Tag Archives: chris moore

The Deep Racks Report: “Binaural”

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By Chris Moore:

I think we’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to brief but focused reports on ALBUMS that do not receive as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS: Chris – “Thin Air” (chords included!)

When Pearl Jam released Binaural in 2000, they were met with solid sales — #2 on Billboard in the first week of its release — and decent critical reception — Rolling Stone gave it the 3.5 out of 5 stars nod.  For any other band, this may have been exciting.  However, for Pearl Jam, #2 on the Billboard 200 could be considered a minimum expectation, as even their debut album had hit that position.  As for the critical reception, Rolling Stone had rated all of their previous albums (except their first two, which had not been rated) a full four stars.  This may seem a minor change from 4 to 3.5, but it is a significant one.  The subtext?  Binaural is somehow inferior to Pearl Jam’s previous releases.

Fast forward to 2009, and let’s talk dollar signs.  I’m not referring to album sales — although Binaural is infamously the first Pearl Jam album to fail to reach platinum status, never mind the 7x and 5x platinum statistics of Vs. and Vitalogy respectively or the 12x platinum(!) heights of Ten.  I’m referring to the sticker price.  The average retail value in stores like Best Buy and Circuit City — stores at which the average for CDs is largely in the $12.99 – $14.99 range — is $5.99.  Even on Amazon.com, the price is higher (albeit a measly $1) at $6.99.  What does that say about this album, a fully studio-produced main catalog Pearl Jam release, that its retail value is less than half of the average price one would expect?

While I can’t tell you why it is valued for so low, I can report that this is an excellent album!  Admittedly, I purchased it during Circuit City’s store closing sale for only $4.  I didn’t expect to like it.  Rather, I wanted to get my feet wet with a Pearl Jam record before listening to their debut Ten when it is remastered and re-released later this month.  After a couple listens — and contrary to my expectations — I’ve become hooked on this album.  Right out of the plastic, the packaging is a positive sign — a three-fold digipack with full lyrics reproduced as images of typewritten and handwritten notes.  From the breakneck pace of the first track “Breakerfall” to the sad, soothing sound of the final track “Parting Ways,” the sequence of this album is just right.  The first three tracks are among my favorites on the album (“Evacuation” is possibly the best, most rocking track on the album) and make me reconsider every time I want to take it out of my CD player after a full rotation.  “Light Years” slows it all down and (contrary to Rolling Stone‘s criticisms) unwinds into an excellent ballad of sorts.  The single “Nothing As It Seems” comes next, which I do like, although I couldn’t tell you why this particular track was chosen as the single when there were so many other excellent choices.

For three more tracks, the pace is heavy and slower, but these are some excellent tracks — “Thin Air” (see above for the link to the Laptop Session version), the show-stopping “Insignificance,” and “Of The Girl.”  Truth be told, the next trio of songs are the only sequence on the album that I could do without.  The energy of “Grievance” and “Rival” are undeniable — the latter won a Grammy for Best Hard Rock Performance — and “Sleight of Hand” is a nice lead-up to the final two songs on the album, but I can see why one might have seen Pearl Jam treading water with these tracks.  Then again, taking the Grammy into consideration, perhaps my opinion is simply the opposite of all paid critics.

The album ends slowly with “Parting Ways,” but the final highlight of the album — the song that first made me perk up and pay attention lyrically — is the penultimate track “Soon Forget.”  It’s just Eddie Vedder and a ukulele, but it’s so much more.  The arrangement fits the song perfectly, as Vedder sings about a man who “trades his soul for a Corvette,” “trades his love for hi-rise rent,” and is ultimately “living a day he’ll soon forget.”  As the song concludes with his funeral scene, Vedder sings, “He’s stiffening.  We’re all whistling, a man we’ll soon forget…”

Granted this is my first Pearl Jam album experience, but if the other albums are so much better, then I can’t wait to hear them!  There’s nothing wrong with this album, and it certainly doesn’t deserve the drastically reduced retail price or ho-hum reviews (Rolling Stone was so distracted that the review is largely a commentary on late 90s pop music, framed by a comparison between Matchbox Twenty and Pearl Jam).  Based on the quality of individual tracks and on the thoughtful sequencing of the album as a whole, Binaural is more than worth your time!

“God’s Gonna Cut You Down” (Traditional) by Johnny Cash – Chords, Tabs, & How to Play

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To see how it’s played in the cover song music video, CLICK HERE!

“God’s Gonna Cut You Down”
Traditional / Johnny Cash

(Capo 1st fret)
Am
You can run on for a long time,
Dsus2          Am
Run on for a long time,
Am
Run on for a long time.
C              Dsus2       Em         Am
Sooner or later, God’ll cut you down.
C              Dsus2       Em         Am
Sooner or later, God’ll cut you down.

Am
Go tell that long tongue liar,
Am
Go and tell that midnight rider.
Am
Tell the rambler, the gambler, the backbiter,
C                  Dsus2        Em          Am
Tell ’em that God’s gonna cut ’em down;
C                  Dsus2        Em          Am
Tell ’em that God’s gonna cut ’em down.

Am
Well, my goodness gracious, let me tell you the news;
Dsus2                                   Am
My head’s been wet with the midnight dew.
I’ve been down on bended knee,
Talkin’ to the man from Galilee.

He spoke to me in a voice so sweet,
I thought I heard the shuffle of angels’ feet.
He called my name and my heart stood still
Am
When he said, “John, go do My will.”

Go tell that long tongue liar;
Go and tell that midnight rider.
Tell the rambler, the gambler, the backbiter,
Tell ’em that God’s gonna cut ’em down.
Tell ’em that God’s gonna cut ’em down.

