“Crayons Can Melt On Us For All I Care” (Relient K Cover)

By Chris Moore:

This session pretty much speaks for itself.

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“Far, Far Away” (Wilco Cover)

For Wilco chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the final Monday post of 2009!  It’s been quite a year, and certainly a year of changes and improvements here at the best cover song music video blog in the universe.  For starters, we came up with a weekly schedule of new material that did NOT involve each of us recording a video once every three days.

The “session-a-day” concept may not have been the brightest idea I ever had…

I started the year playing a simple, pretty little Big Star song called “Thirteen,” covers of which I had heard performed by Elliott Smith and Wilco.  In much the same way, I wanted to end the year with another simple but catchy song.  I chose the Wilco track “Far, Far Away,” an acoustic song that incorporates harmonica — another definite plus!  Over the past year and a third, I’ve recorded Wilco songs from all of their studio albums (including both Mermaid Avenue releases) except for two.  Since this song was originally on the 1996 double album Being There, I now only have one uncovered album to select from in the future.

Thanks to the Christmas break, I’ve had plenty of opportunities to sit back and play this song over the past five days.  By the time I hit “Record with iSight” on my iMovie earlier today, this song felt like second nature.  It’s one of those songs that is deceptively simple, and I respect the original Wilco version even more now, especially the way Tweedy’s vocals resonate throughout.  I was also fortunate enough to be in the right groove and managed to arrange and record my session for the next week.  Because it would be my first session of the new year, I wanted to pick a thematically relevant song.  The track I picked is fairly simple, but I initially had difficulty translating it to an acoustic performance.  Overall, I am very pleased with my recording, and I couldn’t wait to post it the next year.

Um, I mean the next week.

Outside of these songs, I’ve been thinking a lot about my top thirty rock albums of the decade list.  I was due to post it in less than a week, so the pressure was on.  I’ve had the list ready for weeks, but I keep listening to more of the albums again and, consequently, the positions of many of them have been fluctuating.  For instance, I’ve been agonizing over my decision to make Maroon number five instead of number four.  So, especially after conversations with Nicole and with Mike and Alb tonight, I’ve decided I need to spend some more time reconsidering my options, and then finalize this thing.  After all, the reason I’m doing this in the first place is to (a) have a reason to revisit some of my favorite albums of the past ten years and think about them all over again, and (b) spark conversation with my friends and share opinions, engage in debates, and explain justifications for the rankings.  Just tonight, Mike made a great argument for Snacktime being one of the best albums of the decade.

One more to consider…

Outside of music, I haven’t been getting any grading done yet this break, but I have been reading.  I’m one chapter into The Wilco Book, a book I’ve been excited about reading since I first got into Wilco over a year ago.  It was the perfect gift, as I could never bring myself to buy it.  I’ve also been reading Revolution in the Air, a book by my favorite “Dylanologist,” Clinton Heylin.  Heylin has somehow managed to compile a list of 600 original Dylan compositions written between 1957 and 2006 and organized them by when they were written (that’s right — when they were written, not recorded).  The story behind each song is explained, and even though I’m only forty pages in, it’s a fascinating read.  Just when I thought I had read all there was of interest about Bob Dylan, this book comes along…

Finally, I went to see the new Sherlock Holmes movie last night.  Because I teach several Holmes stories to my Mystery class, I was hesitant about enjoying the action-packed previews.  Fortunately, the movie is excellent: Robert Downey, Jr. and Jude Law perfectly play their parts as Holmes and Watson, and the film manages to balance action and an interesting mystery.  It was so much fun, that I’ve finally set off on a goal I’ve had for some time but never followed through with: to read all 56 Holmes stories penned by Sir Arthur Conan Doyle.  Nicole and I have taken turns reading the first seven “Adventures of Sherlock Holmes” to each other, the most recent being “The Adventure of the Blue Carbuncle.”  If you know what a carbuncle is, then you are probably just as confused by the title as I originally was.  Let’s just say that the story centers around a different kind of carbuncle than the common meaning of the word.

And, on that side note, I’m about ready to get some sleep.  Before I go to bed, I’m going to finish watching Live Free or Die Hard, sort through the rest of my old bills and records (shredding whatever I can before moving), and continue to write and organize the poems I’m compiling for an upcoming poetry collection.  In fact, there’s one poem I’ve had nearly finished in my head since I was washing my hands before dinner yesterday, so I better write that one down before I lose it…

See you next year for my next session!

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“Screen Door” (Uncle Tupelo Acoustic Alt-Country Cover)

By Chris Moore:

Well, there’s a first time for everything.  And I feel pretty confident as I write this that I am, indeed, the first of the Laptop Sessioneers to record a song from the alternative country genre.  This is “Screen Door,” a song from band Uncle Tupelo, which is credited with being one of the pioneers of the alt-country genre.

