Tree.  (Sexton played with Dylan for a few years, left the band a while back, and just recently rejoined — he was perhaps my favorite guitarist that I’ve seen in Dylan’s band, so I had to check it out.  More to come after I’ve listened more closely to the album…)

After all this posting, I suppose I should actually take a few moments to address the video you’re about to watch…

Following Jeff’s excellent rendition of “Yesterday” last Thumpin’ Thursday, I decided I couldn’t let the Beatles marathon slip away on my watch.  I had been planning to record a Pearl Jam song (as I mentioned earlier), so I opted instead to record a Beatles song that had been sung by Eddie Vedder in a cover version a few years back.  “You’ve Got To Hide Your Love Away” is the third track from the Beatles’ excellent 1965 album Help! — Nicole’s favorite Beatles album.  Thankfully, I was able to borrow her copy of the 2009 remastered version of Help! and ensure that I was more than prepared to record this great song.

The video that follows is a perfect example of what seems like a short, simple song but is in actuality a little gem.  To me, this song exemplifies how the Beatles really aren’t overrated — even with a simple verse-verse-chorus-repeat-fade song, Lennon and McCartney had to throw in some interesting chords and variations.  It’s not simply G or C that you’re hearing — instead, my underworked and not-so-dexterous pinky finger was called into play to make the song sound entirely accurate.  Even as I type, my hand is still recovering from the workout!  Overall, I’m very pleased with how the recording came out, even if my lips ended up a bit dry and thus led to a few flubs during my “vocal flute” solo at the outro.  I hope you can forgive the slight inaccuracies and enjoy this great Lennon/McCartney classic!

My internet was a bit screwy last week and I lost all my progress, so I put it aside temporarily.

It’s been a great Yom Kippur (see my Twitter posts above), and although it’s back to school for me tomorrow, I still have another surprise up my sleeve for later this week.  That is, if my internet connection can hold steady…

See you next session!

More Laptop Sessions covers