“A Winter’s Tale” (Moody Blues)

For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of the Laptop Sessions.  To kick off another full week of new material, I’ve reached into the Moody Blues catalog of songs — specifically from their 2003 album December — to bring you a cover song version of their cover of the Mike Blatt and Tim Rice song “A Winter’s Tale.”

Now, although I am an English teacher, this is not to be confused with the William Shakespeare play “The Winter’s Tale.”  Not only is there a notable difference in parts of speech (namely the indefinite – “a” – versus the definite – “the” – articles), but there is also a big difference in tone.  Still, “The Winter’s Tale” is quite a trip.  Consider, for instance, that this play contains one of Shakespeare’s most infamous stage directions: “Exit, pursued by a bear.”  What I find the most interesting is that there is contention over whether he used an actual bear for the original productions, or simply a man dressed in a bear costume.

I would assume the latter, but the former is just so much more fascinating…

But this is all beside the point.

“A Winter’s Tale” is one of those songs that is indisputably beautiful, sung perfectly by Justin Hayward.  For those who have seen them in concert recently, you may have noticed my apparel is a nod to Hayward’s typical onstage wardrobe.  That wasn’t too difficult to arrange, as I simply removed my tie and jacket and voila!  Of course, this is also one of those songs that, upon playback, forces me to remember I’m a rhythm guitarist hammering away at what is such a subtle, pretty song at heart.  During our MoU Christmas concerts, Mike would front the band on this one, fingerpicking and taking the lead — and for good reason!

The reason I’m standing up is because the song simply didn’t sound right when I played it sitting down.  I found I was having trouble getting comfortable as I played it.

Of course, the majority of the song being played on barre chords didn’t help either…

Several takes and several strained ligaments in my hands later, you’ve got yourself a new Laptop Session.

As a final note about the song, I found it very interesting that this song, originally written by songwriters Mike Batt and Tim Rice, hit #2 on the UK charts back in 1982.  Batt teamed up with Rice to write the song for performer David Essex.  Another interesting bit of trivia is that Batt went on to produce Justin Hayward’s solo album Classic Blue between 1988 and 1989 at Abbey Road Studios in London.  Classic Blue, ironically, is an album of covers.  The track listing includes three songs written by Batt, as well as classics from Brian Wilson, Lennon/McCartney, and Led Zeppelin.

I hope that you enjoy this installment of the Laptop Sessions, and I encourage you to hurry back for more.  If you missed the music review, you should know that I just kicked off a top five albums of the decade countdown, with a new album revealed and reviewed each weekend, culminating in my full “Top Thirty Rock Albums of the Decade” list and my review of the number one rock album of the decade.

Thus far, the Barenaked Ladies’ Maroon (2000) has cinched the #5 slot.  Which album will rank as the fourth best album of the decade?

You’ll have to tune in to the Weekend Review to find out…

See you next session!

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“Holiday” (Bee Gees Cover)

By Jim Fusco:

Welcome to the first-ever Laptop Sessions acoustic cover song music video in high definition, which I’ve dubbed, “LSHD”.  I’m so excited to be on the cutting-edge of technology and hope that more YouTube viewers will see my cover song music videos because of the enhanced new look.

But, what a project doing this for the first time…  Even on my fast Mac Pro, it still took almost an hour just to render this video, and then the audio and video sync kept going off.  So, it was a project that took WAY more time than anticipated.  I think I have a pretty good system going now, so I hope the future music videos will be a bit easier to produce.

Tonight, I enlisted the help of  my colleague Noreen’s 1967 Gibson 12-string acoustic guitar.  It’s pretty sweet, as you see in the video, but also sounds pretty great, as well.  It’s really easy to play and has a very powerful sound.  As soon as I picked it up a couple weeks ago, “Holiday” from the Bee Gees just popped into my head.  Something about that 12-string sound that just reminded me of this song.  So, I knew I had to have it for this video, and I knew I wanted something special for my first one in HD.

Actually, this is also my first music video from my new house, which I share with my new wife.  Yes, the awesome studio is long gone now, but I’ve got a pretty good setup here in one of our spare bedrooms.  Someday I’ll rebuild the studio, but I don’t think it’ll be in the house.  We’ll see.

“Holiday” is one of those songs I’ve known for all my 25 years.  My father put it on his famous Christmas compilation cassette tape set and we heard it every year.  It took me quite a long time to realize that this wasn’t necessarily a Christmas song, though I do hear it on the oldies stations during this time of year.  I thought it would be a nice way to usher in the “season”.  Actually, there are a lot of songs that aren’t really Christmas songs, but I’ll always consider them to be: “Another Morning” from the Moody Blues (off of Days of Future Passed, which is about “a child’s world”, which my father thought reminded him of Christmas), “Eyes of a Child” by the Moody Blues (off of To Our Children’s Children’s Children, which my father took to mean like the birth of a child, like Jesus), “Christmas” by the Who (which is only loosely based on the holiday of Christmas), and “My Sweet Lord” by George Harrison (which is a song praising God, but says nothing about the holiday).  Again, they’ll always be Christmas songs to me.

I’m glad I got to know this song- it’s a good tune.  The early Bee Gees were really good and I enjoy many of their early hits.  They’re a band that really re-invented themselves in the seventies.  It’s almost like two completely different bands.  Plus, you know I love a group of brothers that write their own songs and sing in harmony, so it’s a perfect fit!

I never really understood the words to this song, but now I know why- it’s because I still had the kid’s understanding of the lyrics that I thought I “learned” when I was little.  I mean, I learned the words maybe 20 years ago, but my vocabulary then was not what it is now.  So, the line, “put the soft pillow on my head” always came out as “but there’s something upon my head”.  No wonder it never made any sense to me.

Anyway, I hope you enjoy my first LSHD video and welcome to the new era of the Laptop Sessions.

More Laptop Sessions covers

Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review

By Chris Moore:

Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre.  More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.

Still, not every nostalgia-inducing feature is practiced or purposeful.  For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.

Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.

Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970’s Self Portrait, the runner up being 1992’s Good As I Been To You, clocking in at thirteen tracks.  Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.

Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so.  Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past.  2001’s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.

In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.

Bob Dylan's "Christmas in the Heart" (2009)

Bob Dylan's "Christmas in the Heart" (2009)

I will admit that, upon a first listen, I was unimpressed.  Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.

“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone.  In this song, his vocals are stretched and utilized to heartfelt effect.

As I listened a second and third time, the subtlety of these tracks began to set in.  The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.

Is there a better description for a Christmas album?

What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people.  Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.

Dylan, known for turning around and surprising even his most loyal fanbase, has done it again.  It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career.  Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.

If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…

For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit.  It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.

All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.

More album reviews

“White Christmas” (Irving Berlin Cover)

By Jeff Copperthite:

I want to welcome you to the ultimate Thumpin’ Thursday edition – the Christmas edition!

Today I bring you an acoustic cover of Irving Berlin’s classic song “White Christmas”.  It’s a song we all know and love.  I won’t get mad if you sing along.

I had a great Christmas – I got to spend it with my family all day.  We talked, ate, opened presents, gave each other presents, and had an overall wonderful time.  Sherry & I then came home and exchanged the nights’ worth of Hanukkah gifts.  She loves her new digital photo frame too!

Tomorrow Sherry & I are going on vacation to a resort in NY.  We will be gone until Tuesday.  Because of this, I will have a post “auto-publish” on Sunday.  But if you just can’t wait, look me up on Youtube to see a preview of Sunday’s song.

I hope your Christmas was wonderful, and I hope you have nothing to bring back tomorrow. 

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

More Laptop Sessions covers