By Chris Moore:
My first official laptop session of the new year! I’ve been listening to 1970’s George Harrison this week–Thirty Three and a Third and George Harrison–but I was reminded today of this track off of his 2001 posthumous release Brainwashed. It’s such a simple song, but it was easy to learn and fun to play, so here it is!
Okay, it’s time for me to contribute to “Original Wednesday.” And for my first selection…
This is one of my original Christmas songs. I know it’s a bit sad for a Christmas song, but it was a clear and simple portrait of how I felt at the time that I wrote it. And it still takes me back. (I suppose the question is, why would I want to?…)
One of the things that anybody who knows me well is that I am into a very special type of music.
No, it isn’t anything mainstream. In fact, I can think of only 3 other people who enjoy this type of music as much as I do.
Quite simply, it is soundtracks from video games. Especially Role Playing Games.
I have what I feel is a very impressive collection of OST (Original Soundtrack) from a variety of games. One reason I think I enjoy the music so much is because I did grow up listening to the music from these games almost entirely. When it comes to my favorite activity both now and then, it certainly is video games.
More so than any of my other hobbies. It even surpasses the playing and writing of music.
So I have an ingrained affinity to the music. I always had a great auditory memory as well. I can still hum music from old Nintendo games I haven’t played in over 15 years. If you say “Flash Man from Mega Man 2”, I will hum it in tune and on key. You may even get some of that terrible synth drum channel that NES was notorious for.
But the ones I latched onto immediately are the Final Fantasy series’ OSTs. I have them all. And not just some remixed versions or user-generated remixes. Just like I was playing the original version of the game.
Why do I enjoy listening to the music so much? Plain and simple – it is something for me to listen too, and I can do almost any regular task while I listen. Simply put, many papers got written while I listened to “Dancing Mad”, the final boss music from Final Fantasy 6, and other songs from those series.
As I discovered the fact that some more uncommon OSTs existed, I found as many of them as I could and got them. I have the OSTs for such obscure games as Emperor: Battle for Dune (a favorite actually), Dune 2000, StarFox, Perfect Dark, Super Mario RPG, Secret of Mana (and all of it’s prequels and sequels), Ogre Battle (and it’s derivatives), and the F-Zero series. Simply put, there’s a soundtrack for all kinds of moods.
Actually, now that I mention the “Emperor” soundtrack, it reminds me of a story.
About a year ago, I did something that I was always a bit afraid of, but knew I had to do – I donated blood. I’ve always been a bit squeamish about things like this, but I knew it was the right thing to do. To get me through it, however, I popped up the Emperor Soundtrack because the music had such a driving beat to it, and the tunes are so engrossing overall (I even asked the Phlebotomist to cover the donation bags so I couldn’t watch my blood being drawn). I looked up at the ceiling of Sacred Heart’s Field House for a while and enjoyed it. Hey, it got me through it. I may even do it again in the future.
Well anyway, point is I have always enjoyed VG music. I downloaded MIDI tracks as well. But then I found a game that had a great soundtrack, but very few MIDI files for its music.
And so, I began the Final Fantasy Tactics Battle Music Project, which at the time was a regularly updated website with the files that I created using various implements, most notably a program called Noteworthy Composer. My methods were this easy. I used an audio recorder to tape the particular song of interest off of the TV while the game was playing. Then I systematically tried to pick out the different instruments and parts, then try to transcribe them on the keyboard. Once I had figured out one or two instruments, usually the rest were easy to pick out as well. This method certainly wasn’t the best, but at the time I was very mad that these files didn’t exist, and I wanted to change that.
I ended up transcribing quite a few of the songs from the game, and within the next two years, I noticed lots of fan sites posting my MIDI files. I also got lots of great comments, emails, and requests. I did the majority of the work for files in this game within those two years, but I would go back periodically until I was done in college to update some of the songs that I knew better.
I also at one point in college (~2000 I think) did a similar site for Final Fantasy 9 called (how original) the FF9 MIDI Project. Similar to FFT, I transcribed select songs due to not many being transcribed at the time. I still find both of the MIDI files from these games around the internet.
It wasn’t long after this that I began composing music similar in style. There will be more on that in the next edition of this series. Stay tuned for that next month!
Hey there! Well, it’s Original Wednesday, and Original-ly this post should have been Jeff! But he was nice enough to call me and offer the spot to get back on blogging. So, out from the bullpen I come, (hopefully more effectively than the Mets bullpen!) with this original acoustic laptop session for you to enjoy. I remember everything about writing this song- I remember being embarassed by the oddity of the tune. But, as some of you may know, songs come to me. So I don’t really have control of the style or genre or tune…and most of the time the words! It hits me like a sack of bricks. So what you get are raw and honest tunes, with simple lines that end up being my favorite.
This song has a spanish-feel to it, and the middle where chords ring out is very Dennis Wilson sounding. Some of my favorite lines are “She’s easy to love, and you can bet she’s so good lookin’…but in this case there’s more than meets the eye…” All of these words were auto-biographical, and you can hear it in the lyrics, like you’re a fly on the wall for these interactions- “And sometimes when I look in your eyes, I see confusion”… “When she sits across from me”…”Sometimes when I sleep, your eyes- they look so deep,..and in them I can see nothing but love”.
It was about the stress of romance and the meaning of dreams (where this song was written) and how during the day, facades can be put on, but at night, your conscience isnt always there to protect you from talking in your sleep. One of my favorite lyrics, in its simplicity, is “And somehow I know that I’ll never stop loving you”. The last verse, after a pause- was a joke in music form… when people think it ends, I hop in saying I wasn’t through speaking (hope i got you on it!) I remember playing it for Jim when it was recorded, saying “Wanna hear this stupid, weird song I just did?” and when he finished listening to it, he kept the headphones on and said, “Are you kidding me? Are you kidding me?…that’s the best song you’ve ever written” =)
oh jim, this is for you… you’ll be the only one that gets it.
3 = ooO