“The New Year” (Death Cab for Cutie Cover)

For Death Cab for Cutie chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the first all-new Laptop Session of 2010!  It is my pleasure to kick off another great year here for the best cover song music video blog on the Internet today.  This past year has indeed been a year of changes, of many comings and goings for most of us here, and now we’re setting out to make this the best year yet. 

There’s a lot to live up to, given the past two years  and more of contributions.

Still, I think we’re up to it.

What can you expect?  Well, for now, you can expect a Chris Moore Monday and a Jim Fusco Tuesday each week.  Although Thumpin’ Thursday is no longer regularly filled, you never know when Jeff will get the itch again…  As for Guest Sessions Friday, it is my sincere hope that recent regular Jeremy Hammond will continue to send me links.  In fact, he’s already sent me the link to his video for this Friday’s post, and I can tell you that it’s a song that I remember fondly.  I first heard it on one of my dad’s “hits of the seventies” cassette tapes.  (Remember those?  They were THE media before CDs…)  From what little I know of him through our email conversations, Jeremy seems like a really interesting guy with some great ideas for cover songs to record.  Finally, as for Saturday and Sunday, there will be one edition of “The Weekend Review” each week.  On top of all that, you have the “From the Music Blog Archives” feature to look forward to each and every time you visit the site; we’ve gotten to the point where there are so many posts available to draw from that many are ones that I read as though for the first time…

If you haven’t already, I hope you’ll check out my “50 Best Rock Albums of the Decade, 2000-2009” list and liner notes, posted over the past several days.  Now, my next project is to finish off my “Best of 2009” lists.

First, though, I need to take a breather!

Today was the first day back to school, and what a relaxing start it was, due mostly to the 90 minute delay we had.  I didn’t sleep in, but I did get a lot of grading done.  When I finish this post, I’ll be returning to that seemingly endless task until I’m off to a BK Lounge run with Mike and three hours of live TNA.  This feels in many ways like the biggest single show since my friends got me interested in professional wrestling a couple years ago, so I’m looking forward to it as a full three hours of relaxation before school gets back into full swing tomorrow.

Which brings me, at last, to the session of the night.  I’m bringing you my cover version of Death Cab for Cutie’s “The New Year,” which is the opening track to their strong Transatlanticism album.  I’ve already recorded one song from that release, “The Sound of Settling,” a while back, but I couldn’t think of any better song for the first post of the New Year, 2010. 

I hope you’ve had a relaxing and productive holiday, and that the promise of more Laptop Sessions and related posts gives you something to look forward to throughout 2010.

See you next session!

“Bad, Bad Leroy Brown” (Jim Croce Cover)

By Chris Moore:

Hello and welcome to your Sunday, Sunday, Sunday installment of the best acoustic cover song blog on the web today!  After a couple of nineties covers, I’ve decided to go back a bit further… to 1973 with Jim Croce’s “Bad, Bad Leroy Brown.”  This is a song that I remember hearing for the first time when my father bought an audio tape (that’s a hint at how long ago it was…) and played it for me, along with “You Don’t Mess Around with Jim,” explaining that he always liked the story in the songs.  I instantly agreed, thinking that the way Croce described Leroy Brown and his lifestyle was really funny and catchy.

I just learned that Jim Croce’s life was sad, though, as he died the same year that this song (considered his biggest single) was released.  I found it really interesting to learn, according to Wikipedia, that he was the third singer/songwriter to score a posthumous #1 single (for “Time in a Bottle”), after Otis Redding and Janis Joplin.  What is even more sad, I think, is that he died in a plane crash.  I’ve got to be honest here — I don’t consider myself a superstitious person, but if I ever get a record contract and any degree of fame, I’m not setting foot on an airplane…

One of the best parts of doing so many Laptop Sessions this year is that I’ve had a chance to learn so much about great singer/songwriters and to remember so many great songs like this one.  Now, you may wonder how I learned this song if I haven’t heard it in so long.  Well, one of the best parts about having over 11,000 tracks available at my fingertips on my iPod is that I have access to a lot of songs that I have forgotten over the years.  In fact, one of my favorite things to do is to set my iPod to shuffle and just wait to see what great music will come up.  Unfortunately, there are just as many if not more not-so-great tracks that come up in search of the great ones…

But, as they say, it’s the journey and not the destination, right?

If you didn’t already, you should read Jim’s post from yesterday.  He pretty much summed up our day that led to an as-usual great performance by Dewey Bunnell and Gerry Beckley, aka the band America.  Not only was the show great, but they are really nice guys.  After the show, they signed autographs and shook hands with the fans.  I got the chance to tell Dewey that, when teaching the Transcendentalism unit in my English class (Emerson and Thoreau, “Nature” and “Walden,” etc…), I used the Here & Now track “Walk in the Woods.”  He seemed interested, as Gerry smiled and said that he’d been thinking about playing that song in concert so they could do the whistling part!  We all laughed, and for a brief moment, it felt like Jim and I had broken the usually solid barrier between fan and artist.  Cool moment.

