“Hang On To Yourself” (David Bowie Cover)

For David Bowie chords and lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a brand-new week and a brand-new set of sessions here at the best acoustic cover song music video blog in the universe!  Monday is my day, and as usual, I dug through the new release news to see what I could find to play.  I found a couple of options, but this one stood out to me the most…

David Bowie’s “Hang On To Yourself” was originally released on the 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars.  Now, that’s an album title if I’ve ever heard one!  It doesn’t make a whole lot of sense to me, as I know admittedly little about David Bowie.  But from a quick online search, I learned some interesting facts.  For instance, D.A. Pennebaker (better known for his documentary on Bob Dylan Don’t Look Back) recorded a concert film and titled it the same as the aforementioned album.  Also, “Hang On To Yourself” was apparently originally released (as “Hang Onto Yourself”) by David Bowie’s band called “Arnold Corns.”  He got the idea for the band name from the Pink Floyd song “Arnold Layne.”

So, amidst all this David Bowie trivia, you may be wondering what any of this has to do with new music Tuesday…

Well, it appears that David Bowie is releasing an official version of a live concert titled Santa Monica ’72.  For years, this was only available as a bootleg.  Then, in the mid-90’s, a former management company released it without Bowie’s authorization.  So, this has become one of those records that circulates through the underground, perpetually spreading from one fan to the next.  As of tomorrow, the official release will be on the shelves.

“Hang On To Yourself” is the first song on this live Santa Monica ’72 album, and I can see why!  It’s a peppy, rocking number with rapid-fire lyrics and a very brief running time.  What better way to kick off a concert?  While I haven’t heard the live version from 1972, I can only imagine what it would sound like…

That’s pretty much it for me tonight.  I had a very enjoyable weekend on all fronts…

…which means that I have lots of work to catch up on this week!  I’ll be working on entering grades by Wednesday morning, speaking to a group of sophomores at a CCSU “college to career” seminar Wednesday evening, and starting to work on my BEST portfolio after about a week and a half on hold for other stuff.  I know, I lead an exciting life!  🙂

I hope you enjoy my video, and I hope to continue to post new “extras” in the near future — I already have inspiration for new “Deep Racks Reports,” music reviews (check out my one-sentence reviews posted yesterday!), and other articles.  I also have to get cracking on some site work I signed up for a couple weeks ago and haven’t gotten to (sorry webmaster!).

Don’t forget to hurry back tomorrow for an all-new Jim Fusco Tuesday.  It’s certain to be “we-should-name-a-day-of-the-week-for-it” good…

See you next session!

“I Am Trying To Break Your Heart” (Wilco Cover)

By Chris Moore:

It’s no secret that I’ve been going through a Wilco phase recently.  And, by phase, I mean that I wasn’t really familiar with the band until a couple months ago.  I had read about the band a bit in music magazines, and I had read quotes by band frontman Jeff Tweedy, which I generally found interesting.  So, I finally found a copy of their critically acclaimed Yankee Hotel Foxtrot album and decided to give it a spin.

And instantly loved it.

Ever since, I’ve been listening to alot of other music, but I’ve gone back to Wilco every time.  In the past two months, I’ve gone on an odyssey to discover as much about them as possible.  This has involved reading Wikipedia posts, skimming music magazines, and browsing through numerous CD store racks and used album bins.  In the process, I’ve found affordable copies of Yankee Hotel Foxtrot‘s predecessor, Summerteeth (which is the origin of the song I just added to the members-only section, which you should definitely check out soon!), and their first album, A.M.

Now, it’s not that Wilco is my new favorite band of all-time, by any means.  But there is a certain excitement that accompanies fresh territory, striking out into a land that is unusual and can present unexpected ideas, sounds, etc.  For instance, I learned all about Uncle Tupelo — a band I had heard OF but had never actually HEARD — because Uncle Tupelo, minus one member, became the first incarnation of Wilco.

But, I guess that’s a story for another time.

Suffice it to say that Uncle Tupelo is credited with founding the “alt-country” genre that I didn’t even know existed until recently.  As Tweedy progressed, he became more and more experimental with his music, particularly after the first couple Wilco albums.  He seems like an interesting musical figure to me, as he embodies that rock songwriter ideal; he has made some great music, and from many reports, he can be a bit of a jerk.  For instance, members of Wilco have been essentially summarily dismissed to make way for new musicians with new sounds to bring to the process.  While this may not make for pleasant interpersonal relationships, it has certainly made for some interesting musical variations and evolution in the band.

