“Man in Black” (Johnny Cash Cover)

By Chris Moore:

I had such fun playing “Folsom Prison Blues” that it was only a matter of time before I chose another Johnny Cash song! This is one of my father’s favorites and my grandfather is also a big fan, so I’d like to send this one out to them!

Well, I recorded this one in one perfect take… except for the very end, when I accidentally sang “I’ll try to carry off a little COLOR on my back…” instead of “darkness.” I obviously couldn’t let that go, so I re-recorded it. Again. And again. And again…

You get the point. But, I’m really happy I learned it (and anyone in hearing range the other night must’ve learned it, too). Thanks for coming back to guitarbucketlist.com; check back tomorrow for an all-new session from none other than Jeff Copperthite!

Yes, No, or Maybe So: One-Sentence Reviews of 2008 Albums

(Arranged in alphabetical order by band)

With so many albums being released every week, what are they all like?  Which are worth your time?  These one-sentence reviews are the answers to those questions!

Snacktime (Barenaked Ladies) – MAYBE SO

Review:  Fun and even educational for kids, yet substantive and musically interesting for adults – don’t let this be the one Barenaked Ladies album missing from your shelf!

Top Two Tracks:  “7 8 9” – “Pollywog in a Bog”

Modern Guilt (Beck) – MAYBE SO

Review:  Beck’s unique voice is the anchor of this rock album that successfully integrates both loops and modern effects with the simplest acoustic, electric guitar, and keyboard sounds front and center in the mix.

Top Two Tracks:  “Gamma Ray” – “Modern Guilt”

Way To Normal (Ben Folds) – MAYBE NOT

Review:  While this is a great breakup album with some typically provocative Ben Folds lyrics and strong instrumental work, there are simply too many disposable tracks and a general feeling throughout much of the album that we’ve been here before.

Top Two Tracks:  “Bitch Went Nuts” – “Brainwascht”

That Lucky Old Sun (Brian Wilson) – YES

Review:  This is Wilson’s modern masterpiece for the summer months, offering more punch than a fresh cup of coffee (“Morning Beat”), piano ballads for the ages (“Forever She’ll Be My Surfer Girl” and “Midnight’s Another Day”), and spoken word transition tracks (lyrics by SMiLE collaborator Van Dyke Parks) that won’t disappoint, all in a thoughtfully ordered and nicely blended track listing.

Top Two Tracks:  “Forever She’ll Be My Surfer Girl” – “Live Let Live”

11 (Bryan Adams) – MAYBE NOT

Review:  This is pretty much what you would expect, which doesn’t mean it can’t be great fun – clichéd, cheesy lines notwithstanding.

Top Two Tracks:  “I Ain’t Losin’ the Fight” – “Oxygen”

Loyalty to Loyalty (Cold War Kids) – MAYBE SO

Review:  The Cold War Kids’ breakthrough album (#21 on the Billboard 200) further establishes their strong, unique sound – Willett’s vocals and Russell’s guitar work being their strongest assets, set against the driving force of Maust’s bass and Aveiro’s drums – aside from perhaps a couple disposable tracks, the album is a stand out.

Top Two Tracks:  “Against Privacy” – “Mexican Dogs”

Prospekt’s March EP (Coldplay) – NO

Review:  Okay, Coldplay, it’s time to step up to the plate a la Wilco: release these tracks (only 3 or 4 are really worth the listen, anyway) on the next reissue of Viva La Vida AND offer them as a free download to anyone who has already bought the album; none of this shameful EP garbage for one of the most wildly successful bands in the world!

Top Two Tracks:  “Life in Technicolor II” – “Glass of Water”

Viva La Vida (Coldplay) – YES

Review:  Coldplay has finally hit an album-worthy home run, complete with beautiful instrumental bookends, richly explored thematic elements, big pop-radio worthy singles, and multi-movement tracks; this is the album that will help them begin living up to the hype that has surrounded the band for years.

Top Two Tracks:  “42” – “Violet Hill”

Saturday Nights & Sunday Mornings (Counting Crows) – YES

Review:  The concept album of the year, Saturday Nights & Sunday Mornings’ songs are aptly split between those that address the primal side of human nature, making decisions by instinct and engaging in debauchery, and the more reflective side of the psyche, reconsidering past decisions, experiences, and even dream images in the early light of Sunday morning.

