Your New Music Report! (May 2010)

By Chris Moore:

Well, it seems that I won’t be able to post the set-list for tonight’s Pearl Jam concert in real-time after all, due to either issues with the site or my WordPress app or both.

Instead, let’s talk new music!

It’s been two weeks since the first third of the year flashed by, and it’s been quite a year for new music.  Perhaps my surprise and excitement is due to the fact that I didn’t have high hopes for this year.  After all, nearly all of my favorite bands have put out music very recently (i.e. the past two years).  And yet there have been more than enough new releases to pick from these past four months.

Some artists, like Ringo Starr and Jakob Dylan, continue to put out music that lives in the shadow of their greater efforts of the past.  Others, like the Barenaked Ladies and Spoon, have somehow managed to create some of the best music of their lengthy careers.  Still others, such as She & Him and Broken Bells, are creating music and casting the shadows that future efforts will need to live up to.

This year has certainly had its hits and its misses, and it got off to an eclectic but ho-hum start, but I have already been hooked by five outstanding records.  Now, only one of these has received my five-star stamp of approval (All in Good Time), but the other four are a full four stars without question (Broken Bells, Volume Two, Heaven is Whenever, & Sea of Cowards).

The latter four albums represent an interesting range of sounds and influences.  Broken Bells have found a compelling sound by blending the rock basics with some more experimental, synthesized sounds.  She & Him give you the eery feeling that you’ve stepped into the past without actually sounding dated.  The Hold Steady have put together the best all-out rock and roll album of the year, to be sure.  And the Dead Weather present an out of control frenzy of rock, this time around with more single-worthy songs and considerably better continuity as an album.

In the midst of the outstanding and the forgettable are some interesting records.  Take American VI: Ain’t No Grave, Johnny Cash’s final posthumous release of new material.  It certainly doesn’t stand up to IV or even V, but it is such a beautiful that includes a perfect closing track for his long and storied career.  Steven Page’s first solo effort incited extreme reactions from most fans and critics, divisions in both categories respectively hating it for being so unlike his other music and loving it for… well, the same reason, I suppose.  As for me, I’ve very much enjoyed A Singer Must Die, although I rarely listen to it in the car and I’m very anxious to hear his first solo album proper, which should arrive later this year.  (And, to be fair, I downgraded it from four to three and a half stars in deference to what a full four stars should really represent.)

If you haven’t been listening to the first albums of the new decade, then you’ve been missing some real gems.  And, if you’ve missed my reviews along the way, I’ve compiled them below for your reference.  I’ve even translated my “Yes, No, or Maybe So” reviews to the standard five star system for your ease.   I’ve been listening constantly to the four listed as “coming soon” — between rounds of BnL, She & Him, and the Wallflowers, that is.

New Albums, 2010:

Y Not (Ringo Starr) – 2.5 stars

Transference (Spoon) – 3.5 stars

Realism (Magnetic Fields) – 2.5 stars

Heligoland (Massive Attack) – 2 stars

A Singer Must Die (Steven Page with the Art of Time Ensemble) – 3.5 stars

American VI: Ain’t No Grave (Johnny Cash) – 3 stars

Broken Bells (Broken Bells) – 4 stars

All in Good Time (Barenaked Ladies) – 5 stars

Volume Two (She & Him) – 4 stars

Women & Country (Jakob Dylan) – 2.5 stars

Forgiveness Rock Record (Broken Social Scene) – coming soon!

Court Yard Hounds (Court Yard Hounds) – coming soon!

Heaven is Whenever (The Hold Steady) – 4 stars

Sea of Cowards (The Dead Weather) – 4 stars

High Violet (The National) – 3.5 stars

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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The Weekend Review: September 2011 Report

By Chris Moore:

September was, for me, the slowest new music month of the year thus far, but if the only music released in a thirty day span is a brand new Wilco studio album, you’ll find me a happy camper each time. Jeff Tweedy and company have yet to disappoint me, and regarding The Whole Love specifically, Wilco has rarely impressed and entertained me so greatly (probably only once before; can you guess on which record?). Read on…

The Whole Love (Wilco)

Producer: Jeff Tweedy, Pat Sansone, and Tom Schick

Released: September 27, 2011

Rating: 5 / 5 stars

Top Two Tracks: “Born Alone” & “Dawned on Me”

