“Off He Goes” (Pearl Jam Cover)

By Chris Moore:

Hello and welcome to another week and another all-new Monday edition of the Laptop Sessions.  It’s been quite a weekend, and it’s going to be quite a week!

On Friday night, I stayed late at school for as long as I could, but I just couldn’t resist going to see the newly released Star Trek movie.  For once, a movie lived up to the hype!  I picked up Nicole for the trip to the theater, and although we’ve seen a lot of good movies together (not to mention a decent number of flops), this has to top them all.  Although I’m more of a Trek geek than she is, I think it’s fair to say we were equally excited during and after the movie.  If you love the classic series and films, then you’ll appreciate the respect paid to these characters.  If you know nothing about the franchise, then this is the perfect film to watch first.  I can’t wait to find an excuse to watch it again very soon…

Saturday was a crazy day for me, as my sister Jaime graduated from Nyack college at 2 pm in New York.  I got up early (for a Saturday, at least!) and drove to New York for my least favorite of all activities: ceremonies like a graduation.  That being said, it was worth it to see my sister graduate.  We met as a family later on for dinner and that was great, too.  It was great to have Nicole join us, too, and she made what could have been a long, boring drive with lots of downtime an enjoyable little day trip.  Sunday was more of the same, as it was Mother’s Day, and my sister is only home for a week before returning to New York to work.  We got to hang out, talk music, and watch an episode of The Twilight Zone that gave her nightmares as a young child.  We didn’t get to play The Office board game, but there will always be time for another round in the future.  (And I’ll be ready this time! 😉 )

Tonight finds me watching the Mets.  After a seven game winning streak, it appears that they’re going to lose one.  I’m loving this iPhone “MLB.com – At Bat 2009” application.  It makes listening to games and staying in touch with the stats and standings soooo easy.  It’s been a great week for watching Mets baseball, and I don’t want to complain.  But I don’t quite get why they seem unable to score runs when Johan Santana is pitching.  Maybe they get subconsciously complacent, since he’s such a great pitcher.  Even tonight, although he got into a couple sticky situations, he worked his way out of each one — until they pulled him out 1/3 into the seventh inning.  What truly amazes me is his ERA; as of tonight, it is .78!  Games with Santana on the mound would have to get busted open wider than Abyss during a Pay-Per-View for weeks straight for him to reach the ERA’s of the other Mets starters…

But, enough of blogging for blogging’s sake — I should probably introduce the song I’ve recorded for tonight’s acoustic cover song music video.  “Off He Goes” is a track from Pearl Jam’s 1996 album No Code.  This album was the first to break from their previous sound a bit and some fans disapproved.  I’ll admit that it’s not my favorite album in the Pearl Jam catalog by any stretch, but there are some great tracks on it.  “Hail, Hail” is one of the most rocking and catchy songs in their catalog.  “Present Tense” is one of my favorite Pearl Jam tracks, if only for the combination of lyrics and gradual instrumental buildup.  “I’m Open” is a cool spoken-word track — yes, those do exist!

This track, “Off He Goes,” is perfect material for an acoustic cover song.  Initially, after having this song come up on my iPod this weekend, I thought it would be an easy song to record.  Ironically, I almost decided not to learn it and record it for fear of being criticized for recording too many simple songs.

Well, that’s simply not the case…

As Jim can attest to, I spent over an hour and fifteen minutes and about 40-50 takes of this song to get it anywhere near where I wanted it to be.  There are still a couple of discrepancies I hit while singing the tune, but I also nailed a few of my favorite subtleties in the song.  What recording this song taught me was how truly difficult it is to make a slow, deceptively simple song like this really translate into a great performance.  I have even more respect for Eddie Vedder than I did before, especially for the fact that he plays guitar and sings in concert on this one.  The chords are so easy — really, just F, C, and Am — but the strumming pattern was difficult to hit in a few places.  (**The best part about recording these sessions, undoubtedly, is spending all that time, posting on YouTube, and waking up to find that two people have viewed it, one of whom has one-starred it and left no comment.  Thanks for that.**)

That’s enough for one Monday.  I hope you enjoy the session (more than my first YouTube viewer did)

See you next session!

More Laptop Sessions covers

“Beyond Here Lies Nothin’” (Bob Dylan Cover)

For Bob Dylan chords and lyrics, CLICK HERE!

By Chris Moore:

It was definitely one of those “clouds parting” kind of Chris Moore Mondays for me.

First of all, I should clarify that “Chris Moore Mondays” is the title we use around here to remind you all that it’s my job to post a great cover song music video for you each and every Monday evening.  Next, I should explain the “clouds parting” aspect.  Well, I woke up around 5:30 this morning and was having serious difficulty getting myself out of bed.  Then, I noticed I had an email from bobdylan.com.

