“Tin Man” (America Cover)

By Jeff Copperthite:

Thank you for coming by to check out today’s edition of The Laptop Sessions! I am pleased to bring another great cover song video to you today. And it’s a band we have happily covered before (this is my 3rd personally).

Going back to another America song, and another Dewey Bunnell written song, I bring you “Tin Man” from their album “Holiday”. This song was extremely popular (though not quite as much as “A Horse With No Name”) and it helped the album reach gold status. I love the catchy guitar riff and the simple, yet effective vocals to the song.

My fingers are in such pain after doing this song. The main progression is Gmaj7 and Cmaj7, and I decided I wanted to use the exact chord fingerings that Dewey uses. I’m happy it came out well, but i’m sure you’ll notice me having fun with the Gmaj7 chord. That particular fingering can give me some problems, but in this take I did a pretty good job with it.

I hope you enjoyed this session — the next day’s post brought another original song from the one, the only, Jim Fusco! (EDIT: Sorry, was quite sleepy yesterday)

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

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“Blue Christmas” (Elvis Presley acoustic Christmas cover song)

By Jim Fusco:

Welcome, welcome to another edition of the Laptop Sessions in high definition!  Tonight, I bring you the second video from last week’s recording session.  This one is truly a classic off of one of my favorite all-time albums: Elvis Presley’s 1957 Christmas Album.

“Blue Christmas” is a song everyone knows.  And, I’m pretty sure that with tonight’s recording, that every single musician in the last 50 years has recorded a version of it.  I happen to do mine in Elvis’ style, but I love Brian Wilson’s version on the Beach Boys Christmas Album, too.  But, while Brian’s version is sad and melancholy, Elvis gives this song so much raw soul.  It’s his “uh-huh” singing at its best and is on my list of “perfect recordings”.  Those are the songs (like, for instance, the Beach Boys’ “God Only Knows”) that couldn’t be any better- just the perfect blend of instrumentation, songwriting style, vocals, etc.

Of course, “Blue Christmas” was even recorded earlier than Elvis’s version- as early as 1948!  But, Elvis made it a rock song and that’s the version that everyone knows.

I got to use my colleague Noreen’s 12-string Gibson acoustic from 1967 on this one- what a great sound!  It was so much fun to play.  When you’re using that guitar in a room with good acoustics, you feel like you’re a one man band.  I’m loving this new setup.  And, this week’s video was much easier to edit- literally took just a minute until it was rendering.  It’s such a nice feeling to get something done right the first time.

On a personal note, things have never been busier.  Whether it’s decorating the house, going shopping, cooking, working, etc. I’m never just sitting and relaxing.  I have a feeling it’s going to be like this until after the New Year, but I tell ya- I need some more sleep!  I’m looking forward to a couple of work parties, a couple of get-togethers at the new house, and general Christmas cheer.

If you haven’t done it yet, head on over to WCJM Free Internet Radio at wcjm.com and click on the Moore Hits in the Morning radio in the center of the screen.  You’ll then be taken to all of our radio shows that you can listen to absolutely free- click on any of the numerous Christmas shows and get ready to laugh!  They’re really entertaining and I listen to each of them at least twice each Christmas season to get me in that yuletide mood.

Okay, off to bed now!

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“Holiday” (Bee Gees Cover)

By Jim Fusco:

Welcome to the first-ever Laptop Sessions acoustic cover song music video in high definition, which I’ve dubbed, “LSHD”.  I’m so excited to be on the cutting-edge of technology and hope that more YouTube viewers will see my cover song music videos because of the enhanced new look.

But, what a project doing this for the first time…  Even on my fast Mac Pro, it still took almost an hour just to render this video, and then the audio and video sync kept going off.  So, it was a project that took WAY more time than anticipated.  I think I have a pretty good system going now, so I hope the future music videos will be a bit easier to produce.

Tonight, I enlisted the help of  my colleague Noreen’s 1967 Gibson 12-string acoustic guitar.  It’s pretty sweet, as you see in the video, but also sounds pretty great, as well.  It’s really easy to play and has a very powerful sound.  As soon as I picked it up a couple weeks ago, “Holiday” from the Bee Gees just popped into my head.  Something about that 12-string sound that just reminded me of this song.  So, I knew I had to have it for this video, and I knew I wanted something special for my first one in HD.

Actually, this is also my first music video from my new house, which I share with my new wife.  Yes, the awesome studio is long gone now, but I’ve got a pretty good setup here in one of our spare bedrooms.  Someday I’ll rebuild the studio, but I don’t think it’ll be in the house.  We’ll see.

“Holiday” is one of those songs I’ve known for all my 25 years.  My father put it on his famous Christmas compilation cassette tape set and we heard it every year.  It took me quite a long time to realize that this wasn’t necessarily a Christmas song, though I do hear it on the oldies stations during this time of year.  I thought it would be a nice way to usher in the “season”.  Actually, there are a lot of songs that aren’t really Christmas songs, but I’ll always consider them to be: “Another Morning” from the Moody Blues (off of Days of Future Passed, which is about “a child’s world”, which my father thought reminded him of Christmas), “Eyes of a Child” by the Moody Blues (off of To Our Children’s Children’s Children, which my father took to mean like the birth of a child, like Jesus), “Christmas” by the Who (which is only loosely based on the holiday of Christmas), and “My Sweet Lord” by George Harrison (which is a song praising God, but says nothing about the holiday).  Again, they’ll always be Christmas songs to me.

I’m glad I got to know this song- it’s a good tune.  The early Bee Gees were really good and I enjoy many of their early hits.  They’re a band that really re-invented themselves in the seventies.  It’s almost like two completely different bands.  Plus, you know I love a group of brothers that write their own songs and sing in harmony, so it’s a perfect fit!

I never really understood the words to this song, but now I know why- it’s because I still had the kid’s understanding of the lyrics that I thought I “learned” when I was little.  I mean, I learned the words maybe 20 years ago, but my vocabulary then was not what it is now.  So, the line, “put the soft pillow on my head” always came out as “but there’s something upon my head”.  No wonder it never made any sense to me.

Anyway, I hope you enjoy my first LSHD video and welcome to the new era of the Laptop Sessions.

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Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review

By Chris Moore:

Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre.  More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.

Still, not every nostalgia-inducing feature is practiced or purposeful.  For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.

Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.

Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970’s Self Portrait, the runner up being 1992’s Good As I Been To You, clocking in at thirteen tracks.  Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.

Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so.  Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past.  2001’s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.

In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.

Bob Dylan's "Christmas in the Heart" (2009)

Bob Dylan's "Christmas in the Heart" (2009)

I will admit that, upon a first listen, I was unimpressed.  Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.

“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone.  In this song, his vocals are stretched and utilized to heartfelt effect.

As I listened a second and third time, the subtlety of these tracks began to set in.  The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.

Is there a better description for a Christmas album?

What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people.  Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.

Dylan, known for turning around and surprising even his most loyal fanbase, has done it again.  It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career.  Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.

If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…

For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit.  It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.

All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.

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