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“After Midnight” (J.J. Cale, Eric Clapton Cover)

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For J.J. Cale / Eric Clapton chords and lyrics, CLICK HERE!

By Chris Moore:

Okay, so before I explain my song choice tonight, I have to briefly address the music video I just watched.  I really do love music videos, and it seems a lost art.  Interestingly enough, it seems that the MTV show “Total Request Live,” or TRL for short, both furthered the popularity of music videos… and led to their demise.  I mean, what’s better than a show devoted to showing music videos?  Oh, wait — TRL, not unlike commercial radio, ended up circulating only about ten popular videos on any given day.  Oh yeah, and the show only aired clips of those ten music videos!  What?!  Who decided on this format?  No wonder they finally took it off the air!

To be fair, I heard that the show had recently adopted a more progressive format, utilizing online resources to poll viewers, etc.  But I stopped watching the show loooong before that.

Anyway, back to the music video I just watched.  I was on Yahoo and saw a link to Coldplay’s new music video for “Life in Technicolor II” — it’s a great one!  I was impressed with the overall progression of the video, as it documents a children’s puppet show that turns into an all-out rock’n roll concert that includes the puppet versions of Chris Martin and company playing their instruments, and Martin not only jumping around (hanging as though suspended in the air as he sings “Now my feet won’t touch the ground”) and crowd surfing.  It ends with them being picked up, in true rock star style, by a helicopter that exits the room by smashing through a window.  Which begs the question… how did it get in in the first place?

And this is wonderful…

…except for the fact that the Barenaked Ladies already did this!  Certainly, Coldplay’s video is not a plagiarism of BnL’s music video for “Pollywog in a Bog” last year (I wonder if they even saw it), but it seems odd that they did a puppet show so soon after BnL.  I guess that just goes to show how ahead of the curve they are.  If you haven’t seen these videos, you should definitely go watch them.  BOTH of them — it’ll be worth the six minutes of your life it will take!  (Just search on YouTube for “Barenaked Ladies Pollywog” and “Coldplay puppets”).  The BnL video is especially worthwhile, if only for the really cute animal puppets that look creepily similar to the respective band members.  Such a fun and funny video!!

Okay, so back to my video for tonight…

Those of you who regularly frequent the blog will already know that my goal this year is to tie every “Chris Moore Monday” in somehow with the following New Music Tuesday.  So, you may be wondering what a J.J. Cale song that is over four decades old has to do with new music…  Well, J.J. Cale is releasing a new album tomorrow entitled Roll On, his first solo album since 2004.  His most recent success was The Road to Escondido, an album recorded in 2006 in conjunction with Eric Clapton.  This was certainly not their first interaction, as Cale wrote the songs “After Midnight” and “Cocaine,” both of which Clapton popularized.  When I was growing up, my dad would often play his “Cream of Clapton” greatest hits, which included both of these songs.

Thus, it is my honor to bring you an old Cale track in honor of his new release, which (again) comes out tomorrow.  This song may have been written in 1966, but he’s still writing and recording in 2009 at the age of 70, and that is nothing short of amazing!

See you next session!

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“Baby I Love Your Way” (Peter Frampton Cover)

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By Jim Fusco:

My LAST post of the year is the my last entry into our “Session a day” project.  I can’t believe it’s over, but I also can’t believe that it took this long to get where we are!  I mean, yes, we’ve gotten some success, but it certainly hasn’t been overnight.  We’re talking over a year now!  But, I do see many great signs of progress every day here on the best music video blog ever created.  Tell your friends- tell your enemies- tell everyone!

Tonight, I bring you a classic tune off of the album that Peter Griffin asked, “You what was huge?  ‘Frampton Comes Alive.’  Honestly, was there even one person you knew who didn’t have that record?”  It’s so true.  I went out and got a copy on CD a few years back.  I’m not a huge fan of long, drawn out, jam sessions, so the concert was of limited enjoyment to me.  But, I did get a few great songs off of this album, especially because the famous versions are from that concert.  I first bought a copy of a Frampton Greatest Hits, but it had the studio version of “Show Me the Way”.  The version everyone knows is the live version!  And then, I had always heard the studio version of “Baby I Love Your Way” on the radio.  Guess what?  The live version graced that disc.  I was pissed.  That actually happened to me once before with a Neil Diamond greatest hits album.  I so desperately wanted the studio version of a certain song and the collection only had the live cut.  This was back in the days before iTunes and commercially available mp3s, so no help there.

I really enjoy “Baby I Love Your Way”.  It’s a simple song- no odd stops or middle eights or guitar solos- but it gets the sentiment across well and has a nice, recognizable tune.  I had fun playing this one.  I’m always concerned that I look angry while I’m playing these songs.  That is, angry or just very hurt.  I have to catch myself on things like that.  For this video, I had to do about ten takes (only one other full one) to get it right.  I kept putting the wrong emphasis on words or I would look in the camera and notice I had this scowl on my face.  Ah, the Laptop Sessions…

THANK YOU to all who have supported us in our efforts to bring you a cover song a day for the entire year of 2008!  We’ll be donig a video a week (each) next year, but to make up for the slower schedule, we’ll be writing articles, posting music reviews, and adding the chords to your favorite songs so you can play along!  Have a GREAT New Year.  My next scheduled post won’t be until Tuesday, January 6th, but I don’t think I can be away for that long, so I’ll be on here, redesigning the homepage for the site for the new year and new schedule.  Until then!