Long story short, I had woken up to find the link to a free download of the new, unreleased Bob Dylan track “Beyond Here Lies Nothin.’”  It will be track one on his upcoming album, Together Through Life, to be released on Tuesday, April 28th.  Sorry, Jim — this means that your birthday the following day is going to be something of an anti-climax.  😉

In all seriousness, this is an exciting bit of New Music Tuesday news.  After all, there were five years of separation between 2001’s Love and Theft and 2006’s Modern Times.  Now, it’s been less than three years and there’s a new release.  Based on the first track alone, I couldn’t be more excited.  It’s a pretty simple song — only three chords and a basic verse, chorus, repeat structure with a few instrumental breaks thrown in and a classic Dylan chorus style in which the lines in each chorus are slightly different.  I wasn’t sure what to think of the lyrics at first, but they’ve really grown on me today as I’ve listened to the song repeatedly and learned to play it.  I’m still not sure what to think of lines like “The whole world is my throne” or “And every window’s made of glass.”

The conclusion I’ve come to is that this is a deceptively simple song.  In the beginning of the song, Dylan sings of a lover in terms that express fairly standard love-song mentalities.  Still, by the end of the track, he compares himself to a ship in harbor with the sails up.  This implies that the ship is about to leave harbor, or perhaps that he is ready to move on to something — or someone — new.  And yet he goes on to tell his lover that she should lay her hand upon his head.  In typical Dylan fashion, even a love song has darker overtones, as played out in the chorus lines.  The choral sections really are my favorite lines.  “Beyond here lies nothin,’” he sings, “But the mountains of the past” or “Nothin’ done and nothin’ said.”  There is simply nowhere else he would rather be than where he is, as he acknowledges that there is nothing “beyond here.”  The questions, of course, are 1) where is “here”? and 2) does he really want to be “here” or are there simply no better options?

As I mentioned, it’s a fairly simple song.  Even I was able to figure it out in short order.  It’s three chords — Am, Dm, and E — easily within my register with an uptempo beat.  It’s actually caused a bit of a debate among Dylan fans who have disagreed over the use of accordion in the song and the state of Dylan’s vocal abilities.  As far as I’m concerned, the instrumentation is excellent, raw and loose but very intentional and fitting, accordion or no accordion.  As for Dylan’s voice, I read one user’s take on the fansite expectingrain.com.  He essentially said that Dylan’s vocals have deteriorated even more than they had on Modern Times.  My reaction is simple:

Really?

I mean, if you’ve followed Dylan over the past decade and enjoyed Time Out of Mind or the aforementioned two albums, then you know that his gritty vocals are fitting.  He may not stand a chance on American Idol, but I’m not so sure that’s a bad thing!  Another post that I read made a great deal of sense.  This user basically argued that Dylan’s vocals on studio recordings and during live performances should be weighed separately.  I agree with this — while his vocals may be a bit difficult to understand and follow in concerts at times, his studio recordings haven’t failed to impress me — including vocals, instruments, etc.

Needless to say, I hope you enjoy my take on this brand new Dylan song.  If you’re a guitarist, you should check out my chords and lyrics (see the link above) and have fun playing it yourself.  And, without further ado, I wish you a good night and a great week…

See you next session!

More Laptop Sessions covers

“Beyond Here Lies Nothin'” by Bob Dylan – Chords, Tabs, and How to Play (Lyrics from “Together Through Life”)

For the cover song music video, CLICK HERE!

” Beyond Here Lies Nothin’ ”
Bob Dylan

Am – Am – Dm – Am – E – Am

Am
Oh, well, I love you pretty baby;
You’re the only love I’ve ever known.
Am                                  Dm
Just as long as you stay with me,
Dm                               Am
The whole world is my throne.

Am                      E
Beyond here lies nothin’…
E                                      Am
Nothin’ we can call our own.

Well I’m moving after midnight
Down boulevards of broken cars.
Don’t know what I’d do without her,
Without this love that we call ours.

Beyond here lies nothin’…
Nothing but the moon and stars.

(SOLO)

Down every street there’s a window,
And every window’s made of glass.
We’ll keep on lovin’ pretty baby,
For as long as love will last.

Beyond here lies nothin’…
But the mountains of the past.

(SOLO) x2

Well my ship is in harbor,
And the sails are spread.
Listen to me, pretty baby:
Lay your hand upon my head.

Beyond here lies nothin’…
Nothin’ done and nothin’ said.

Am

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

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“Wishlist” by Pearl Jam – Chords, Tabs, and How to Play

For the cover song music video, CLICK HERE!

“Wishlist”
Pearl Jam

C                                                   F                        C
I wish I was a neutron bomb – for once, I could go off.
I wish I was a sacrifice, but somehow still lived on.
I wish I was a sentimental ornament you hung on
The Christmas tree… I wish I was the star that went on top…

C  F                   C                F                     C
I wish I was the evidence, I wish I was the grounds
C    F                 C                            G                        F
For fifty million hands upraised and open toward the sky

I wish I was a silhouette – someone who waited for me.
I wish I was as fortunate, as fortunate as me…

I wish I was a messenger and all the news was good.
I wish I was the full moon shining off a Camaro’s hood.

SOLO:   G – F – C  /  G – F – C  /  G – F – C

I wish I was an alien at home behind the sun.
I wish I was a souvenir you kept your house key on…

I wish I was the pedal brakes that you depended on.
I wish I was the verb “to trust” and never let you down.

I wish I was a radio song, the one that you turned up.
I wish I was…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

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