Tag Archives: sessions

“Piles of Love Letters” (Chris Moore Original Acoustic Song)

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By Chris Moore:

Hi there.  This is Chris, bringing you my “Original Wednesday” contribution for this week.  And I’m really trying here, but you’re going to have to cut me a break on the post length.  But I have a reason for the brevity of tonight’s post, I swear!

Whether you think it’s a valid reason, well, that might be another issue altogether…

Anyway, this original song, “Piles of Love Letters,” is potentially slotted for track four of my soon-to-be-recorded album, a debut offering me and a producer officially overseeing things, namely Jim Fusco.  In fact, Jim just made a HUGE contribution to the album tonight by suggesting what I have decided is an excellent idea for an album title.  He thinks the title should be based on the line in this song that states, “At least it’s tried and true.”

I can see this — the new album as Tried and True.  Or Untried and True.  Or Tried and Untrue.  Great idea, Jim!  Now, all I have to do is think a bit about the album and decide which version fits the most strongly with the dominant themes, etc.

Unfortunately, while I was recording this, I missed a performance by the Foo Fighters on the Grammy Nominations Concert Show.  I initially scoffed at the idea of a nominations show, but the concert idea was pretty cool.  Taylor Swift is a modern pop country singer, and yet I must say that her voice is amazing and she is beautiful and seems very sweet.  I wonder, of course, how she is as a normal person, away from the cameras.  (I don’t know if she can quite top my love for Katie Lloyd on Boston Legal (see previous post), but still…

Well, one thing led to another and before I know it, Jim and I are locked in a contest for who can stop watching television and return to working first.  You see, the Victoria’s Secret show came on in HD.  To look away would be to deny both one’s heterosexuality and love of HD television, so you can see why this was an unproductive stretch for us…  Nevertheless, after being told neither the true identity of Victoria nor what her secret is, I returned to my work.

Now, all distractions have dispersed and I am in bed listening to the Uncle Tupelo track “Outdone,” a demo from 1989 that is on their 89/93: An Anthology disc.  This is a fitting end to the day, as it’s been a wild musical ride — the past few days, in fact.  I have heard everything from Brian Wilson to Leonard Cohen to lots of Ringo Starr to What About Today? recently.  On the way home from work, I popped in Wilco’s AM before giving Paul McCartney’s (The Fireman’s) Electrical Arguments another set of rotations.  That led me to this essentials disc — I’ll definitely be recording one from them in the future, though possibly not until the new year.

And with that, I’m off to sleep.  Thanks for checking in for your daily dose of acoustic rock music, today in original form!  Come back tomorrow for a surprise visit and video from our very own Jim Fusco!!

See you next session!

“She Belongs to Me” (Bob Dylan Cover)

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We’re looking for more Guest Sessions submissions! So, sit down, pull up your acoustic guitar and camera, post the video on YouTube, and CLICK HERE!

As I always say, it’s never too soon for another Bob Dylan cover video!  Personally, I’ve attempted to restrain myself from recording a comfortable, enjoyable Dylan cover this year.  However, tonight’s installment of the Guest Sessions is a Dylan cover song music video with an interesting twist.

First of all, this is a song from Dylan’s 1965 album Bringing It All Back Home.  This is perhaps one of his best albums, and it was a transition point for him, half of the album being full band renditions and the other half being classic acoustic-only compositions.  (For his next album, Highway 61 Revisited, he would dive deeply into the world of electric rock…)

So far, I’ve recorded two covers from this album — “Subterranean Homesick Blues” for the members-only area of the site and “Love Minus Zero/No Limit.”  No one here has yet dared to take on the more noteworthy songs, such as “It’s Alright, Ma (I’m Only Bleeding)” or the song that the Byrds launched to chart success, “Mr. Tambourine Man.”  This being said, I was truly impressed with the apparent ease with which Stan Denski, our guest tonight, played “She Belongs to Me.”  Granted, this is a fairly straightforward song, but he changed the tuning and plays in an interesting fashion.  His version is true to the original, yet very much his own and sung well.

Thank you, Stan, for sending this very entertaining video!

I’ll let him introduce the video — Stan writes,

This is a cover of Bob Dylan’s “She Belongs To Me.”  It is played on an old Guild 12-string tuned to an open D and played by barring chords from the top of the neck which allows the highest strings to ring open and create diminished chords.  It also uses a lot of harmonics struck at the 12th fret.

I was showing a friend how to play this version and he videotaped it and, later, stuck it up on YouTube.

Stan Denski, Indianapolis

“Essential Question” (Original Music by Indie Songwriter Chris Moore)

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By Chris Moore:

Well, it’s the best time of the week. It’s the time when we songwriters — Jim Fusco, Jeff Copperthite, and myself — get to really believe what we boast: that this is the best acoustic cover songs music blog on the web. And we get to do that…

…by not recording an acoustic cover song!

We still record and post a music video of an acoustic song, but it is not a cover. On Original Wednesday, we bring you an original song for your enjoyment that you most likely have never heard before. Today, I bring you a song that I have had kicking around for a few years called “Essential Question.” It never quite made the cut for Love Out of Fashion, either because I hadn’t finished writing it or because I didn’t feel it was up to par. It finally saw the light of day as a track on Weekend Demos… but only on the bonus disc. I don’t really know why it never made the cut, even on a demos album. Overall, I’ve always felt that the song was a bit simplistic, particularly in the verse and bridge. I do like the chorus a lot, though, and that’s one of the reasons that I wanted to break it out for an original Wednesday.

I have been working on some new songs, and I hope to bring an all-new one to the music blog very soon! For now, just be sure to hurry back for another great, all-new acoustic cover song (business as usual!) by Jeff tomorrow…

See you next session!



“Mother” (Pink Floyd Cover)

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Do YOU record acoustic cover songs?  Submit your YouTube link and a blog post about your performance, why you chose the song, etc. to the “Fridays: The Guest Sessions” link in the weekly calendar above!

By Jeremy Hammond:

This is my cover of “Mother” by Pink Floyd from the album The Wall. I first recorded the rhythm and vocals, then overlaid another track for the guitar solo.

I had two versions of this up previously. On the first, a commenter suggested I add the solo, so I did. But then watching that second one, and then going back and listening to the original for the first time in ages, I realized I had the timing wrong in two parts. So I redid it yet again. This, my third “Mother” effort for YouTube, is one I am finally happy with.


** EDITOR’S NOTE: **

Jeremy’s session technically breaks the golden rule of “one live take” established since the first Laptop Session over two years ago.  That being said, his version of “Mother” is an excellent performance, and as he explained above, the solo was overdubbed and handled nicely in the video with a fade in and out.  We simply couldn’t deny you the opportunity to hear and see this great version.

Now if only he could clone himself, that would make for quite the duo…

Laptop Sessions contributor Jeff Copperthite first recorded this song in August 2008, and it quickly became one of his most popular and highest rated performances.  Click HERE to watch his version.

Thanks again, Jeremy, for contributing to the Guest Sessions!