“Society” (Eddie Vedder Cover – Song by Jerry Hannan)

For Eddie Vedder chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the first installment in a fresh new week of brand new material at the Laptop Sessions, the best cover song music video website in the universe!

I was FINALLY able to find the Into Thin Air soundtrack on sale — thank you, Best Buy — so I’ve been listening to it all week.  Although I have discovered several other songs that I like very much, Eddie Vedder’s cover version of Jerry Hannan’s “Society” is still my favorite track on the album.  It was very disappointing for me to discover that it is a cover, but it’s such a great track that I have to stifle my desire for original material, at least temporarily.

I first heard this track from my friends and colleagues Dan and Larry over the summer as we played some music of our own.  At the time, I had not yet immersed myself in Pearl Jam, but I was immediately drawn to Vedder’s simple but powerful vocals on this track.  Apparently, as they told me, Vedder had contributed eleven songs (9 originals and 2 covers) to the soundtrack of the film Into Thin Air, based on Jon Krakauer’s book of the same name.  Although some of the songs are very short and there are two tracks without lyrics, the Into Thin Air soundtrack is essentially an Eddie Vedder solo album — his first full length solo project since he began singing with the other members of Pearl Jam.

Whether you’re a Pearl Jam fan or not, I think everyone here at the Laptop Sessions will be able to appreciate this great acoustic tune.  It was a pleasure to record, from beginning to end.  In fact, I ended up with several early takes that I could have settled for, but kept playing and playing until I arrived at this version, which I felt was most loyal to the original version.  (Well, maybe not the original version — rather, the Eddie Vedder version of the Jerry Hannan original.  Although, Hannan provided background vocals and guitars for this track, so it’s closer to an original than your average cover.)  When I finished recording, I had the sort of sadness I always get when I’ve figured out a song and yet, the recording being finished, don’t have any real reason to keep playing it.

The bright side here is that I’ll get to play it a little bit today during school, as I’m bringing my guitar in to practice for our big Writing Club / Creative Writing open mic night.  This is the first time (at least since I’ve been at the school) that the Writing Club has teamed with the Creative Writing classes to put on the open mic.  The result?  To begin with, we’re in the theater instead of the cafeteria and it promises to draw a more significant crowd.  The only downside — and it’s a significant downside, if only for me — is that the show runs from 6 to 10pm…  This Thursday.  And Thursdays mean baseball, fast food, and wrestling with my friends.  We had originally scheduled the show for a Friday — which I was excited about — but there was a scheduling conflict and the best available day for everyone else was Thursday.

Either way, it’s only one week and it’s for a good cause.  With some luck, I’ll be able to catch the second half of wrestling.  If not, there’s always the iTunes download if I hear I’ve missed a great episode (as last week’s was!).  I hope you have a great week.

See you next session!

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The BEST COLLABORATIONS of 2011 (The Year-End Awards)

By Chris Moore:

The following artists are being recognized for their notable collaborations.  Had they not worked together, their tracks and, in some cases, albums would not have been nearly as successfully rendered.  Wanda Jackson and Jack White have to earn the top mention for the comeback release of the year.  Jackson was once a hitmaker, a notable player in the rockabilly scene (dating Elvis Presley for a time), but I certainly hadn’t heard of her before this year.  With White’s electric leads and the fitting arrangements that walk the line between classic and modern, The Party Ain’t Over makes good on the claim in its title.

Beyond this collaboration, the others on this list are more traditional.  8in8 was a cool idea: get together to write, record, and release eight tracks in eight hours as a way of showing just how much the music industry has changed in even the past several years.  Gillian Welch’s role, dueting on the Decemberists’ The King is Dead, was a vital one, just as Norah Jones and Jack White added their vocals to a couple tracks and elevated the Rome soundtrack.  I’d be remiss if I didn’t point out and praise the (brief) reunion of Ben Folds Five, just as much as if I didn’t note that some of the tracks on The King is Dead have a strongly R.E.M.-esque vibe to them at least in part because Peter Buck is playing on them.