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“Christmas Evening” (Jim Fusco original song)

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By Jim Fusco:

A week away.  I just can’t believe it.  I haven’t had time to breathe, but I’ve managed to set up the whole house, buy and wrap gifts, and watch Christmas movies in this short period we call Christmas time.  During these last few days, I’m trying to make the absolute most of it, and that involves doing things I actually want to do when I get home.  I’m glad to bring you tonight’s Original Wednesday.

You know, I tried to present a new song here tonight, but my last Original Wednesday of the Session-a-day project rounds out with yet another Christmas song.  I can’t believe we’re at the end of this project already.  I mean, it’s been a lot of work and a long time in the making, but I look forward to the time when I can actually go back and appreciate it all.  It’s been a great life-journal over these past few months.

Tonight’s orignal song is a tune that my father dictated to me, to which I attempted (back in 2000 or 2001) to add chords to.  He’s maintained throughout the years that I didn’t get it right.  The original music had a flute behind it.  I remember the flute part exactly.  I know that’s what he wanted in there.  He says I don’t sing it right, either, but I suppose that’s the nature of cover songs…and the nature of transposing a song from a tune to the piano when you really don’t know how to play.  Again, this was seven years ago when I was still VERY new to any of the “musical” instruments.  I knew how to play the drums, but picked up piano and guitar on my own.

I actually remember being out at, I think, a place like Sturbridge Village with my aunt many summers ago and specifically buying one of those tin flutes so I could play this song’s flute part.  I know I have a version of it somewhere.  Wow, I think it’s actually right in front of my face right now on the desk in  my room.  If Chris gets me REALLY drunk (kidding!) maybe he can talk me into playing that almost certainly embarassing tape of Christmas songs for him.  Hey, free fast-food always helps.  But, then again, I owe him for last night’s dinner because I forgot to pay for his!  What a friend I am…

I got to do a little shopping tonight, allowing me to neglect my nightly freelance work in favor of spreading some Christmas cheer.  I hope I have a nice weekend and a nice time leading into Christmas.

Oh, and as one last note: I made a comment at work today about one of the reasons I love Christmas music so much.  I really do like it more than just about anyone.  I have over 200 Christmas songs and love every single one.  Anyway, one of the reasons I love it so much is because of how happy the songs are.  I can count on one hand the sad Christmas songs.  And even those have sleigh bells…

Tonight’s original song is one of those sad songs (with sleigh bells) that basically points out how Christmas can be a sad time if no one’s there to make it a big event.  I took my father’s verses (whether he says they’re correct or not) and appended the fast part way back then.  The parts actually work together well and the lyrics even follow the same sentiment: “I want to be home on Christmas.  If I’m not, then I’ll be sad.  If you’re wondering why I’m sad, just look around and notice that I’m not home and around loved ones for Christmas!”  So, it all comes back around.

Good night and see you on Saturday!  Stay tuned for a great Thumpin’ Thursday post with Chris Moore tomorrow!

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“My First Song” (Chris Moore Original Acoustic Song)

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By Chris Moore:

Well, never let it be said that I was entirely original when I first started writing songs.  This song is proof positive that I had a lot of emotions that needed to be expressed, but that I had a long way to go before I could release songs and not be embarrassed of them.  For instance, take the title of tonight’s original contribution, “My First Song.”

Anyone willing to guess when I wrote this song?

As you may have guessed, this is the first song I ever wrote.  Now, I had written poems and stories, and I had even written lyrics for which I had tunes in my head.  Some of those I would even go back to later on and add music.  But, at the time, this was the first song I wrote as a complete piece.

I clearly recall that afternoon, sitting in front of my sister’s keyboard and awkwardly positioning my fingers on the keyboard, playing with chord progressions and lyrical possibilities.  On this particular afternoon, I was particularly consumed with conflicting feelings of obsession and revulsion for a girl who I spent the better part of four years idolizing.  Now, the lyrics may be simple and the words may be even simpler, but it was true.  It was from the heart.  And, for better or worse, it was probably the most openly honest I have ever been — or ever will be — in a song.

If you pay attention, the lyrics are subtle but have interesting aspects.  For instance, the first verse ends, “I know that you want-“.  This abrupt ending is deliberate; I meant to give the feeling of being cut off, perhaps to invite the girl who is the subject of the song to be curious.  To want to find out what I know and if what I know is indeed what she wants.

The second verse is somewhat enigmatic.  From where I sit, pushing seven years after I wrote this song, I’m not sure if I meant what I think this line means:  “I feel that you want something that will get you there.”  My question now is, where is “there”?  For that matter, what did I mean by “something” rather than “someone”?

Regardless, I had a lot of fun dusting this classic off.  Thanks to the Chris Moore Songbook, I was able to recall the chords and lyrics to this song, as well as several others that I played as part of a “tour down memory lane.”  I hope you enjoy this brief and simple, but landmark (for me!) tune.

As a final note, because I’m posting today, Jeff will be taking my place on Friday.  I know you’ll enjoy Jim and Jeff’s work in the coming days (and I certainly will, as I now have the weekend off!), so I’ll see you all on Monday.

See you next session!

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