From start to finish, The Whole Love exemplifies the Wilco experience: traces of what you’ve come to love, unexpected turns (particularly, this time around, in “Capital City”), and a careful sequencing that unites twelve distinct songs along a single thread. Bookended by relatively lengthy experimentation in the distortion-drenched, feedback-fueled romp “Art of Almost” and the pleasant acoustic twelve-minute narrative “One Sunday Morning (Song for Jane Smiley’s Boyfriend),” the majority of the tracks on The Whole Love are concise efforts, ranging from the retro-stomp of “I Might” to the lush acoustic production of “Black Moon.” On most tracks, it becomes clear that it is not so much that Wilco is an experimental band so much that they are innovative in their arrangements, in their seemingly instinctive sense of how to blend movements in songs, which instruments to bring high in the mix when, and how best to (subtly) layer in beds of synthesized sound for atmosphere. From start to finish, The Whole Love is a striking effort: one of those albums that yields up new revelations with successive listens, one that begs to be left alone when the twelfth minute of track twelve fades and cycles back into to the first tentative moments of “Art of Almost.” If you hear only one new album this year, I would posit that Wilco’s latest disc is the most expansive, complete, fully rendered of them all; a true must-listen.

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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“Times Like These” (Foo Fighters Cover)

By Jeff Copperthite:

Welcome to your Thumpin’ Thursday edition of The Laptop Sessions. Today I bring you a song by request. It’s one of the Foo Fighters most well known songs, and most agree that the acoustic version of this song is better than the original, full-band version.

Well, the song is “Times Like These”, of which there is a terrific video of Dave Grohl playing the song on the acoustic, with piano and string accompaniment on Youtube.

I had just purchased new guitar strings and this is the 2nd video I recorded with them. I had recorded this song in the same session as my previous video, but the new strings make this song sound a heck of a lot better, so I did it again.

The song is off their great album “One By One”. I’ve always been a Foo Fighters fan since their original self-titled release.

I hope this translates well to the acoustic version, although you may notice that I do not do the “screaming” chorus, because my voice…well, it just isn’t suited for screaming.

I hope you enjoy today’s edition, and keep checking https://guitarbucketlist.com/ for more from FMP, and for pictures/video from our live performances!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

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Yes, No, or Maybe So: One-Sentence Reviews of 2008 Albums

(Arranged in alphabetical order by band)

With so many albums being released every week, what are they all like?  Which are worth your time?  These one-sentence reviews are the answers to those questions!

Snacktime (Barenaked Ladies) – MAYBE SO

Review:  Fun and even educational for kids, yet substantive and musically interesting for adults – don’t let this be the one Barenaked Ladies album missing from your shelf!

Top Two Tracks:  “7 8 9” – “Pollywog in a Bog”

Modern Guilt (Beck) – MAYBE SO

Review:  Beck’s unique voice is the anchor of this rock album that successfully integrates both loops and modern effects with the simplest acoustic, electric guitar, and keyboard sounds front and center in the mix.

Top Two Tracks:  “Gamma Ray” – “Modern Guilt”

Way To Normal (Ben Folds) – MAYBE NOT

Review:  While this is a great breakup album with some typically provocative Ben Folds lyrics and strong instrumental work, there are simply too many disposable tracks and a general feeling throughout much of the album that we’ve been here before.

Top Two Tracks:  “Bitch Went Nuts” – “Brainwascht”

That Lucky Old Sun (Brian Wilson) – YES

Review:  This is Wilson’s modern masterpiece for the summer months, offering more punch than a fresh cup of coffee (“Morning Beat”), piano ballads for the ages (“Forever She’ll Be My Surfer Girl” and “Midnight’s Another Day”), and spoken word transition tracks (lyrics by SMiLE collaborator Van Dyke Parks) that won’t disappoint, all in a thoughtfully ordered and nicely blended track listing.

Top Two Tracks:  “Forever She’ll Be My Surfer Girl” – “Live Let Live”

11 (Bryan Adams) – MAYBE NOT

Review:  This is pretty much what you would expect, which doesn’t mean it can’t be great fun – clichéd, cheesy lines notwithstanding.

Top Two Tracks:  “I Ain’t Losin’ the Fight” – “Oxygen”

Loyalty to Loyalty (Cold War Kids) – MAYBE SO

Review:  The Cold War Kids’ breakthrough album (#21 on the Billboard 200) further establishes their strong, unique sound – Willett’s vocals and Russell’s guitar work being their strongest assets, set against the driving force of Maust’s bass and Aveiro’s drums – aside from perhaps a couple disposable tracks, the album is a stand out.