When I think of this song and this album, Yankee Hotel Foxtrot, in particular, I am reminded, to a degree, of some of the classic albums that have initially been criticized or even rejected by record company executives.  In this case, the hype surrounding the making of the album seems to have only aided and increased its eventual popularity.  Essentially, as Wilco recorded this album, but the powers-that-be needed to make some cuts at the label, so they released the band.  There are several conflicting stories, but the end result is that Wilco got to keep the recordings and rights to the then-new material, going on to another division of Warner Bros. to officially produce and release the album.  This caused a bit of a stir in the record industry at the time — particularly the public perception of the label’s treatment of this fairly longstanding act — and even though I wasn’t nearly as interested in music industry news as I am now, I remember something about this at the time.

The track I chose for tonight is the opening song, “I Am Trying to Break Your Heart.”  For better or worse, my version does not do justice to the studio version, which you should definitely listen to; for that matter, you should definitely listen to the album!  But, when I discovered that Jeff Tweedy does an acoustic version of this song in his acoustic sets, I couldn’t resist.  It’s a great song that sets the tone remarkably well for the album to follow.

I hope you enjoy my version and that you hurry back in the next couple days for Jeff and Jim.

See you next session!



“Hang On To Yourself” by David Bowie – Chords, Tabs, and How to Play

“Hang On To Yourself”
(David Bowie)

F#m
Well, she’s a tongue twisting storm,
A
Come to the show tonight,
Bm
Praying to the light machine.

She wants my honey not my money;
She’s a funky thigh collector,
Laying on electric dreams.

CHORUS:
C                     D                        C                                  D
So, come on, come on… We’ve really got a good thing going.
C                                D                          C
Well, come on.  Well, come on — if you think we’re gonna make it,
A                                                D – C – D – C
You better hang on to yourself…

We can’t dance; we don’t talk much.  We just ball and play.
But then we move like tigers on Vaseline.

Well, the bitter comes out better on a stolen guitar.
You’re the blessed; we’re the spiders from Mars.

CHORUS

SOLO (over A – D – A – D)

CHORUS (repeat)

A                     D
Come on, come on…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“She Belongs to Me” (Bob Dylan Cover)

We’re looking for more Guest Sessions submissions! So, sit down, pull up your acoustic guitar and camera, post the video on YouTube, and CLICK HERE!

As I always say, it’s never too soon for another Bob Dylan cover video!  Personally, I’ve attempted to restrain myself from recording a comfortable, enjoyable Dylan cover this year.  However, tonight’s installment of the Guest Sessions is a Dylan cover song music video with an interesting twist.

First of all, this is a song from Dylan’s 1965 album Bringing It All Back Home.  This is perhaps one of his best albums, and it was a transition point for him, half of the album being full band renditions and the other half being classic acoustic-only compositions.  (For his next album, Highway 61 Revisited, he would dive deeply into the world of electric rock…)

So far, I’ve recorded two covers from this album — “Subterranean Homesick Blues” for the members-only area of the site and “Love Minus Zero/No Limit.”  No one here has yet dared to take on the more noteworthy songs, such as “It’s Alright, Ma (I’m Only Bleeding)” or the song that the Byrds launched to chart success, “Mr. Tambourine Man.”  This being said, I was truly impressed with the apparent ease with which Stan Denski, our guest tonight, played “She Belongs to Me.”  Granted, this is a fairly straightforward song, but he changed the tuning and plays in an interesting fashion.  His version is true to the original, yet very much his own and sung well.

Thank you, Stan, for sending this very entertaining video!

I’ll let him introduce the video — Stan writes,

This is a cover of Bob Dylan’s “She Belongs To Me.”  It is played on an old Guild 12-string tuned to an open D and played by barring chords from the top of the neck which allows the highest strings to ring open and create diminished chords.  It also uses a lot of harmonics struck at the 12th fret.

I was showing a friend how to play this version and he videotaped it and, later, stuck it up on YouTube.

Stan Denski, Indianapolis