“Far, Far Away” (Wilco Cover)

For Wilco chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the final Monday post of 2009!  It’s been quite a year, and certainly a year of changes and improvements here at the best cover song music video blog in the universe.  For starters, we came up with a weekly schedule of new material that did NOT involve each of us recording a video once every three days.

The “session-a-day” concept may not have been the brightest idea I ever had…

I started the year playing a simple, pretty little Big Star song called “Thirteen,” covers of which I had heard performed by Elliott Smith and Wilco.  In much the same way, I wanted to end the year with another simple but catchy song.  I chose the Wilco track “Far, Far Away,” an acoustic song that incorporates harmonica — another definite plus!  Over the past year and a third, I’ve recorded Wilco songs from all of their studio albums (including both Mermaid Avenue releases) except for two.  Since this song was originally on the 1996 double album Being There, I now only have one uncovered album to select from in the future.

Thanks to the Christmas break, I’ve had plenty of opportunities to sit back and play this song over the past five days.  By the time I hit “Record with iSight” on my iMovie earlier today, this song felt like second nature.  It’s one of those songs that is deceptively simple, and I respect the original Wilco version even more now, especially the way Tweedy’s vocals resonate throughout.  I was also fortunate enough to be in the right groove and managed to arrange and record my session for next week.  Because it will be my first session of the new year, I wanted to pick a thematically relevant song.  The track I picked is fairly simple, but I initially had difficulty translating it to an acoustic performance.  Overall, I am very pleased with my recording, and I can’t wait to post it next year.

Um, I mean next week.

Outside of these songs, I’ve been thinking a lot about my top thirty rock albums of the decade list.  I’m due to post it in less than a week now, so the pressure’s on.  I’ve had the list ready for weeks, but I keep listening to more of the albums again and, consequently, the positions of many of them have been fluctuating.  For instance, I’ve been agonizing over my decision to make Maroon number five instead of number four.  So, especially after conversations with Nicole and with Mike and Alb tonight, I’ve decided I need to spend some more time reconsidering my options, and then finalize this thing.  After all, the reason I’m doing this in the first place is to (a) have a reason to revisit some of my favorite albums of the past ten years and think about them all over again, and (b) spark conversation with my friends and share opinions, engage in debates, and explain justifications for the rankings.  Just tonight, Mike made a great argument for Snacktime being one of the best albums of the decade.

One more to consider…

Outside of music, I haven’t been getting any grading done yet this break, but I have been reading.  I’m one chapter into The Wilco Book, a book I’ve been excited about reading since I first got into Wilco over a year ago.  It was the perfect gift, as I could never bring myself to buy it.  I’ve also been reading Revolution in the Air, a book by my favorite “Dylanologist,” Clinton Heylin.  Heylin has somehow managed to compile a list of 600 original Dylan compositions written between 1957 and 2006 and organized them by when they were written (that’s right — when they were written, not recorded).  The story behind each song is explained, and even though I’m only forty pages in, it’s a fascinating read.  Just when I thought I had read all there was of interest about Bob Dylan, this book comes along…

Finally, I went to see the new Sherlock Holmes movie last night.  Because I teach several Holmes stories to my Mystery class, I was hesitant about enjoying the action-packed previews.  Fortunately, the movie is excellent: Robert Downey, Jr. and Jude Law perfectly play their parts as Holmes and Watson, and the film manages to balance action and an interesting mystery.  It was so much fun, that I’ve finally set off on a goal I’ve had for some time but never followed through with: to read all 56 Holmes stories penned by Sir Arthur Conan Doyle.  Nicole and I have taken turns reading the first seven “Adventures of Sherlock Holmes” to each other, the most recent being “The Adventure of the Blue Carbuncle.”  If you know what a carbuncle is, then you are probably just as confused by the title as I originally was.  Let’s just say that the story centers around a different kind of carbuncle than the common meaning of the word.

And, on that side note, I’m about ready to get some sleep.  Before I go to bed, I’m going to finish watching Live Free or Die Hard, sort through the rest of my old bills and records (shredding whatever I can before moving), and continue to write and organize the poems I’m compiling for an upcoming poetry collection.  In fact, there’s one poem I’ve had nearly finished in my head since I was washing my hands before dinner yesterday, so I better write that one down before I lose it…

See you next year for my next session!

“R U Ready?” by Ringo Starr – Chords, Tabs, & How to Play

“R U Ready?”
Ringo Starr

D
Are you ready to cross over?
Are you ready to let go,
D  G                                                               D
To face the final curtain in the land of I don’t know?
D                  Bm                    G                   D
Jesus was a wise man, and everyone’s a saint.
D           Em                  A
Are you ready to cross over?
A           G              D
Are you ready?