Top Two Tracks:  “Against Privacy” – “Mexican Dogs”

Prospekt’s March EP (Coldplay) – NO

Review:  Okay, Coldplay, it’s time to step up to the plate a la Wilco: release these tracks (only 3 or 4 are really worth the listen, anyway) on the next reissue of Viva La Vida AND offer them as a free download to anyone who has already bought the album; none of this shameful EP garbage for one of the most wildly successful bands in the world!

Top Two Tracks:  “Life in Technicolor II” – “Glass of Water”

Viva La Vida (Coldplay) – YES

Review:  Coldplay has finally hit an album-worthy home run, complete with beautiful instrumental bookends, richly explored thematic elements, big pop-radio worthy singles, and multi-movement tracks; this is the album that will help them begin living up to the hype that has surrounded the band for years.

Top Two Tracks:  “42” – “Violet Hill”

Saturday Nights & Sunday Mornings (Counting Crows) – YES

Review:  The concept album of the year, Saturday Nights & Sunday Mornings’ songs are aptly split between those that address the primal side of human nature, making decisions by instinct and engaging in debauchery, and the more reflective side of the psyche, reconsidering past decisions, experiences, and even dream images in the early light of Sunday morning.

Top Two Tracks:  “Insignificant” – “You Can’t Count On Me”

Momofuku (Elvis Costello) – MAYBE SO

Review:  Named for the inventor of instant ramen noodles, Momofuku may have been recorded at a breakneck pace, but there are some quality songs here: interesting arrangements, heartfelt performances, and of course, clever and poetic lyrics.

Top Two Tracks:  “American Gangster Time” – “Flutter and Wow”

Electric Argument (The Fireman) – NO

Review:  The guise of the Fireman may allow Paul McCartney the opportunity to relax, experiment, and otherwise stretch out, but a fully realized album that lives up to his vastly impressive recent work this is not.

Top Two Tracks:  “Sing the Changes” – “Dance ‘Til We’re High”

Sleep Through the Static (Jack Johnson) – NO

Review:  Filled with peaceful songs recorded in very clear sound quality… that will most likely put you to sleep – not even close to what you would expect from the follow-up to In Between Dreams.

Top Two Tracks:  “What You Thought You Need” – “Go On”

The Glass Passenger (Jack’s Mannequin) – MAYBE NOT

Review:  With their most recent release, Jack’s Mannequin has cracked the top ten of the Billboard 200 and found a bright, clean, and upbeat sound while addressing a number of serious topics; if some of the songs didn’t sound so similar and if McMahon’s vocals didn’t strain and reverberate oddly at times, this would be a great album.

Top Two Tracks:  “Crashin’” – “Bloodshot”

Seeing Things (Jakob Dylan) – MAYBE SO

Review:  Jakob Dylan finds some soothing and rootsy acoustic sounds on his debut solo album… now, let’s just hope he uses it to return with more force and feeling to a full band next time!

Top Two Tracks:  “Valley of the Low Sun” – “War is Kind”

Greenlight (Jeff Copperthite) – MAYBE SO

Review:  The first solo album from one half of the late nineties rock band Quilt, Greenlight is all you could hope for from a debut release – a range of songs that demonstrate Copperthite’s considerable instrumental abilities, including a couple standouts that will make listeners look forward to the next solo release.

Top Two Tracks:  “Home” – “Aware”

Perfectly Clear (Jewel) – MAYBE NOT

Review:  The latest phase for this folk singer turned dance/big band star turned country artist, Perfectly Clear is a well executed country album – nothing less, but not much more.

Top Two Tracks:  “Love is a Garden” – “Till It Feels Like Cheating”

Insides Out (Jordan Zevon) – MAYBE NOT

Review:  Bitingly witty at times, helplessly romantic at others, and always in-your-face realistic, Jordan Zevon’s debut release boasts finely crafted – if predictable – vocals and strong – although standard – instrumentation; he’s on his way to a great album, but hasn’t quite made it this time.

Top Two Tracks:  “The Joke’s On Me” – “Payday”

Mudcrutch (Mudcrutch) – MAYBE SO

Review:  An instantly likeable album with a classic sound that is somehow still unique and infectious, the power of Mudcrutch’s debut release – much like the faded face on its cover – tends to dissipate over time; as with many releases this year, it’s not bad for a start and is perhaps the best debut album (and one of the best new bands) of 2008.

Top Two Tracks:  “Orphan of the Storm” – “Lover of the Bayou”

Home Before Dark (Neil Diamond) – NO

Review:  An album of enjoyable three minute songs… that drag on redundantly for six minutes.