Top Two Tracks:  “Insignificant” – “You Can’t Count On Me”

Momofuku (Elvis Costello) – MAYBE SO

Review:  Named for the inventor of instant ramen noodles, Momofuku may have been recorded at a breakneck pace, but there are some quality songs here: interesting arrangements, heartfelt performances, and of course, clever and poetic lyrics.

Top Two Tracks:  “American Gangster Time” – “Flutter and Wow”

Electric Argument (The Fireman) – NO

Review:  The guise of the Fireman may allow Paul McCartney the opportunity to relax, experiment, and otherwise stretch out, but a fully realized album that lives up to his vastly impressive recent work this is not.

Top Two Tracks:  “Sing the Changes” – “Dance ‘Til We’re High”

Sleep Through the Static (Jack Johnson) – NO

Review:  Filled with peaceful songs recorded in very clear sound quality… that will most likely put you to sleep – not even close to what you would expect from the follow-up to In Between Dreams.

Top Two Tracks:  “What You Thought You Need” – “Go On”

The Glass Passenger (Jack’s Mannequin) – MAYBE NOT

Review:  With their most recent release, Jack’s Mannequin has cracked the top ten of the Billboard 200 and found a bright, clean, and upbeat sound while addressing a number of serious topics; if some of the songs didn’t sound so similar and if McMahon’s vocals didn’t strain and reverberate oddly at times, this would be a great album.

Top Two Tracks:  “Crashin’” – “Bloodshot”

Seeing Things (Jakob Dylan) – MAYBE SO

Review:  Jakob Dylan finds some soothing and rootsy acoustic sounds on his debut solo album… now, let’s just hope he uses it to return with more force and feeling to a full band next time!

Top Two Tracks:  “Valley of the Low Sun” – “War is Kind”

Greenlight (Jeff Copperthite) – MAYBE SO

Review:  The first solo album from one half of the late nineties rock band Quilt, Greenlight is all you could hope for from a debut release – a range of songs that demonstrate Copperthite’s considerable instrumental abilities, including a couple standouts that will make listeners look forward to the next solo release.

Top Two Tracks:  “Home” – “Aware”

Perfectly Clear (Jewel) – MAYBE NOT

Review:  The latest phase for this folk singer turned dance/big band star turned country artist, Perfectly Clear is a well executed country album – nothing less, but not much more.

Top Two Tracks:  “Love is a Garden” – “Till It Feels Like Cheating”

Insides Out (Jordan Zevon) – MAYBE NOT

Review:  Bitingly witty at times, helplessly romantic at others, and always in-your-face realistic, Jordan Zevon’s debut release boasts finely crafted – if predictable – vocals and strong – although standard – instrumentation; he’s on his way to a great album, but hasn’t quite made it this time.

Top Two Tracks:  “The Joke’s On Me” – “Payday”

Mudcrutch (Mudcrutch) – MAYBE SO

Review:  An instantly likeable album with a classic sound that is somehow still unique and infectious, the power of Mudcrutch’s debut release – much like the faded face on its cover – tends to dissipate over time; as with many releases this year, it’s not bad for a start and is perhaps the best debut album (and one of the best new bands) of 2008.

Top Two Tracks:  “Orphan of the Storm” – “Lover of the Bayou”

Home Before Dark (Neil Diamond) – NO

Review:  An album of enjoyable three minute songs… that drag on redundantly for six minutes.

Top Two Tracks:  “Pretty Amazing Grace” – “The Power of Two”

The Slip (Nine Inch Nails) – MAYBE SO

Review:  The landscape of The Slip is that of violence and corruption, but even more acutely of the impact upon and influence of the individual in a society that is taking turns for the worse – add in Trent Reznor’s supplying this album for free online, taking intricate care to provide track (not just album) artwork and typed-in lyrics, and you’ve got a strong release.

Top Two Tracks:  “1,000,000” – “Discipline”

Break Up the Concrete (The Pretenders) – MAYBE NOT

Review:  While there’s nothing particularly remarkable here, Break Up the Concrete is a surprisingly strong release from Chrissie Hynde and company, nicely blending acoustic and electric rock with a rockabilly sensibility peeking through intermittently.

Top Two Tracks:  “Love’s A Mystery” – “The Last Ride”

Accelerate (R.E.M.) – YES

Review:  From the first notes of distorted electric guitar to the final “yeah” voiced by frontman Michael Stipe, Accelerate is a non-stop rock’n roll joy ride punctuated by numerous standout tracks, instrumental moments, and some of the strongest lyrics from Stipe in years; this R.E.M. album more than lives up to what its title implies about the pacing.