You can read the good or bad books,
Read them fast or slow.
But is it fact or fiction?
There’s just one way to know.
Buddha was dancing underneath the Bodhi tree;
He was ready to cross over.  He was ready.

D           G           D
So, why hold on, hold on?
D   G
It’s good that you believe,
G         F#
But it’s better if you know.
F#     G           D – Bm – G
Don’t hold on, h   o   l   d       on;
G                             Bm                                A                D
Someone’s there to catch you when you’re ready to let go.

I was sitting by the Ganges looking for another way.
But all roads lead to heaven,
No matter what they say.
Krishna was a good man.
Why was he so blue?
He was ready to cross over; he was ready.

So, why hold on, hold on?
It’s good that you believe,
But it’s better if you know.
Don’t hold on, hold on;
Someone’s there to catch you when you’re ready to let go.

(Play me to heaven…)

SOLO

Are you ready to cross over?
Are you ready to let go,
To face the final curtain in the land of I don’t know?
Everyone can get there, ’cause we all have a soul.
Are you ready to cross over?
Are you ready?

So, why hold on, hold on?
It’s good that you believe,
But it’s better if you know.
Don’t hold on, hold on;
Someone’s there to catch you when you’re ready to let go.
Someone’s there to catch you when you’re ready to let go.
Someone’s there to catch you when you’re ready to let go.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

Best Coast’s “Crazy for You” (2010) – YES, NO, or MAYBE SO

Best Coast’s Crazy for You (2010) – MAYBE

By Chris Moore:

Crazy For You cover (Best Coast, 2010)

Crazy For You cover (Best Coast, 2010)

(July 27, 2010)

Review:

Best Coast sounds like the product of Zooey Deschanel and Tegan & Sara meeting on a drizzly day in sunny Californ-i-a, deciding to form a band; unfortunately, though, not much is surprising after the first couple tracks, but the band oozes potential and hints at what they may be capable of in the future.

Top Two Tracks:

“Crazy for You” & “Boyfriend”

“I Would Prefer Not To” (Chris Moore original)

By Chris Moore:

Hello and welcome to another edition of Original Wednesday here at the Laptop Sessions!

Tonight, I’m happy to present the second installment of my summer preview series of my forthcoming album The 2010 Project.  I began recording demos a few months ago, as I mentioned in a previous post, and now I’ve officially hacked out a track listing.  There will be thirteen tracks, all of which are fully composed now and have been recorded in demo form — a few of the demos are more fully produced, but minimally.

Now, I’m at the phase where I’m putting together the tools I need to record.  With the help of a friend, I’ve recently picked up a set of seriously great headphones, which will be a necessary component of the mixing process.  He also helped me pick out a USB microphone that I’ve been experimenting with this week.  There is a line in and external mic plug that I may use if I’d like to refine the sound quality as I begin to record the tracks in a couple weeks.  Finally, I had to replace my guitar pedal, which I had to throw away a few months ago when I pulled it out of storage and found the batteries had leaked.  I tried to clean it out, but it was too far gone.  So, I just got the latest Zoom pedal, which I can’t wait to try out!

Which brings me to the track I’m unveiling today.  Previously, this has only been played for two people: my girlfriend and one of my dearest friends of all time.  Both encouraged me that the new music I’ve been writing is among my best, so I’m hoping to make them proud by the time I’ve finished recording this new album.

And it’s about time — this marks four years since Love Out of Fashion!

“I Would Prefer Not To” will be the second track on the album, following “No Lights, No Sound.”  Those of you English majors out there will pick up on the allusion to the Herman Melville short story “Bartleby, the Scrivener: A Story of Wall Street.”  The verses are as simple as they come, only two chords: D and A.  When I record the studio version, I hope to flesh out the riff I have in my mind and make that more catchy.  The chorus is more interesting and, as in my favorite songs by artists like Bob Dylan, Mike Fusco, and others, the lyrics change slightly each time around.  The song deals with the conflicts that arise from not wanting to disappoint others, but also needing to follow your impulses and passions.  It’s a very personal song, critical at times — though it’s meant to be more confident than scathing — and I think there is a universal quality to it, regardless of its personal nature.

Without further ado, I give you my acoustic performance of “I Would Prefer Not To.”  I hope you like it, and that you’ll continue to check back for more Original Wednesdays in the near future.

See you next session!