“All Along the Watchtower” (A Bob Dylan Cover)

By Chris Moore:

Now, this is truly a day of firsts for me. Three firsts, if I count them accurately. In order of occurrence: (1) I woke up on my own, on a Saturday, at a decent hour, and got right out of bed. Anyone who knows me on any personal level to any degree knows how amazing that truly is. (2) Then, I recorded my Saturday cover video in one take, including rehearsals. When it comes to these cover song sessions, I am probably more of a perfectionist than I should be. Thus, I repeatedly practice and record the music videos until I’m satisfied I could not do any better. Suffice it to say that usually takes anywhere between five and twenty-five takes. Today, one!! And, finally (3) I came upstairs from FMP Studios to find Jim, having just woken up, in an excellent mood. This is nothing against Jim — and I’m admittedly a bear (not one of those friendly, cuddly ones you might see at a show with a trainer, but one of those angry, blood thirsty ones that attack campers and hikers without provocation ala the John Candy movie The Great Outdoors) if you try to wake me from nodding off during a movie, etc. — but Jim’s just not a morning person. We sat and talked about the music blog, brainstormed some new ways to improve our views and content, and then laughed quite heartily about bathroom humor, the details of which I’ll spare you.

All told, really not a bad way to start a beautiful, sunny summer day!

But let’s get down to business. My acoustic cover song for today is Bob Dylan’s “All Along the Watchtower.” Ironically, you are probably more familiar with the Jimi Henrix’s cover version than you are of Dylan’s original music. And, even as a HUGE Dylan fan, I have to admit that Hendrix’s cover song is the definitive version. Even Dylan admitted as much — his live performances of the song still reflect Hendrix’s arrangement. That being said, Dylan’s original is heavily acoustic, so I felt that would be a better version for this acoustic guitar music video. So, I grabbed my acoustic guitar, dusted off my harmonica rack, and gave it my all. One take. Could it have been better, more polished? Yes, I suppose. But this is what the Laptop Sessions are all about — this is a snapshot in time, as though you sat down with me in my living room and I just played it for you, on a whim. I hope you enjoy it!

And, of course, don’t miss the unveiling of an all-new acoustic cover song from Jeff Copperthite — his next quality cover video will be posted here tomorrow…

See you next session!

**EDITOR’S NOTE: This video is no longer on YouTube, but please check out our other Bob Dylan cover songs here on the music video blog!

“Sober” (Original Song by Indie Music Songwriter Jim Fusco)

By Jim Fusco:

Welcome to Original Wednesday here on the Laptop Sessions! Tonight, I bring you the first ever video starring Jim, Chris, and Becky for my original song from the new MoU album, “Homestead’s Revenge”.

“Sober” is a song I wrote a couple years ago and has become a live favorite whenever we play it. I wrote it during the recording of the first MoU album, but didn’t get to record it until recently, so it remains a “new” song.

I had Chris and Becky help me out for two reasons- first, the harmonies. Second, the fact that my voice kinda gave out tonight right before I went to record another original song called “The Game”. And, for anyone that’s heard that song before, you know it’s not one to sing with a bad vocal range! I guess that will have to wait three weeks.

I hope you enjoy this edition of Original Wednesday and I hope you’ll come back tomorrow for the continuation of “#1 Week” here at guitarbucketlist.com!

“If You Leave Me Now” (Chicago Cover)

By Jim Fusco:

Welcome to the start of “#1 Week”, where Chris Moore, Jeff Copperthite, and I are playing only songs that topped the Billboard Hot 100 charts, except for Original Wednesday, of course. But, I hope that the song I play on Original Wednesday will be a contender for a #1 week in the future! 🙂

Tonight, I bring you a song that I just can’t get enough of. It’s Chicago’s first #1 hit and was written by the great Peter Cetera.

It’s a slow song, but has a great tune and some great chords. The only problem with the song is that it marked the beginning of Chicago’s “power ballad” phase. It was fruitful for them, yes, but it was also the end of their highly creative rock-n-roll style.

This is one of my favorite performances and I hope it ends up being even more popular than my first Chicago video, “Wishing You Were Here” ( Wishing You Were Here cover ).

NOTE: In 2020, I remastered the original video (which was very dark- almost couldn’t see anything at all!) and re-uploaded it to YouTube, as you’ll see below.  I hope it breathes new life into the video!

“The Girl With No Name” (Byrds cover)

By Jim Fusco:

Okay, really obscure territory here on the music blog.

When my family was getting into the music of the Byrds back in 2000, we really went head-first and listened to every album they made throughout the 60s. Some were better than others because you could tell they were doing a lot of growing up, musically. Plus, many of their later-60s songs were very drug-tinged.

After Gene Clark left the band in late ’65 or early ’66, the band came out with one of their worst efforts, “5D”. I still liked most of the songs, but the playing was sloppy and they were high as a kite.

When we got to the superb “Younger Than Yesterday” LP (on Jim Fusco’s list of “Albums You Should Listen To”), I instantly gravitated to the songs of young Chris Hillman, bassist for the band. He is an amazing bass player, mostly because he was an accomplished mandolin and guitar player, so he took his soloing skills over to the bass for the Byrds.

I love his voice- it’s just so natural. There’s no weird accent. He doesn’t say the words in an odd way. He just sounds good, you know?  His voice is nice and clear and I was happy that he was getting a chance to write more music for the Byrds.  And, like in most bands, the songwriter usually sings his own original songs, so I was happier the more we listened to Byrds songs.

He wrote some of my absolute favorites: “Thoughts and Words”, “Have You Seen Her Face”, and “Time Between”, just to name a few. I plan on doing all of them in the future.

But for now, I give you this song off of “Younger Than Yesterday”, “The Girl With No Name”. It was a lot of fun to play and is a very short song. It’s funny that such a sweet sounding song was probably still influenced by drugs.  I’m just guessing here, but “The girl who had no name” could mean a couple things: For starters, maybe this lady lived on one of those hippie communes where they said, “Hey man, why do I need to be labeled with a name?  Can’t I just BE?”  That’s a possibility.  The other possibility, to me, could be that Hillman just didn’t bother asking for a name.  Whether he was under the influence of something that impaired his judgement at the time is something only he can attest to.

I think the Byrds are a great band to do acoustic cover song versions of.  Their songs had an interesting style.  You could almost tell that they wrote their original songs on acoustic guitar and then found a way to translate them into the psychedelic sound of the time.  “The Girl With No Name” is pretty straight-forward, so my acoustic version here for the music blog stays true to the original.  That’s another reason why I love doing the Laptop Sessions video blog.  In addition to reimagining popular songs acoustically, I like taking obscure songs and playing them for the world.  They’re great songs and they deserve some fresh attention.

I’m gearing up for next week’s big “#1 Week”, in which (other than Original Wednesday) we’ll be playing only cover songs that hit Number One on the Billboard charts.  Stay tuned for other great specialty weeks of cover song music videos coming soon, too!