Top Two Tracks:  “Living Well is the Best Revenge” – “Supernatural Superserious”

Consolers of the Lonely (The Raconteurs) – MAYBE SO

Review:  For anyone who claims there are no new bands making great rock music, here come the tremendous Raconteurs to tell stories with urgent vocals, infectious guitar licks, plenty of distortion while maintaining a healthy respect for the acoustic guitar, horns, and so much more as traces of classic rock and modern rock are inseparably mixed.

Top Two Tracks:  “Top Yourself” – “Many Shades of Black”

The Bird and the Bee Sides (Relient K) – MAYBE SO

Review:  In and of itself, The Nashville Tennis EP is a generally middle of the road affair with a handful of standout tracks and several disposable songs; however, when combined with The Bird and the Bee Sides, it boasts new material as well as enough rare tracks to fill the gaps in any Relient K fan’s collection – never mind that 13 songs add up to a generous “EP,” clocking in for a total of 26 songs on this single disc release.

Top Two Tracks (“The Bird”):  “At Least We Made It This Far” – “I Just Want You To Know”

Top Two Tracks (“The Bee Sides”):  “Up and Up (Acoustic)” – “Who I Am Hates Who I’ve Been (Acoustic)”

Liverpool 8 (Ringo Starr) – MAYBE SO

Review:  Even though Starr split with longtime collaborator Mark Hudson during the making of Liverpool 8, this album is a worthy addition to his recent catalog, and although it may not be the strongest of the Roundhead records, it’s a must-hear for Ringo and rock fans alike.

Top Two Tracks:  “Liverpool 8” – “If It’s Love That You Want”

Detours (Sheryl Crow) – MAYBE NOT

Review:  This album is a bit of a mess, as some songs (“God Bless This Mess,” “Love is All There Is”) are heartfelt standouts and others (“Love is Free,” “Peace Be Upon Us”) seem phoned-in and generally distract from the great material this album has to offer.

Top Two Tracks:  “Shine Over Babylon” – “Detours”

A Hundred Million Suns (Snow Patrol) – MAYBE SO

Review:  Don’t let the inferior first single “Take Back the City” fool you: A Hundred Million Suns is the long-awaited next step in Snow Patrol’s evolution, offering up much to enjoy hearing and feeling and even more to interpret – and, thankfully, AHMS is a vast improvement over Eyes Open, and a worthy follow-up to Final Straw.

Top Two Tracks:  “Crack the Shutters” – “The Planets Bend Between Us”

The Red Album (Weezer) – MAYBE SO

Review:  The Red Album is something of an enigma – several tracks (“The Greatest Man That Ever Lived,” “Everybody Get Dangerous”) are among the quirkiest, most original and inventive work ever to grace a Weezer release, yet the album gets sidetracked in material that is easy on the ear, but overly simplistic (think “Heart Songs” and “Dreamin’”) – but it’s an interesting one; it is difficult to determine whether the first ever contributions from the other band members provides an exciting boost or simply more confusion to the album.  (And why no “Miss Sweeney” on the main album release?)

Top Two Tracks:  “The Greatest Man That Ever Lived” – “Thought I Knew”

“Bridge Song” (Dishwalla Cover)

By Jeff:
Welcome to Thumpin’ Thursday – another busy day in the life of Jeff.

But thankfully that busy-ness includes the posting of another video.

Today’s song is by the obscure band “Dishwalla”, and I shall be throwing my two cents into the ring from some obscure songs that I have lined up.

They’re only known by true fans as well, and this one fits that description.

The song is called “Bridge Song” and it’s from their album “And you think you know what life’s about”.  This album is not as well known, and did not sell nearly the same amount of copies as “Pet Your Friends” did.

This cover has more of a personal touch to it because I did not stick to the same structure that exists in the recording.  Again, you’d have to know the song to know what I did differently.

I’m also experimenting with slightly different camera angles.  This is because I continue to receive comments about my voice being “boomy” in the condenser microphone in the camera.  So i’m trying to sing off to the side to see if that helps things.  Tonight I did have graduation so I was a bit tired.  I wouldn’t say this is my best performance by any means.

