“Good Night Now” (Original Music from Indie Music Songwriter Chris Moore)

By Chris Moore:

Hello and welcome to this week’s edition of “Original Wednesday,” our absolute favorite day of the week here at the music blog that brings you a new music video EACH and EVERY day! Original Wednesday is our favorite day because it gives us an opportunity to show off our own songwriting. The whole reason why we do these acoustic cover songs in the first place is to hopefully interest people who like to listen to new music to come and listen to our original music. Jim, Jeff, and I have been producing music for Fusco-Moore Productions for almost a decade now, and we couldn’t be more thrilled when Wednesday rolls around and we can record our own original music!

That being said, I dug into my catalog this week for an original song that I haven’t recorded yet. Over the past several months, I have recorded every original song that I have contributed to my band’s past two releases (the self-titled Masters of the Universe in 2006 and Homestead’s Revenge in 2008). I figured that these are the songs of mine that have seen the most circulation. Well, now that I have finished those, I am beginning to look back at my solo releases. Some of the MoU songs were previously recorded on solo releases, so those are out. However, my 2006 EP, Love Out of Fashion, is a work unto itself — none of the tracks on that album have been recorded or released in any other form.

For tonight’s session, I chose “Good Night Now,” the second track on the album. I hope you’ll take the time to listen to the studio version as well (CLICK HERE to listen!) because it has some of the most experimental guitar effects I had used up to that point. I wrote this song about two female co-workers who I felt very strongly about; these were relationships I established in high school and which lasted up until they left the Staples (where I worked at the time) several years later. I think that the realization that people you think you know in one environment (work, for instance) are really quite different elsewhere is a common one, and it hit me hard when I finally realized. Thus, this song…

So, without further ado, I bring you the free music video for tonight. Don’t miss a brand-new music blog entry from Jeff tomorrow — same Laptop-time, same Laptop-channel…

See you next session!



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“Sex and Candy” (Marcy Playground Cover)

For Marcy Playground chords & lyrics, CLICK HERE!

By Chris Moore:

After both technical difficulties and more than my share of human error for the night, my “Chris Moore Monday” post is here!  Not only am I posting a video tonight for the best acoustic cover song music video blog known to man — and humble, too! — but this is actually the first of a double header.  Since Jim is away for one more “Jim Fusco Tuesday,” I didn’t want to see anyone go without new material for even a day more.

Tonight’s song is one that would have made me blush in 1997, and to be honest, it still does.  Back in late ’97 and early 1998, Marcy Playground’s “Sex and Candy” was everywhere, particularly if you listened to a modern rock radio station.  (CT locals may remember the alternative station Rock 104’s hey day in the nineties.)  At the time, this song broke the record for most consecutive weeks at number one on the modern rock charts — 15 weeks, to be specific.  Meanwhile, this song catapulted Marcy Playground to one hit wonder status, peaking at a solid number 8 on the Billboard Hot 100.

To this day, I’m not exactly sure why this song was such a big hit at the time.  Structurally, it’s a very simple song, and the vocals are very straightforward.  I think the song’s success can be attributed to its provocative lyrics and John Wozniak’s distinct vocals.  Fortunately for me, “Woz” as he refers to himself has a vocal range that is well within my own, at least on this song!

There are two reasons I’ve chosen this particular song for tonight’s session.  The first is that it reminds me of a time when I was first becoming interested in music, listening to the radio and just beginning to buy CDs at the overpriced Sam Goody’s store in the mall.

You know, another sign that this song was successful is that “Weird” Al included the chorus of “Sex and Candy” in his “Polka Power!” polka medley.  If only I, too, could one day have a song parodied by the man, then I would truly know I had earned success.  But, until then, I’ll just have to enjoy the new “Weird” Al video for his new song, “CNR.”  It’s a style parody of the White Stripes and the video was produced by JibJab, so it’s all the more hilarious.  While I thought the “Skipper Dan” video a couple weeks ago was enjoyable, this one is truly great — it made me laugh out loud a couple times and want to watch it again.

Okay, so that’s it for me for now.  I’ll see you back here, same Laptop Sessions time, same Laptop Sessions channel.

See you next session!

More Laptop Sessions covers

“No Lights, No Sound” (New Music – Original Song by Indie Songwriter Chris Moore)

By Chris Moore:

Tonight is the beginning of a side project that will take me as late as next summer to complete…  a new album!  You may be asking yourself, okay, so you’re going to record another new album.  It’s about freakin’ time.  And you may also be wondering what that has to do with the Laptop Sessions.

Well, I’m going to tell you!