You can run on for a long time,
Run on for a long time,
Run on for a long time.
Sooner or later, God’ll cut you down;
Sooner or later, God’ll cut you down.

Well you may throw your rock, hide your hand,
Workin’ in the dark against your fellow man.
But as sure as God made black and white,
What’s done in the dark will be brought to the light.

You can run on for a long time,
Run on for a long time,
Run on for a long time.
Sooner or later, God’ll cut you down;
Sooner or later, God’ll cut you down.

Go tell that long tongue liar;
Go and tell that midnight rider.
Tell the rambler, the gambler, the backbiter,
Tell ’em that God’s gonna cut you down.
Tell ’em that God’s gonna cut you down.
Tell ’em that God’s gonna cut you down.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“The Man in Me” (Bob Dylan Cover)

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By Chris Moore:

I’ve been on a 70’s Dylan kick recently, and I thought I’d present to you one of my favorite overlooked Dylan songs of the decade. “The Man in Me” is from what was initially my least favorite album from his catalog, 1970’s New Morning. I listened to this album around the same time I was listening to Desire, so there really isn’t a comparison to be made, and I wrote off most of the songs on the album. When I went back to it years later, I found some really great songs, such as this one.

It may not be “Like A Rolling Stone” or a song of that caliber, but I hope you’ll take it for what it is — a really sincere, fun Dylan love song. I hope you enjoy it!

I hope you’ll come back to guitarbucketlist.com again tomorrow for yet another all-new session as our One-A-Day marathon continues throughout 2008! And, if there’s not enough Fusco-Moore to please here, then check out the all-new Fusco-Moore.com that Jim just put the finishing touches on. If you’re in need of any audio, video, or graphic services or just looking for a new song to listen to, FMP is the place to go! Okay, enough plugging for one day… 🙂


Chris’ Mix (Vol. 1): Music I Discovered in 2008 – Playlists on Parade

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By Chris Moore:

As promised, this second edition of Playlists on Parade will feature my first “music discovery” playlist.  For those that missed the first post, I wanted to put together a series of my favorite songs of 2008.  Rather than restrict the lineup to those songs that had been newly released in 2008, I decided to include my favorite songs I had first heard during the year.

Now, I should note that I put this list together in late April of 2009, so I lumped in a few songs that were technically released in 2009.  That being said, I was careful this year (2010) to make a more pure 2009 version for the second volume.

I hope you’ll enjoy the brief notes I’ve included below, and that you’ll check out these great tracks if you haven’t already heard them!

1)  “I Got You” – Stone Temple Pilots

If you like “Sour Girl,” then this is a second STP song you should listen to.  Not as dynamic as “Sour Girl,” but a great track nonetheless.

2)  “Pot Kettle Black” – Wilco

Up until the 2010 release of BnL’s “You Run Away,” this was my number one most-listened-to song on my iPod hands-down.  And there’s a reason:  this is one of the best little numbers off Wilco’s turn-of-the-millennium classic Yankee Hotel Foxtrot.

3)  “What Love Can Do” – Bruce Springsteen

(Okay, so this is technically from 2009 and should have ended up on Volume Two…)  Why this wasn’t the lead-off single for Working on a Dream, I’ll never know.

4)  “The Joke’s On Me” – Jordan Zevon

Compared to his father, a legend and a genius of a songwriter, Jordan Zevon’s album falls a bit short.  Still, there are some winners, like this wonderfully sardonic track.

5)  “Low Light” – Pearl Jam

I actually included this PJ song not because it was my favorite, but rather because it seemed to fit the straightforward rock and roll feel I was trying to set with this playlist.  A subtle, but superb track.

6)  “Come Around” – The Counting Crows

A great track off of what is perhaps the second greatest Counting Crows album, Saturday Nights & Sunday Mornings – my choice for first would, of course, be Recovering the Satellites.  “Come Around” has it all: it’s upbeat, catchy, and is lyrically and instrumentally entertaining.

7)  “Supernatural Superserious” – R.E.M.

I was generally non-plussed by most of R.E.M.’s albums and deep tracks that I had heard before Accelerate, but “Supernatural Superserious” is an exemplary sample from what has quickly become one of my favorite rock albums.

8)  “At Least We Made It This Far” – Relient K

Relient K is a band that I grow fonder of with each new release, and 2008’s EP was no exception.  While my jaw dropping was reserved for a piano version of “Who I Am Hates Who I’ve Been,” the slot on this playlist had to go to this new track.

9)  “Brother” – Pearl Jam

What a lost gem!  It’s not so difficult to see why Jeff Ament almost quit Pearl Jam when Stone Gossard held firm to his desire not to play this song any longer.  Phenomenal.

10)  “Looking Forward to Seeing You” – The Golden Smog

This is a pretty good sampling of the Golden Smog sound, including some background work by Jeff Tweedy.

11)  “Impossible Germany” – Wilco

I discovered Wilco in 2008, and they were the band that I listened to more than any other that year.  I was going through some sadness, particularly in the last third of the year, and Wilco’s sound was what I needed for commiseration and for a rebirth.  For an example of the latter, I’ve included “Impossible Germany.”  Please take note of the beautiful dual guitar solos.

12)  “Hey, That’s No Way to Say Goodbye”  – Leonard Cohen

I went back in time a bit farther for this classic Cohen track.  He was a singer/songwriter that I had certainly heard of, but had never actually heard any songs performed by him.  This was one of my favorites, even more so after I figured it out on guitar.