“The Trader” (Beach Boys Cover)

Welcome to another week of the Laptop Sessions with me, Jim Fusco!  Tonight, I bring you the week’s first video in the Beach Boys’ classic song, “The Trader”.

First, let me say that tonight’s video is potentially the last that I’ll record here in the condo, as we’re hoping everything is still on track for moving in to the new house next Friday.  You’ll notice that this is the first video I’ve done since the studio was painted back to white- it’s sad, but I hope to rebuild bigger and better (and smarter) someday!

Onto tonight’s video: Carl Wilson wrote, in my opinion, one of the greatest songs of all time in “The Trader” for the Beach Boys’ 1973 album, Holland.  I love the album, too- they were just so cool in 1973.  Dennis’ contributions to the album were great and Mike Love gave his best song of all time in “Big Sur”.

But, Carl really stole the show with “The Trader”, a two-part masterpiece about an explorer finding a new land and claiming it for “velvet robes” (royalty).  In the process, he kicks-out the natives from the land and builds shops, roads, etc. through their beautiful countryside.  So many times things like this have happened through history, just because (as the song says) someone comes in, sees someone else already there, and is threatened because they say, “They’re not like me.”

The second part of the song, in my opinion, is supposed to be from the point of view of the natives.  How they see the world is so much different from the imperialistic visions of the “Trader” and, honestly, I always lose myself in the second part of this song.  The imagery that Carl and co-writer Jack Rieley put into their lyrics make me feel so bad for these people that were driven out of their homes and native land.  It’s such an odd idea that the evening breeze, the merging streams, etc. can all be valid “reasons to live” as we all (myself included) rely on such materialistic things.

Obviously, Carl lends an amazing vocal to this track, as he pretty much always did with his songs and others.  I tried to replicate it best I could here and believe I got the vocals down pretty good!  The second part of the song is sung much softer than I had anticipated, but I decided to keep it because it allowed me to sing a bit “sweeter” without having to project my voice.  Believe it or not, after just two false-starts, I was able to record this take.  I guess it helps when you’ve heard a song about 200 times over a span of fifteen years.

I’m currently racking my brain for some ideas on how to increase traffic to the site.  Our numbers are still up over last year’s numbers, but I fear for next year’s numbers.  It’s going to be tough to get back up there again without my ability to bug the other guys to step-it-up (which, in turn, makes me step-it-up).  So much has changed since I started this blog.  It’s hard to believe what’s gone on in the past two years.  Looking through our Original Wednesday posts, it was so interesting to get a once-a-week view of the three of our lives.  One minute, you’re best friends with someone, the next you barely know them.  And one week someone is missing someone, and a few weeks later, they’re not anymore.  So, if you’ve been visiting the Laptop Sessions acoustic cover songs music video blog recently, maybe you should take a look back through the archives and see where we were all at during the past couple of years.  You’ll learn a lot about us and learn how much things can change in such a short period of time.

Until next week, I hope you have a much less stressful week than I’m going to have! 🙂

“It’s Too Late” (Carole King Cover)

By Jim Fusco:

Could it be Jim Fusco covering a woman’s song…in the original key??  Then you KNOW it’s the Laptop Sessions acoustic cover songs music video blog- the BEST music video blog ever created!

This is a great song, isn’t it?  It’s off of Carole (not to be confused with “Carol”) King’s classic hit album, “Tapestry”.  I’ll admit that I don’t have the album and just know the single from hearing it many times on the radio.  But, after hearing what a great tune it is (you know, actually just sitting and listening to it), I think I may give the album a try.  It’s a fairly simple song and reminds me (especially the ending, which ends on the same chord and with the same pattern) of a song my brother Mike and I wrote a long time ago called “Stuck In A Dream”.  You can listen to that song, which is off of the “Meaningless: Echoes of Dreams” sessions, by clicking HERE!  We wrote that song about six or seven years ago, so you know that this song, even though it uses some great Major 7th chords, is still pretty simple.  On the piano, it’s much easier than it is on the guitar.