1)  Wanda Jackson and Jack White (The Party Ain’t Over)

2)  Ben Folds, Amanda Palmer, Neil Gaiman, and Damian Kulash (8in8)

3)  The Decemberists and Gillian Welch (various tracks on The King is Dead)

4)  Danger Mouse, Daniele Luppi, Norah Jones, and Jack White (Rome: Original Motion Picture Soundtrack)

5)  Ben Folds, Darren Jesse, and Robert Sledge (as Ben Folds Five for three new recordings)

6)  Norah Jones and Hank Williams (“How Many Times Have You Broken My Heart”)

7)  The Decemberists and Peter Buck (various tracks on The King is Dead)

8)  Bob Dylan and Hank Williams (“The Love That Faded”)

9)  Kevin Hearn and Garth Hudson (“The House of Invention”)

10) Lupe Fiasco and Matt Mahaffey (“State Run Radio”)

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“Broken” (Jack Johnson Cover music video)

For Jack Johnson chords & lyrics, CLICK HERE!

By Chris Moore:

The best part about contributing to this blog is that, every so often, all the pieces fall together at just the right time.  For example, I still have the remnants of a cough that just doesn’t seem to want to leave me entirely, yet I really wanted to record a new video for tonight.  Meanwhile, over the weekend, I was listening to Jack Johnson on shuffle when this song — “Broken” from his Sing-a-Longs and Lullabies from Curious George soundtrack CD — and immediately felt the urge to learn and record it.

Fortunately, the register is fairly low and the chords are very simple, so this was a joy to lay down as a session.

Of course, every cover song music video is not without its challenges when it involves me…

The only difficult aspect of this song is that, although I’ve heard it dozens of times and could sing along to the chorus in my sleep, I really don’t know the verse.  Thus, I put “Broken” on repeat in my car on the way home.  After listening to it seven or eight times straight, I didn’t seem to be much closer to nailing the lyrics.  Still, I soldiered on — I typed up the lyrics from the booklet and practiced a few times to the music.  Finally, I practiced a few times on my own before I hit the “record” button.

And, a few takes later, you have a session to watch!

The reason I was listening to Jack Johnson in the first place was that Mike showed Jim and I his copy of En Concert, the new live CD/DVD, this past Thursday at wrestling.  Based on my disappointment at his last record, I hadn’t purchased the CD myself, but Mike had nothing but great things to say about it, so it’s only a matter of time before I find my way back to the “J” section of my local Newbury Comics store…

Speaking of new music, I am wildly curious about tomorrow’s new Weezer release.  The title alone has caused some controversy.  Based on a recommendation from The Office actor Rainn Wilson (who plays Dwight Schrute), Rivers Cuomo and company titled their latest studio album Raditude.  I’ve heard the first track, “(If You’re Wondering If I Want You To) I Want You To” and it may be cheesy, but it sounds great and it’s fun to listen to.  That being said, the other titles on the album alone are enough to make one question what Raditude will be like — tracks like “I’m Your Daddy” and “Girl Got Hot.”

All I will say for now is that The Red Album seemed very weird at first, and it quickly grew on me.  I was just listening to it this weekend, in fact, and realizing that it is truly one of my favorite Weezer releases.  I can’t imagine that this new album will be up to that level, but I have promised myself that I will reserve judgment until after I’ve heard it a few times.  Based on their incredible catalog alone, Weezer really does deserve the benefit of the doubt.

More on that next time…

And that about does it for me, at least for now.  This week is crazy for me, as my grades are due this Friday.  In addition, I have meetings today and now Thursday, a full day of professional development (i.e. no time to grade) tomorrow, and I’m monitoring the selling of tickets at the drama production on Thursday, Friday, and Saturday.  Add in some wrestling on Thursday night and a whole lot a gradin’ goin’ on, and I’ve got one busy week!  I am looking forward to the weekend, as I’ll be completing a swap with my former student Geoff — some Ben Folds for some Tom Waits.  It’s bound to give me some more interesting listening and perhaps some more interesting Laptop Sessions songs…

See you next session!

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