But still, please enjoy the song.  I’ll be back next week for another tune from the depths of obscurity!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“You’ve Got To Hide Your Love Away” (Beatles Cover)

For Beatles chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to my first traditional “video and a post” Laptop Session in weeks!  For the past few posts, I’ve opted to write reviews, but now its back to Beatles cover songs for me!  This was actually a lot of fun, but I don’t get to write as directly and personally as I do in a post like this one.  Thus, I’m back with a guitar, recording my first cover song music video since “God’s Gonna Cut You Down.” Let’s just say it’s good to be “back”!

You’ve probably already noticed that the Laptop Sessions main page has suddenly been filled with “chords & lyrics” posts.  Let me start by explaining these four new additions to the blog.

First, the Beatles chords (for “You’ve Got To Hide Your Love Away”) are obviously meant to accompany this post.  If you enjoy it, then by all means, jump in and start playing it yourself.  Actually, you might want to read the rest of my post before you break out your axe…

So, why the added chords and lyrics?

Well, I’ve been itching to record a cover version of a track from the new Pearl Jam album Backspacer ever since I started listening to it last Sunday.  Specifically, there are two largely acoustic tracks that are very easily translatable into acoustic music videos — namely, “Just Breathe” and “The End.”  The first single, “The Fixer,” is more of a full-band, harder rock affair, but its structure is fairly simple and it is truly a great deal of fun to sing.  I’m still deciding which song to record for my session (anyone care to hazard a guess before next week?).

Now, normally I would wait until next Monday to post the chords, but I’ve been learning/practicing all three and going out of my mind attempting to comprehend how anyone could post the chords and lyrics without having even the slightest idea as to what the correct words are.  This, in fact, is one of the most profoundly aggravating aspects of the decline of CD’s, at least in my mind — people who download digitally do not necessarily get a booklet, and even if they do, do not necessarily take the time to read the liner notes and lyrics.  Has music really become that abundant and easily accessible that we couldn’t care less what the singer is actually saying, or what the album as a whole is actually about?  This is the feeling I get when I surf the web for chords and lyrics.

This is also why I enjoy spending time in CD stores like Newbury Comics or — as I visited today — Exile on Main Street.  It’s a good feeling to see albums that you had forgotten about, never actually seen in person, or perhaps never even heard of before.  I left today with my hands covered in a thin layer of dust, having purchased an album that had collected a considerable amount of that aforementioned dust — the Charlie Sexton Sextet’s Under the Wishing Tree.  (Sexton played with Dylan for a few years, left the band a while back, and just recently rejoined — he was perhaps my favorite guitarist that I’ve seen in Dylan’s band, so I had to check it out.  More to come after I’ve listened more closely to the album…)

After all this posting, I suppose I should actually take a few moments to address the video you’re about to watch…

Following Jeff’s excellent rendition of “Yesterday” last Thumpin’ Thursday, I decided I couldn’t let the Beatles marathon slip away on my watch.  I had been planning to record a Pearl Jam song (as I mentioned earlier), so I opted instead to record a Beatles song that had been sung by Eddie Vedder in a cover version a few years back.  “You’ve Got To Hide Your Love Away” is the third track from the Beatles’ excellent 1965 album Help! — Nicole’s favorite Beatles album.  Thankfully, I was able to borrow her copy of the 2009 remastered version of Help! and ensure that I was more than prepared to record this great song.

The video that follows is a perfect example of what seems like a short, simple song but is in actuality a little gem.  To me, this song exemplifies how the Beatles really aren’t overrated — even with a simple verse-verse-chorus-repeat-fade song, Lennon and McCartney had to throw in some interesting chords and variations.  It’s not simply G or C that you’re hearing — instead, my underworked and not-so-dexterous pinky finger was called into play to make the song sound entirely accurate.  Even as I type, my hand is still recovering from the workout!  Overall, I’m very pleased with how the recording came out, even if my lips ended up a bit dry and thus led to a few flubs during my “vocal flute” solo at the outro.  I hope you can forgive the slight inaccuracies and enjoy this great Lennon/McCartney classic!

Oh, as a quick “P.S.,” I should mention that my review of the 2009 remaster of Let It Be really will be coming eventually.  My internet was a bit screwy last week and I lost all my progress, so I put it aside temporarily.

It’s been a great Yom Kippur (see my Twitter posts above), and although it’s back to school for me tomorrow, I still have another surprise up my sleeve for later this week.  That is, if my internet connection can hold steady…

See you next session!