Even as I write this, I have to chuckle a bit.  I mean, truly, how many different genres can the music industry possibly conceive?  How many categories do we really need?  It’s not quite alternative.  It’s not quite country.  Let’s call it “Alternative Country”!

What’s next, Alternative Pop?

Classical Ska?

But, seriously, I find this all very interesting.  I first heard Uncle Tupelo a couple months ago when I bought their essential tracks compilation 89/93: An Anthology.  How does one find oneself motivated to buy an alt country album?  Well, you may be aware that I’ve recently discovered and really gotten into the band Wilco.  And, if you know me, you know that I need to know the broad history and backstories of bands that I get into.

So, let’s step back for a moment.  Uncle Tupelo was active between 1987 and 1994, originally comprised of lead songwriter and singer Jay Farrar, his brothers Wade and Dade, and Jeff Tweedy.  Tweedy quickly progressed into a second songwriter and lead singer of the band.  His influence was two-fold — he was responsible for booking a lot of early gigs and, through several name changes before arriving at this one and multiple band member additions and replacements, he advocated for the punk rock sound that he had been impressed with when he initially heard Farrar and his brothers play.  Dade disagreed and left the band shortly after Tweedy’s arrival.

Eventually, as the tale goes, tensions developed between Farrar and Tweedy over which direction the music should go until, finally, Farrar announced that he would be leaving the band.  They played their final gig in 1994, and Farrar went off to form a new band, Son Volt.  Meanwhile, Tweedy and all the other members of Uncle Tupelo reformed under the name Wilco.

So, after a lengthy explanation, there you have it — my interest in Wilco’s roots found me in the checkout line at Borders New Britain, Uncle Tupelo CD in hand.  Ironically, one of my favorite songs on the album is merely a demo — a rough, but fully arranged track titled “Outdone.”  Another song that got my interest is the first track on the compilation.  “No Depression,” also the title of their debut album, is a song written and originally performed by the Carter Family (then referred to as “No Depression in Heaven”).  Now, in 1936, “the Depression” had an entirely different meaning than it did for Uncle Tupelo in 1990.  I love how this song was able to survive and take on a new meaning.

I still haven’t taken the time to check out Son Volt, but I wouldn’t say that I’m a huge fan of Uncle Tupelo, really.  I am rapidly becoming an avid Jeff Tweedy and Wilco fan.  Even Wilco’s debut album (A.M. in 1995), which Tweedy himself referred to as their attempt to “tread some water with a perceived audience,” is head and shoulders above the Uncle Tupelo CD, in my humble opinion.  I can’t believe I’ve only heard three of the six Wilco studio albums…

Lots more to look forward to!

Without further ado, I’ll let you get to the actual video.  I chose “Screen Door” because it’s deceptively simple.  It could be taken as a Southern anthem about people sitting on their front porches, singing songs, and dealing with the heat.  However, the chorus adds an interesting angle — “We don’t care what happens outside the screen door,” Tweedy sings.  It’s an interesting social statement that I think applies in all parts of the country.  In New England, for instance, it may not be the screen door, but we certainly have developed a sense of apathy for those who pass by us, outside our circle of friends, family, and colleagues.

And now I’ll actually let the song speak for itself.

See you next session!

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Ranking every Beach Boys album and song: “Surfin’ Safari” LP (by Songwriter Jim Fusco)

By Jim Fusco:

A great man named Michael F. Becher on Brian Wilson’s message board started a project where he’s ranking every single Beach Boys album and song on a scale from 1-10. I love the idea and am participating in the project. But, I thought I would extend it to this forum with my picks posted here! So, without further ado, I give you the Beach Boys’ first album: Surfin’ Safari.

ALBUM – SURFIN’ SAFARI

Little Miss America – 4 (they sound lackluster, but Dennis singing brings it up a bit)
Surfin’ Safari – 6
409 – 3
The Shift – 3 (waaaaay before my time!)
*Land Ahoy – 5 (enjoyable)
*Lavender – 4
Chug-A-Lug – 4
Heads You Win – Tails I Lose – 4
Surfin’ – 4
Summertime Blues – 2 (not a huge fan of the covers- funny, ’cause that’s what I do!)
Moon Dawg – 4 (Not a big fan of the instrumentals- kinda boring, especially because they’re really known for vocals. This one isn’t bad because of the harmonies and the cool guitar playing.)
Cuckoo Clock – 4 (I like Brian’s cute high voice)
Ten Little Indians – 3
*Luau – 3
*Karate – 2
County Fair – 5 (funny and catchy)
*Judy – 3
*Barbie – 5 (a rare early gem)
*What is a Young Girl Made Of – 3 (yuck- foreign background singers!)
*Cindy, Oh Cindy – 4 (good vocal)

** It’s funny, I like this album much more than the ratings give it credit for. The songs on their own are too weak to stand up to the other BB classics, but I think the album is so enjoyable and I love hearing the boys when they’re so young and, quite frankly, full of life. **

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