Having been thinking so much recently and having been so inspired by a number of factors — not the least of which are hearing some leaked tracks from Jim’s forthcoming release and some awesome new albums this year by songwriters like Brian Wilson and bands like R.E.M. — I have been working on and arranging tracks for a new album, ironing out arrangements, finishing lyrics, etc.  Now, I bring my motivational and promotional project to the Laptop Sessions…

Every three weeks (or so, once we hit the new year), I will release a demo of another track from the new album.  Not only will I release the tracks, but I’ll do so in order!  Thus, tonight, I bring you what will be track one of my next album.  Now, in the spirit of the Laptop Sessions, I bring this song — “No Lights, No Sound” — to you as a recording of only my third complete performance of the song ever.  In other words, I rolled out of bed, finished writing the lyrics and the entire middle section, and recorded this demo.  This is hot off the presses.  This is the song in about as early a form as you’ll see here on this music blog.

And, that being said, I hope to get an amazing, yet fairly affordable producer to make it the perfect opening track!  (Anybody know a good producer, by any chance? ;- )  I’m thinking either Rick Rubin or Jim Fusco.  I figure I’ll send out for a bid in a couple of months and see what’s in my budget.  (Actually, no offense to Rubin, but I’d take JIm any day.  Even though he does NOT wear a fashionably immense and flowing beard…)

As you listen to the demo, you might notice that it’s a bit slow at first for an opening track.  I’ve since worked out a better version of the tempo I’d like to use, and I hope to have it build up right after the chorus and incorporate drums, bass, etc. before getting to a solo and eventually ending with a repeat of the first verse with only an acoustic and lead vocal.  But, we’ll see what the finished version holds.

In closing, this really puts the pressure on me to finalize my track listing and finish writing these songs.  I plan to record them as soon after writing them as possible, which will make it all the more interesting to look back and compare them to the final versions some day!  (And I don’t doubt that some won’t make the final cut, or that I’ll change the order as I go, but I’ll try my best to decide an order soon and stick to it.)

I truly hope you enjoy this side project for me here on the best acoustic cover song and original music blog in the universe!!  Don’t forget to come back tomorrow and Friday for a double dose of one Jeffrey Copperthite…

See you next session!

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Music Reviews – Meade Skelton’s “My Loudoun County Home” Single

By Chris Moore:

The notes for Meade Skelton’s 2003 release They Can’t Keep Me Down declare, “In an era of serious singer-songwriters with overly pretentious lyrics, Meade Skelton keeps it simple and sincere.”

This indeed continues to be true for the music he is making five years later.

His new single, “My Loudoun County Home,” is a lyrical stroll down memory lane, recalling and reminiscing about people, places, and events of importance in Skelton’s life.  There is a bittersweet combination of love and sadness in his words.  Truly, Skelton’s voice brings this song to life.  His voice is clear and crisp; clearly he has been classically trained.  And yet this training has not affected his ability to sing with the sort of emotion that one cannot be trained to project.  His vocals have a soaring quality that conjure John Denver at his best.

Meade Skelton

Meade Skelton

Skelton is clearly singing from his heart, and when he sings, “No matter where I roam, I’ll always love my Loudon County home,” it does not come across as too simple or trite — it translates as true and heartfelt.

And this song holds true to that claim made in 2003 — he sounds far from pretentious.  Quite to the contrary, his lyrics are straightforward and his sound is perfectly matched to the tone of this single.  In addition to his pitch-perfect, emotive vocals, the instrumental accompaniment is simple, but full.  Predominant in the mix are Skelton’s piano, a violin, bass, and drums.  The piano may be the grounding force in this track, but the violin accents the tone of the song in all the places that his voice does not, the string instrument holding back as he sings only to come to full and vibrant life as his singing pauses in between lines.

“Moved By The Spirit,” the second track (the B-side if you decide to purchase the vinyl edition of this single instead of the CD), delves into the spiritual overtones referenced in “My Loudoun County Home.”  Here, the lyrics are even simpler and more straightforward.  The instrumentation is sparse to match, highlighting Skelton’s abilities on the keyboards, which have been — perhaps purposely — set to an organ tone.  This is, of course, fitting for a song about the Holy Spirit.

Meade Skelton

Meade Skelton

Overall, this seems a very appropriate time for Skelton to release a fairly serious, autobiographical song.  After all, he has been performing music since childhood and has been “playing the scene” (as his YouTube page states) since 2001.  His two releases in the past five years have included an album of standards, which is of course the traditional way to gain people’s interest in your own work.  Now, as he pays tribute to his “Loudoun County Home,” Skelton sounds confident in his work.

As well he should be, considering the amount of time and energy he has dedicated to this endeavor.  Even a quick stop at Meade Skelton’s YouTube page will reveal a virtual treasure trove of life performances, as well as a video promo for this, his latest single.

Whether you are a fan of Skelton already or a newcomer to his music, this new single is an excellent opportunity to acquaint (or re-acquaint, as the case may be) yourself with the sound and the background of this talented performer.

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