Tag Archives: Eddie Vedder Songs

“I Am Mine” (Pearl Jam Cover)

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For Pearl Jam chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a very special edition of the Laptop Sessions.  This is Chris Moore writing for the first Monday — the first day, for that matter — of June.  And June 1st is a special day for entertainment, as this is the date of the very first Tonight Show hosted by Conan O’Brien on NBC.  As I type this, I’m watching the beginning of the episode and loving every moment.  For me, Conan is the ultimate late show host, and I truly hope that he will establish himself as a primary late show host in the minds and hearts of viewers throughout the nation.  I wasn’t sure what to expect tonight, as I haven’t watched an episode of Late Night for years.

I haven’t been disappointed.

As I’m watching the first segment with Conan’s “run to California,” his opening monologue, and his “tram tour” video, I’m remembering why his late night show was one of my favorite reasons to stay up past midnight in college.  Well, that and late night Burger King chicken fries and burgers, of course.

My song choice tonight is directly inspired by Conan’s first night on the Tonight Show.  His first musical guest — a band which he said he was delighted “to the bone marrow” about — is Pearl Jam.  Thus, although I was planning to record and post the first Relient K Laptop Session, I decided instead to record a Pearl Jam song.

As a special treat (I hope), I’ve recorded a Relient K song to tide you over until I can get back to the one I wanted to record.  In fact, this is probably for the best, as I started to work out the chords for “At Least We Made It This Far” and found that all online sources for Relient K chords were terribly inaccurate.  So, I’ll keep working on that one and get back to it soon.

Tonight’s session is my cover song version of Pearl Jam’s “I Am Mine” from their 2002 album Riot Act.  The first single off the record, “I Am Mine” is a great track that tackles existential issues.  My favorite line is “I know I was born and I know that I’ll die; the in between is mine.”  What a great line.  When I’m stressed out, I sing this line in my head to remind myself that I’m in control of my life, at least to a certain degree.

Although I like the music and vocals on this song, to be fair, it is not perfect.  Case in point: I’m not so crazy about the line “The oceans are full because everyone’s crying.”  There’s something about that line that cheapens the overall impact for me, kind of like the line “It sucks to grow up” turned Jim off to the Ben Folds song “Still Fighting It.”

Regardless, this is a great song, and I worked very hard to do my absolute best to record an enjoyable cover session for you.

I can’t believe that I actually stayed up late enough to watch the entire Tonight Show, but here I am.  This leaves two truths:

1)  I will be setting at least a couple extra alarms for tomorrow morning.

2) I got to see not only the Will Ferrell interview, but I’m about to watch the Pearl Jam performance, which is supposed to feature material from their new album.  Can’t wait!

So, that’s it for me tonight.  I wish you a great week.

See you next session!

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“Just Breathe” (Pearl Jam Cover)

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For Pearl Jam chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to an all-new week of cover songs at the best acoustic cover song music video blog in the universe — guaranteed, or your money back!

I guess the guilt falls to me for breaking the Beatles marathon…

It’s been a blast reviewing Beatles albums, recording Fab Four covers, and watching the Traveling Acai Berrys’ and Jeff’s renditions, but now it’s time for me to inject a little fresh music into the timeline of the Laptop Sessions.

“Just Breathe” is track five from the new Pearl Jam album Backspacer, and is truly a perfect fit for the Laptop Sessions format.  The studio version is primarily Eddie Vedder singing and playing acoustic guitar, so it only took memorizing the words and transcribing the chords.  As usual, I started online and found a site with chords and lyrics that were almost right.

Well, “almost right” doesn’t fly around here.

The middle is NOT comprised of C and F chords; that “C” simply didn’t sound quite right.  It should be Am instead of C.  In addition, there were some minor lyrical inaccuracies — “all” instead of “are,” “save” instead of “take,” etc.  The person who transcribed the song included a personal note about the song at the bottom, and he seemed like a really nice guy who truly loved this song.  And he made figuring out this song much easier than if I had simply started on my own.

But that’s what we at the Laptop Sessions pride ourselves about — our commitment to performing songs as faithfully as possible, cross-checking our facts to be certain what we write is accurate, and always knowing when a song has already been recorded as a session.

Oh, right.  About that last one…

I need to apologize to Jeff for recording “You’ve Got To Hide Your Love Away” as though he had never recorded it.  The funny part is that, when I went back and read his post later, I clearly remembered reading it.  I recalled his mention of Eddie Vedder (whose music I barely knew and wasn’t enthusiastic about at the time), and I remembered being intrigued by his “Semaphore” reference.  Apparently, flag semaphore is a system of symbols for conveying information through waving flags or bare hands.  Although photographer Robert Freeman had the idea to have John, Paul, George, and Ringo spell out “HELP” in semaphore, they decided on a different arrangement — “NUJV”– that was more aesthetically pleasing as the cover art for Help!