But, it’s got some great guitar parts in the original recording- a very cool solo.  Plus, it’s got that nifty little piano riff thrown in there, which again, for some reason, strikes me as something only a rudimentary songwriter would put in.  You know, someone that’s just tinkering around with the piano and came up with it.

So, I finally do a song from a female artist and here I am picking it apart, calling it amateurish.  No, I don’t mean that at all.  That’s one of the reasons why I want to hear the rest of the “Tapestry” album- if some of the other songs strike me as “professional”, I’ll know she came up with this song on purpose, and I do believe that’s the case.

This is a pretty powerful song, especially the part about “not trying”.  Too many relationships fail not because the people weren’t compatible, but because they just stopped trying.  Effort is truly the number one factor in a relationship, in my opinion.  I mean, this song isn’t saying what I’m really thinking right now- I’m getting married in less than two weeks and, contrary to what everyone insists on telling me, I’m full of hope and happiness for this.  I’ve promised time and time again that I will always put as much effort as possible into my relationship, as it’s the single most important thing to me.  Not music, not anything else- my relationship with my family (which will include my new wife) and my closest friends.

The way this song relates to me right now is that I kind of feel I’m not getting the same effort back from some of the people I consider close.  And some, like the song says, are irreparable.  That’s not to say that myself and the other person won’t be happy again- we certainly will.  It just won’t be as a result of one another.  The only thing I can hang my hat on at the moment that makes me feel any better is the “fact” (at least from my point of view) that the decisions that got it to this point were not mine at all- if it were up to me, everything would’ve stayed the same.  But, alas, just as Carole King sings, it’s just too late, baby.

I hope you enjoy my acoustic rendition of this classic song tonight.  I had a b***** of a time getting it right, as I must’ve done about twenty takes and even after I got the perfect one, I realized it had all kinds of inexplicable pops and clicks in the audio, which I’m trying to fix now.  I hope you can listen past the imperfections and hear one of my better performances underneath.  Have a great week and stay tuned for Chris’ post from the Dylan concert tomorrow and Jeff and Chris later on!

“Have You Here” (Jim Fusco original song)

By Jim Fusco:

And, welcome back!  Today is Wednesday, and here on the best acoustic music blog ever conceived, that means it’s time for an original song!  Today, I bring you a cut off of my new album, “Halfway There”, available now at http://jimfusco.com.

This song is the most personal one on the album and is really the most blunt song I’ve written in a long time.  It’s not meant to be angry or anything- it’s meant to ask questions of both myself and someone else.

Basically, I’m saying: “Hey, I’ve been trustworthy for over six years and still I feel that I’m not being fully trusted.”  The song pretty much speaks for itself after that.

This was the last song I wrote for the album, save for the bonus track.  To me, I can definitely tell that this was written after the bulk of the other songs.  Songs for an album always have a “feel” to them and it took me quite a while to record this track and make it “fit”.  But, I love the tune and the chord progression.  Fans of Stone Temple Pilots will hear the similarity between the riff of this song and the one in “Plush”, which I was listening to a lot at the time.  I didn’t realize it until afterward.  But, the similarity is just like an, “Oh, yeah, I see what you mean,” more than anything.

So, I hope you enjoy this original song.  It’s really one of my favorites off of the new album and the chord progression to the chorus is one of my favorites to play, too.  I’ll be back next Tuesday with yet another acoustic cover song on my normal day for posting music videos.  Have a great day!

“Boom Boom Pow” (Black Eyed Peas Cover)

Ladies and gentlemen- after 25 years, I’ve finally fallen to peer pressure and decided to cover a contemporary pop song.  Tonight, I covered the Black Eyed Peas’ song, “Boom Boom Pow” right here on the Laptop Sessions acoustic cover songs music video blog.

I’m going to let the music speak for me on this one, as I’m sure all of my friends and fans are going to need some time to pick their jaws up off of the floor after the reading the words “Boom Boom Pow” at the top of this post.

I hope you all enjoy my unique version, as it was challenging to get this to work as an acoustic song.  So, this goes out to you- you know who you are! 🙂