Welcoem to our favorite day of the week – Original Wednesday! Where we bring to light the various talents of us in the form of an original song.
Today I am doing an “oldie but somewhat goodie” from Quilt’s library. This is a song that I wrote called “Waterfalls”, and while it didn’t see an official Quilt release until “Patchwork”, I originally wrote and recorded this song back in 1999. It was one of my first ever acoustic guitar songs that I wrote. My friend Scott Jordan also helped me with the lyrics way back when.
I’m sorry if i’ve seemed short with descriptions the past week. I’ve been taking a course at the University of New Haven and it’s intensive. 8 a.m. to 5 p.m. Monday through Friday since last week. My brain is fried.
Enjoy today’s installment (and enjoy the nice new paint job we just got in the house!), and come back tomorrow for the next acoustic cover song from the one and only Jim Fusco!
Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!
Good evening and welcome to another week of all-new Laptop Sessions posts! Today was busy, and although I had a lot of work to do around the condo, I was able to finally relax a bit and begin enjoying being here. Since tonight marks my first cover song music video since the move, you’ll notice a new backdrop. It’s a bit plain, since we’re still unpacking boxes and hanging up posters, etc. In fact, I’m not entirely sure where I want to play my sessions here. Although I miss having the “wall o’ CD’s” in the background as I did when I lived in the apartment, I do like the light and acoustics of the living room here at the condo.
Still, the visuals should come second to the song at hand. My session tonight is a cover of Elvis Costello’s “Alison” from his classic 1977 debut album My Aim is True. As for how I’ve never recorded this song before, I really don’t have an explanation. This is widely considered Costello’s best known and best loved recording, second only to “(What’s So Funny ‘Bout) Peace, Love, and Understanding?” There are certainly other Costello songs that are more rocking, more complex, or simply better, but this heartbreaking tune is a wonderful little song. Although I’ve loved Elvis Costello and the Imposters since Delivery Man, I’ve only recently gotten into his older material (via Live at Hollywood High – CLICK HERE for the full review). Even still, I’ve always loved “Alison.”
I’ve been thinking recently about why it took me a while to warm to Costello’s material, and my best guess is the way his “best of” is compiled. The Very Best of Elvis Costello, the quintessential EC greatest hits that was released in April 2001, is a two-disc set with virtually no booklet to speak of. This, to me, is a cardinal sin — how could one, as an album designer, decide to disconnect a “best of” compilation from the appropriate context? Instead of liner notes, there is a series of the same photo of Costello colorized in different shades. And, really, I would have been happy with any type of text: brief notes about each song, an essay about Costello, or even a message/reflection from the man himself.
And what really surprised me years ago when I opened this CD on Christmas morning was that it was a Rhino release. Anyone who’s ever bought an album release from Rhino knows that they’re typically very generous with booklets and other packaging. At least, that’s the experience that I’ve had.
Regardless, I picked up Live at Hollywood High, an Elvis Costello and the Attractions concert from 1978, out of curiosity, and I actually felt a little guilty about spending money on it. After all, the last time I had listened to his early songs, I hadn’t been overly interested. But it has also been a good number of years since I had heard them.
The concert is fantastic.
I went back last week and listened to all 140 EC songs on my iPod and five-starred the songs I really liked. In the end, I was left with a 36 song playlist that I’ve been listening to in shuffle mode constantly for days. (And, since there’s no new music of interest coming out this week, it’ll have to sustain me for another seven days.) Not surprisingly, several of the live versions of his songs made the playlist over the studio versions. Typically, I opt for studio recordings, but this was one of those cases where the live versions are sometimes just better — more catchy, passionate, etc.
The studio recording of “Alison” is classic, though.
I’m posting late tonight because I had a faculty meeting today, followed by a trip to a fancy locale known as K-Mart (remember those??) to pick up a dinette set with the help of my parents, and I’ve been building the chairs ever since. You can’t believe how many nuts, bolts, washers, spring washers, screws, and other little pieces go into the assembly of these things.
It’s been so much work that I might record my session next week at the dining room table just to feel like it was for a purpose…
Seriously though, it’s actually been a lot of fun just building this set while watching season five of The Office. Of course, it wouldn’t be exciting without an issue. In this case, I unpacked the pieces to find that the table has a six-inch crack down the center of it. They’re getting more in on Friday, so I’ll be able to complete the building then, but I just have to wonder… why did it have to be the BIGGEST piece that’s broken? Couldn’t it have been something like one of the chair spindles?
Until next week, I want to remind you to stay tuned here all week for some great new posts. There are more Laptop Sessions to come, as well as music reviews and more. And the Guest Sessions submissions have been multiplying recently, which I couldn’t be more thrilled about, so once I review those videos, you can look forward to the cream of that particular crop over the next few weeks.
Well, my voice is still pretty much shot, so I did what I thought was logical… record another Dylan tune!
This is one that I’ve been saving for some time, as it’s one of my favorites — Bob Dylan’s “Love Minus Zero/No Limit” off his half-acoustic, half-electric album Bringing It All Back Home. I’ll be recording more off of this album in the future, but even a Dylan fan as devoted as myself hasn’t completely memorized “Bob Dylan’s 115th Dream”…
There’s some big news brewing for some live shows in the not-too-distant future, and as soon as dates are solidified, we’ll post them on the blog. For now, I really hope to see you for dinner at Testa’s in Southington this Saturday evening between 8:30 and 12:30. We’re prepared to play about 80 songs (which I don’t think we’ll get to, but we’re ready all the same!).
A final bit of good news — I hope to break 10,000 views on YouTube by my next post! Thanks again to all who have been watching my videos, both new and old, and I really hope you’ll come see them all — Jim’s, Jeff’s, and mine — at https://guitarbucketlist.com !!
Well, it’s the best time of the week. It’s the time when we songwriters — Jim Fusco, Jeff Copperthite, and myself — get to really believe what we boast: that this is the best acoustic cover songs music blog on the web. And we get to do that…
…by not recording an acoustic cover song!
We still record and post a music video of an acoustic song, but it is not a cover. On Original Wednesday, we bring you an original song for your enjoyment that you most likely have never heard before. Today, I bring you a song that I have had kicking around for a few years called “Essential Question.” It never quite made the cut for Love Out of Fashion, either because I hadn’t finished writing it or because I didn’t feel it was up to par. It finally saw the light of day as a track on Weekend Demos… but only on the bonus disc. I don’t really know why it never made the cut, even on a demos album. Overall, I’ve always felt that the song was a bit simplistic, particularly in the verse and bridge. I do like the chorus a lot, though, and that’s one of the reasons that I wanted to break it out for an original Wednesday.
I have been working on some new songs, and I hope to bring an all-new one to the music blog very soon! For now, just be sure to hurry back for another great, all-new acoustic cover song (business as usual!) by Jeff tomorrow…