Going back to the song of the day, I should acknowledge that I originally planned to record “The End,” and I practiced it a number of times with that intention in mind.  In fact, a former student of mine emailed me with the idea of recording it, so I was reluctant to admit to myself that the chorus is just too far out of my range.  I still posted the chords and lyrics, though, so others might be able to enjoy learning and playing it.  Guest session, anyone?

As I was preparing for my session last week, I had been listening back to some of my recent sessions and realized something.  Since I moved from the Fusco-Moore Experience to my current apartment, I have never worn the same shirt twice while recording a music video.  Here’s a quick retrospective:

July 13 – Bob Dylan Together Through Life t-shirt (thanks again, Fusc!)

July 20 – Vermont t-shirt (thanks, Mom & Dad!)

August 4 – plaid, western-looking collared shirt

August 4 (second video) – Dodge Charger t-shirt (thanks, Jim!)

August 11 – tan and blue striped collared shirt

August 17 – blue and white striped collared shirt

August 23 – 40th Anniversary 1969 Mets t-shirt (thank you, CitiField!)

August 31 – Abbey Road t-shirt from London (thanks, Nicole!)

September 28 -black Bass fishing t-shirt

Today marks my tenth video, and thus it is my tenth shirt.  My goal is to never wear the same shirt twice.  Even though I’m running out of t-shirts, we are heading into winter, so my long sleeve shirts will be featured soon.  When spring comes, it should get interesting.  I wonder if I can fit into Nicole’s shirts…

Anyway, I hope you enjoy my video.  This completes my recent Pearl Jam run, adding both a full album review and a one-sentence review of Backspacer, chords & lyrics to three songs, and now a full Laptop Sessions post.

Aside from an ever-increasing stack of grading on my desk at school, life has been hectic but good recently. I’ve been really excited about the music on my iPod and in my car this past month.  After going through quite the dry spell during the summer — Third Eye Blind and Sister Hazel, anyone? — the Arctic Monkeys and Pearl Jam have added some excitement to my “Albums- 2009” playlist.  In addition, my birthday weekend has been pretty laid back, but a lot of fun.  I heard from just about all my closest friends, and Jaime even came up from New York to visit on Sunday and give me the beautifully designed “Chris Moore Birthday Bash!” mix CD!  I’m itching to start tweeting about the FYE gift card that Mike got me, Nicole bought me (among other awesome items ranging from practical to academic to entertaining) a book of essays about Bob Dylan written by scholars, I got a text message from Alb that brought me back to our summer of video gaming, and I’m officially, finally having breakfast next week with one of my dearest friends who I haven’t seen for over a year.  Good stuff all around.

See you next session!

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“Society” (Eddie Vedder Cover – Song by Jerry Hannan)

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For Eddie Vedder chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the first installment in a fresh new week of brand new material at the Laptop Sessions, the best cover song music video website in the universe!

I was FINALLY able to find the Into Thin Air soundtrack on sale — thank you, Best Buy — so I’ve been listening to it all week.  Although I have discovered several other songs that I like very much, Eddie Vedder’s cover version of Jerry Hannan’s “Society” is still my favorite track on the album.  It was very disappointing for me to discover that it is a cover, but it’s such a great track that I have to stifle my desire for original material, at least temporarily.

I first heard this track from my friends and colleagues Dan and Larry over the summer as we played some music of our own.  At the time, I had not yet immersed myself in Pearl Jam, but I was immediately drawn to Vedder’s simple but powerful vocals on this track.  Apparently, as they told me, Vedder had contributed eleven songs (9 originals and 2 covers) to the soundtrack of the film Into Thin Air, based on Jon Krakauer’s book of the same name.  Although some of the songs are very short and there are two tracks without lyrics, the Into Thin Air soundtrack is essentially an Eddie Vedder solo album — his first full length solo project since he began singing with the other members of Pearl Jam.

Whether you’re a Pearl Jam fan or not, I think everyone here at the Laptop Sessions will be able to appreciate this great acoustic tune.  It was a pleasure to record, from beginning to end.  In fact, I ended up with several early takes that I could have settled for, but kept playing and playing until I arrived at this version, which I felt was most loyal to the original version.  (Well, maybe not the original version — rather, the Eddie Vedder version of the Jerry Hannan original.  Although, Hannan provided background vocals and guitars for this track, so it’s closer to an original than your average cover.)  When I finished recording, I had the sort of sadness I always get when I’ve figured out a song and yet, the recording being finished, don’t have any real reason to keep playing it.