Top Two Tracks:  “Pretty Amazing Grace” – “The Power of Two”

The Slip (Nine Inch Nails) – MAYBE SO

Review:  The landscape of The Slip is that of violence and corruption, but even more acutely of the impact upon and influence of the individual in a society that is taking turns for the worse – add in Trent Reznor’s supplying this album for free online, taking intricate care to provide track (not just album) artwork and typed-in lyrics, and you’ve got a strong release.

Top Two Tracks:  “1,000,000” – “Discipline”

Break Up the Concrete (The Pretenders) – MAYBE NOT

Review:  While there’s nothing particularly remarkable here, Break Up the Concrete is a surprisingly strong release from Chrissie Hynde and company, nicely blending acoustic and electric rock with a rockabilly sensibility peeking through intermittently.

Top Two Tracks:  “Love’s A Mystery” – “The Last Ride”

Accelerate (R.E.M.) – YES

Review:  From the first notes of distorted electric guitar to the final “yeah” voiced by frontman Michael Stipe, Accelerate is a non-stop rock’n roll joy ride punctuated by numerous standout tracks, instrumental moments, and some of the strongest lyrics from Stipe in years; this R.E.M. album more than lives up to what its title implies about the pacing.

Top Two Tracks:  “Living Well is the Best Revenge” – “Supernatural Superserious”

Consolers of the Lonely (The Raconteurs) – MAYBE SO

Review:  For anyone who claims there are no new bands making great rock music, here come the tremendous Raconteurs to tell stories with urgent vocals, infectious guitar licks, plenty of distortion while maintaining a healthy respect for the acoustic guitar, horns, and so much more as traces of classic rock and modern rock are inseparably mixed.

Top Two Tracks:  “Top Yourself” – “Many Shades of Black”

The Bird and the Bee Sides (Relient K) – MAYBE SO

Review:  In and of itself, The Nashville Tennis EP is a generally middle of the road affair with a handful of standout tracks and several disposable songs; however, when combined with The Bird and the Bee Sides, it boasts new material as well as enough rare tracks to fill the gaps in any Relient K fan’s collection – never mind that 13 songs add up to a generous “EP,” clocking in for a total of 26 songs on this single disc release.

Top Two Tracks (“The Bird”):  “At Least We Made It This Far” – “I Just Want You To Know”

Top Two Tracks (“The Bee Sides”):  “Up and Up (Acoustic)” – “Who I Am Hates Who I’ve Been (Acoustic)”

Liverpool 8 (Ringo Starr) – MAYBE SO

Review:  Even though Starr split with longtime collaborator Mark Hudson during the making of Liverpool 8, this album is a worthy addition to his recent catalog, and although it may not be the strongest of the Roundhead records, it’s a must-hear for Ringo and rock fans alike.

Top Two Tracks:  “Liverpool 8” – “If It’s Love That You Want”

Detours (Sheryl Crow) – MAYBE NOT

Review:  This album is a bit of a mess, as some songs (“God Bless This Mess,” “Love is All There Is”) are heartfelt standouts and others (“Love is Free,” “Peace Be Upon Us”) seem phoned-in and generally distract from the great material this album has to offer.

Top Two Tracks:  “Shine Over Babylon” – “Detours”

A Hundred Million Suns (Snow Patrol) – MAYBE SO

Review:  Don’t let the inferior first single “Take Back the City” fool you: A Hundred Million Suns is the long-awaited next step in Snow Patrol’s evolution, offering up much to enjoy hearing and feeling and even more to interpret – and, thankfully, AHMS is a vast improvement over Eyes Open, and a worthy follow-up to Final Straw.

Top Two Tracks:  “Crack the Shutters” – “The Planets Bend Between Us”

The Red Album (Weezer) – MAYBE SO

Review:  The Red Album is something of an enigma – several tracks (“The Greatest Man That Ever Lived,” “Everybody Get Dangerous”) are among the quirkiest, most original and inventive work ever to grace a Weezer release, yet the album gets sidetracked in material that is easy on the ear, but overly simplistic (think “Heart Songs” and “Dreamin’”) – but it’s an interesting one; it is difficult to determine whether the first ever contributions from the other band members provides an exciting boost or simply more confusion to the album.  (And why no “Miss Sweeney” on the main album release?)

Top Two Tracks:  “The Greatest Man That Ever Lived” – “Thought I Knew”

Editor’s note: this post was originally published before December 2015; the exact original date is uncertain.

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