I have looked forward to their shows ever since the first time Jim took me to go see them several years ago, and I’ve regretted missing any opportunity to see them.  He had initially gotten into the band because of such songs as “Sister Golden Hair.”  As with many bands he’s gotten into, I felt like I was missing out on something and had no choice — I had to get into them too!  My only past experience with them had been their hit single “A Horse With No Name” that I first heard as a kid (where else?) on a seventies tape that my father had.

And so this session comes full circle!  I present to you an acoustic cover of a song my dad played for me as a kid, and not 24 hours after going to a concert by a band that I first heard in my father’s music collection.  I’ll see you again on Wednesday for one of my own songs, track two from my soon-to-be-recorded new album.

See you next session!

“When Love Comes to Town” (U2 & B.B. King Cover)

For U2 chords and lyrics, CLICK HERE!   /   For B.B. King chords and lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a brand new week.  Thanks for spending a little bit of it here on the Laptop Sessions music video blog with the latest edition of “Chris Moore Monday.”  No one understands the pressure I’m under!  I mean, there’s a lot riding on this video — if I’m good, I’m helping your week get off on the right foot.  If I’m not so good, then…  Well, let’s not even consider that option.

For tonight’s selection, I’m doing something that I’ve only done once before…

…make an enjoyable recording!  No, I’m just kidding.  (Not about the “enjoyable” part, I hope…)

This is only the second time that I’ve recorded a song by not only one but two artists whose work I’ve never played before.  Tonight’s subjects?  U2 and B.B. King.  (Jeff has already recorded U2, but B.B. King is a new addition to the blog.)  Why, you may ask?  Well, the big “New Music Tuesday” release of tomorrow, March 3rd, is No Line on the Horizon, U2’s first new studio album in five years.  It’s already making waves, having received a five-star rating from Rolling Stone magazine.  Now, I’m not often one to agree with Rolling Stone, but I am very curious about this album.  After all, Rolling Stone has never given U2 the five star salute.  Bono and company have come close, earning 4.5 stars for 1991’s Achtung, Baby, but this is the first time they’ve received 5 stars for an original studio release.

To be fair, this isn’t their first 5 out of 5 star experience — the band’s re-release of The Joshua Tree was granted 5 stars.  I just listened to that album last night for the first time, and although I wouldn’t give it five stars, I very much enjoyed it.  The first three tracks are a veritable U2 greatest hits, and there are several deep cuts that are great songs.

So, tomorrow is a new music Tuesday to look forward to.  To hold you over, I’ve gone back into the U2 catalog and hauled out an oldie but goodie.  “When Love Comes to Town” was originally released in 1988 on Rattle and Hum (a title that is taken from lyrics in the song “Bullet the Blue Sky,” from The Joshua Tree).  This is a song I have always loved — there’s such an energy between Bono and King’s vocals and the addition of King’s guitar to the instrumental mix.  I have always felt that the song had a timeless feel, and I would have loved to hear someone like Johnny Cash record a version of it.  So, for my cover song music video version tonight, I’ve slowed it down a bit and taken it down an octave (which is convenient, since my vocal chords are no match for Bono’s typical soaring range!).

The result?

Just like I thought, this song has such a classic feel to it that it lends itself to a stripped-down acoustic arrangement.  Still, my version is no match for the energy, emotion, and rocking presence of the studio version!  (And I can’t quite figure out what “catch that flame” means…  I sing “catch that plane,” which is what I’ve always thought he said, but the official U2 lyrics page says “flame.”  Oh, well…)

I hope you enjoy this U2 cover, and I hope it tides you over until tomorrow’s release of No Line on the Horizon.  Until then and until an all-new Jim Fusco Tuesday…

See you next session!

“Turn The Page” by Bob Seger – Chords, Tabs, and How to Play

“Turn the Page”
Bob Seger

Em
On a long and lonesome highway east of Omaha,
D
You can listen to the engine moanin’ out his one note song.
A                                                                                                   Em
You can think about the woman or the girl you knew the night before.

But your thoughts will soon be wanderin’ the way they always do,
When you’re riding sixteen hours and there’s nothing much to do.
You don’t feel much like ridin’ – you just wish the trip was through.

D                 Em
Say, here I am, on the road again.
D                         Em
Here I am, up on the stage.
D                         A
Here I go, playing the star again.
C   D                Em
There I go,   turn the page…

You walk into a restaurant strung out from the road,
And you feel the eyes upon you as you’re shaking off the cold.
You pretend it doesn’t bother you, but you just want to explode.

Most times you can hear ’em talk, other times you can’t.
All the same old cliches – is that a woman or a man?
And you always seem outnumbered; you don’t dare make a stand…

CHORUS

Out there in the spotlight, you’re a million miles away.
Every ounce of energy you try to give away,
As the sweat pours from your body like the music that you play.

Later in the evening as you lie awake in bed
With the echoes from the amplifiers ringin’ in your head,
You smoke the day’s last cigarette, remembering what she said…

CHORUS

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **