“Alison” (Elvis Costello Cover)

For Elvis Costello chords & lyrics, CLICK HERE!

By Chris Moore:

Good evening and welcome to another week of all-new Laptop Sessions posts!  Today was busy, and although I had a lot of work to do around the condo, I was able to finally relax a bit and begin enjoying being here.  Since tonight marks my first cover song music video since the move, you’ll notice a new backdrop.  It’s a bit plain, since we’re still unpacking boxes and hanging up posters, etc.  In fact, I’m not entirely sure where I want to play my sessions here.  Although I miss having the “wall o’ CD’s” in the background as I did when I lived in the apartment, I do like the light and acoustics of the living room here at the condo.

Still, the visuals should come second to the song at hand.  My session tonight is a cover of Elvis Costello’s “Alison” from his classic 1977 debut album My Aim is True.  As for how I’ve never recorded this song before, I really don’t have an explanation.  This is widely considered Costello’s best known and best loved recording, second only to “(What’s So Funny ‘Bout) Peace, Love, and Understanding?”  There are certainly other Costello songs that are more rocking, more complex, or simply better, but this heartbreaking tune is a wonderful little song.  Although I’ve loved Elvis Costello and the Imposters since Delivery Man, I’ve only recently gotten into his older material (via Live at Hollywood High – CLICK HERE for the full review).  Even still, I’ve always loved “Alison.”

I’ve been thinking recently about why it took me a while to warm to Costello’s material, and my best guess is the way his “best of” is compiled.  The Very Best of Elvis Costello, the quintessential EC greatest hits that was released in April 2001, is a two-disc set with virtually no booklet to speak of.  This, to me, is a cardinal sin — how could one, as an album designer, decide to disconnect a “best of” compilation from the appropriate context?  Instead of liner notes, there is a series of the same photo of Costello colorized in different shades.  And, really, I would have been happy with any type of text: brief notes about each song, an essay about Costello, or even a message/reflection from the man himself.

And what really surprised me years ago when I opened this CD on Christmas morning was that it was a Rhino release.  Anyone who’s ever bought an album release from Rhino knows that they’re typically very generous with booklets and other packaging.  At least, that’s the experience that I’ve had.

Regardless, I picked up Live at Hollywood High, an Elvis Costello and the Attractions concert from 1978, out of curiosity, and I actually felt a little guilty about spending money on it.  After all, the last time I had listened to his early songs, I hadn’t been overly interested.  But it has also been a good number of years since I had heard them.

The concert is fantastic.

I went back last week and listened to all 140 EC songs on my iPod and five-starred the songs I really liked.  In the end, I was left with a 36 song playlist that I’ve been listening to in shuffle mode constantly for days.  (And, since there’s no new music of interest coming out this week, it’ll have to sustain me for another seven days.)  Not surprisingly, several of the live versions of his songs made the playlist over the studio versions.  Typically, I opt for studio recordings, but this was one of those cases where the live versions are sometimes just better — more catchy, passionate, etc.

The studio recording of “Alison” is classic, though.

I’m posting late tonight because I had a faculty meeting today, followed by a trip to a fancy locale known as K-Mart (remember those??) to pick up a dinette set with the help of my parents, and I’ve been building the chairs ever since.  You can’t believe how many nuts, bolts, washers, spring washers, screws, and other little pieces go into the assembly of these things.

It’s been so much work that I might record my session next week at the dining room table just to feel like it was for a purpose…

Seriously though, it’s actually been a lot of fun just building this set while watching season five of The Office.  Of course, it wouldn’t be exciting without an issue.  In this case, I unpacked the pieces to find that the table has a six-inch crack down the center of it.  They’re getting more in on Friday, so I’ll be able to complete the building then, but I just have to wonder…  why did it have to be the BIGGEST piece that’s broken?  Couldn’t it have been something like one of the chair spindles?

Until next week, I want to remind you to stay tuned here all week for some great new posts.  There are more Laptop Sessions to come, as well as music reviews and more.  And the Guest Sessions submissions have been multiplying recently, which I couldn’t be more thrilled about, so once I review those videos, you can look forward to the cream of that particular crop over the next few weeks.

See you next session!

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“Your Winter” (Sister Hazel Cover)

By Michael Brading:

Me doing an acoustic cover of the song “Your Winter” by Sister Hazel.

** EDITOR’S NOTE: **

We’re pleased to extend a warm welcome to this week’s featured guest performer, Michael Brading! You may know Sister Hazel better for their second album …Somewhere More Familiar (1997), which yielded the hit single “All For You.”   Today, Michael’s video highlights a deep track from their 2000 follow-up record Fortress.  This album was their second and last on Universal Records, and signaled the end of their mainstream success. I know you’ll enjoy this excellent cover song version by Michael, whose excellent voice fits the song perfectly and, fittingly, takes center stage on this performance.

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“Younger Generation” (The Lovin’ Spoonful Cover)

For Lovin’ Spoonful chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a mind-blowing edition of the Laptop Sessions.  You won’t believe that we haven’t recorded a cover song music video for this band’s category…

The Lovin’ Spoonful, best known for their early single “Do You Believe in Magic,” are an interesting sixties rock band that developed quite a history in less than a decade of work.  From their roots as a jug band, their connection to the folk movement genre, and their eventual electric sound, The Lovin’ Spoonful went on to release some great singles, such as the chart topper “Summer in the City.”

The song I’ve learned and recorded for tonight is from the 1968 album Everthing Playing.  I chose this song not because it was a favorite of mine, or even one that I’ve known for a long time.  I came across this song the other night, and it struck me as relevant to some life changes that one of my friends is going through.

You know who you are, and I wish you the best!

That being said, I spent a great deal of time researching and figuring out the chords to this song.  I compiled my chords post from two different sources, and I’m still not entirely happy with the final transcription.  I do think this is as close as I can come, and I think the chords sound good in the song.

“Younger Generation” was the final single of the John Sebastian-led incarnation of the Lovin’ Spoonful, and it is a compelling mediation on the relationships between parents and children, as well as the transition from youth to “maturity.”  Sebastian’s references to futuristic inventions are interesting, particularly the “videophone.”  We’re not too far off…

Well, it’s been a tremendously hectic day, so I’m off to sleep.  After getting up early, exercising, teaching, attending one meeting, rescheduling another, recording this session, and attending a football game at school to help at the concessions stand, I am happy to say that this day has been a very complete one.

See you next session!

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“Real Love” (Beatles Cover)

By Jim Fusco:

Well, then- welcome to the first Jim Fusco Thursday here on the Laptop Sessions acoustic cover songs music video blog! 🙂  I’m happy tonight, as it was a day of getting things done.  Actually, the past two days were all about getting things done and that always gives me a good feeling.  I need to cover a few topics before I get started tonight:

  1. My album, “Halfway There” is now on iTunes and available for download!!  I’m very excited about this.  I just signed up for some promotion.  If I get any kind of response, I’ll gladly do a bigger campaign.  Go check it out: http://itunes.apple.com/us/album/halfway-there/id361828586 Please, it would mean so much to me if you would sign-in to iTunes, rate, and comment on the album.  The more popularity it gets from the loyal music blog followers, the better chance it has at succeeding!
  2. Next up, I’m going to be releasing the classic second (and last) album by MoU, “Homestead’s Revenge”.  And, just like everything else in that band, I’ll be covering the cost of this submission myself…
  3. I recorded three “episodes” of the Laptop Sessions tonight!
  4. Speaking of “episodes”, I had a thought tonight.  I’m afraid that there’s so many Laptop Sessions videos that they’re becoming meaningless.  Honestly- I don’t even remember some of the songs I’ve done!  So, I’ll continue for a while on the once-a-week plan, but I really think I should do a “season” of them, much like a TV show.  I think once every two weeks, or 26 “episodes” would be good for the year.  That way, each music video would be a special event.  And it would probably give me more time to promote the site.  I used to worry that there wasn’t enough content to promote, but now I know that there’s SO much content that too much work went into it all with little return.  I’ll keep you posted on my thoughts.
  5. Finally, I want to mention the passing of rock legend Johnny Maestro of the Brooklyn Bridge.  I was going to record “The Worst That Could Happen”, but I realize that, other than the chorus, it’s not one I know too well.  I’ll keep listening and maybe I’ll bust it out someday.  R.I.P., Johnny.

Onto tonight’s video!

This video, “Real Love” by the Beatles, came out so great that I wanted to push it ahead of my planned video for tonight.  I love this song so much and even though it’s played on piano in the recorded version, it translated very well to my nylon stringed acoustic guitar.  And playing it on the 3rd fret capo really made it sound like the original.  Now, when I say “original”, I actually mean the version done by the remaining Beatles (over John’s home recording) in 1996.  John’s demo version does appear on one of his “Best Of” solo albums, but the lyrics are slightly different.  The Beatles version from the Anthology in 1996 is simply perfect.  The vocals are stunning (even though John’s voice sounds very ghostly and distant due to the original source tape they used, it works to a much better effect here than on “Free As A Bird”) and the guitar solo is so great.  It’s George at his rock best- a biting and wailing solo over such a great love song.

And last night, I arrived at a pretty big conclusion: In my opinion, John Lennon is the best songwriter of all time.  Yes, Brian Wilson is still (and will always be) my favorite songwriter, I have to admit that there was no one better than John Lennon.  He wrote some of the best songs of all time- and some earlier than all the other 60s bands!  He had a knack for the hooks (like, “Yeah, yeah, yeah”), but also wrote some of the best ballads ever.  “In My Life”, “Woman”, and “Real Love” are three amazing examples.  Okay, so Paul McCartney is a great songwriter, but his great songs are great and his less-than-great songs STINK!  Even John Lennon’s less-than-perfect songs are good.  He just had that gift.  He was a great lyricist and wrote some of the most unique melodies ever.

So, with that in mind, I went to record “Real Love”.  I remember when it came out- watching the Beatles Anthology on TV when it first aired in 1996.  It was awesome.  Especially because, at that point, I still thought I was the only Beatles fan in my generation.  So, having that kind of special on TV was pretty big for me.  And two new songs just made it a perfect situation.

I hope you enjoy tonight’s rendition of “Real Love” by the Beatles.  I know it’ll go down as one of my favorite videos simply because I realized that it’s one of my favorite songs.  It’ll always make me wonder, “What if the Beatles endured and somehow got to play into the 90s?”  I think we all know it would’ve been awesome, despite what critics might have said at the time.  It always bugged me that everyone expected bright, pop songs- but think about it: if the Beatles had continued playing from where they left off with “Abbey Road” (“Let It Be” was recorded earlier), the songs would’ve sounded very similar to “Free As A Bird” and “Real Love”.  And that’s just fine by me.  Make sure to check out all of our Beatles cover songs here on the music blog!

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