The bright side here is that I’ll get to play it a little bit today during school, as I’m bringing my guitar in to practice for our big Writing Club / Creative Writing open mic night.  This is the first time (at least since I’ve been at the school) that the Writing Club has teamed with the Creative Writing classes to put on the open mic.  The result?  To begin with, we’re in the theater instead of the cafeteria and it promises to draw a more significant crowd.  The only downside — and it’s a significant downside, if only for me — is that the show runs from 6 to 10pm…  This Thursday.  And Thursdays mean baseball, fast food, and wrestling with my friends.  We had originally scheduled the show for a Friday — which I was excited about — but there was a scheduling conflict and the best available day for everyone else was Thursday.

Either way, it’s only one week and it’s for a good cause.  With some luck, I’ll be able to catch the second half of wrestling.  If not, there’s always the iTunes download if I hear I’ve missed a great episode (as last week’s was!).  I hope you have a great week.

See you next session!

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The Deep Racks Report: “Binaural”

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By Chris Moore:

I think we’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to brief but focused reports on ALBUMS that do not receive as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS: Chris – “Thin Air” (chords included!)

When Pearl Jam released Binaural in 2000, they were met with solid sales — #2 on Billboard in the first week of its release — and decent critical reception — Rolling Stone gave it the 3.5 out of 5 stars nod.  For any other band, this may have been exciting.  However, for Pearl Jam, #2 on the Billboard 200 could be considered a minimum expectation, as even their debut album had hit that position.  As for the critical reception, Rolling Stone had rated all of their previous albums (except their first two, which had not been rated) a full four stars.  This may seem a minor change from 4 to 3.5, but it is a significant one.  The subtext?  Binaural is somehow inferior to Pearl Jam’s previous releases.

Fast forward to 2009, and let’s talk dollar signs.  I’m not referring to album sales — although Binaural is infamously the first Pearl Jam album to fail to reach platinum status, never mind the 7x and 5x platinum statistics of Vs. and Vitalogy respectively or the 12x platinum(!) heights of Ten.  I’m referring to the sticker price.  The average retail value in stores like Best Buy and Circuit City — stores at which the average for CDs is largely in the $12.99 – $14.99 range — is $5.99.  Even on Amazon.com, the price is higher (albeit a measly $1) at $6.99.  What does that say about this album, a fully studio-produced main catalog Pearl Jam release, that its retail value is less than half of the average price one would expect?

While I can’t tell you why it is valued for so low, I can report that this is an excellent album!  Admittedly, I purchased it during Circuit City’s store closing sale for only $4.  I didn’t expect to like it.  Rather, I wanted to get my feet wet with a Pearl Jam record before listening to their debut Ten when it is remastered and re-released later this month.  After a couple listens — and contrary to my expectations — I’ve become hooked on this album.  Right out of the plastic, the packaging is a positive sign — a three-fold digipack with full lyrics reproduced as images of typewritten and handwritten notes.  From the breakneck pace of the first track “Breakerfall” to the sad, soothing sound of the final track “Parting Ways,” the sequence of this album is just right.  The first three tracks are among my favorites on the album (“Evacuation” is possibly the best, most rocking track on the album) and make me reconsider every time I want to take it out of my CD player after a full rotation.  “Light Years” slows it all down and (contrary to Rolling Stone‘s criticisms) unwinds into an excellent ballad of sorts.  The single “Nothing As It Seems” comes next, which I do like, although I couldn’t tell you why this particular track was chosen as the single when there were so many other excellent choices.

For three more tracks, the pace is heavy and slower, but these are some excellent tracks — “Thin Air” (see above for the link to the Laptop Session version), the show-stopping “Insignificance,” and “Of The Girl.”  Truth be told, the next trio of songs are the only sequence on the album that I could do without.  The energy of “Grievance” and “Rival” are undeniable — the latter won a Grammy for Best Hard Rock Performance — and “Sleight of Hand” is a nice lead-up to the final two songs on the album, but I can see why one might have seen Pearl Jam treading water with these tracks.  Then again, taking the Grammy into consideration, perhaps my opinion is simply the opposite of all paid critics.

The album ends slowly with “Parting Ways,” but the final highlight of the album — the song that first made me perk up and pay attention lyrically — is the penultimate track “Soon Forget.”  It’s just Eddie Vedder and a ukulele, but it’s so much more.  The arrangement fits the song perfectly, as Vedder sings about a man who “trades his soul for a Corvette,” “trades his love for hi-rise rent,” and is ultimately “living a day he’ll soon forget.”  As the song concludes with his funeral scene, Vedder sings, “He’s stiffening.  We’re all whistling, a man we’ll soon forget…”

Granted this is my first Pearl Jam album experience, but if the other albums are so much better, then I can’t wait to hear them!  There’s nothing wrong with this album, and it certainly doesn’t deserve the drastically reduced retail price or ho-hum reviews (Rolling Stone was so distracted that the review is largely a commentary on late 90s pop music, framed by a comparison between Matchbox Twenty and Pearl Jam).  Based on the quality of individual tracks and on the thoughtful sequencing of the album as a whole, Binaural is more than worth your time!

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