“Alison” (Elvis Costello Cover)

For Elvis Costello chords & lyrics, CLICK HERE!

By Chris Moore:

Good evening and welcome to another week of all-new Laptop Sessions posts!  Today was busy, and although I had a lot of work to do around the condo, I was able to finally relax a bit and begin enjoying being here.  Since tonight marks my first cover song music video since the move, you’ll notice a new backdrop.  It’s a bit plain, since we’re still unpacking boxes and hanging up posters, etc.  In fact, I’m not entirely sure where I want to play my sessions here.  Although I miss having the “wall o’ CD’s” in the background as I did when I lived in the apartment, I do like the light and acoustics of the living room here at the condo.

Still, the visuals should come second to the song at hand.  My session tonight is a cover of Elvis Costello’s “Alison” from his classic 1977 debut album My Aim is True.  As for how I’ve never recorded this song before, I really don’t have an explanation.  This is widely considered Costello’s best known and best loved recording, second only to “(What’s So Funny ‘Bout) Peace, Love, and Understanding?”  There are certainly other Costello songs that are more rocking, more complex, or simply better, but this heartbreaking tune is a wonderful little song.  Although I’ve loved Elvis Costello and the Imposters since Delivery Man, I’ve only recently gotten into his older material (via Live at Hollywood HighCLICK HERE for the full review).  Even still, I’ve always loved “Alison.”

I’ve been thinking recently about why it took me a while to warm to Costello’s material, and my best guess is the way his “best of” is compiled.  The Very Best of Elvis Costello, the quintessential EC greatest hits that was released in April 2001, is a two-disc set with virtually no booklet to speak of.  This, to me, is a cardinal sin — how could one, as an album designer, decide to disconnect a “best of” compilation from the appropriate context?  Instead of liner notes, there is a series of the same photo of Costello colorized in different shades.  And, really, I would have been happy with any type of text: brief notes about each song, an essay about Costello, or even a message/reflection from the man himself.

And what really surprised me years ago when I opened this CD on Christmas morning was that it was a Rhino release.  Anyone who’s ever bought an album release from Rhino knows that they’re typically very generous with booklets and other packaging.  At least, that’s the experience that I’ve had.

Regardless, I picked up Live at Hollywood High, an Elvis Costello and the Attractions concert from 1978, out of curiosity, and I actually felt a little guilty about spending money on it.  After all, the last time I had listened to his early songs, I hadn’t been overly interested.  But it has also been a good number of years since I had heard them.

The concert is fantastic.

I went back last week and listened to all 140 EC songs on my iPod and five-starred the songs I really liked.  In the end, I was left with a 36 song playlist that I’ve been listening to in shuffle mode constantly for days.  (And, since there’s no new music of interest coming out this week, it’ll have to sustain me for another seven days.)  Not surprisingly, several of the live versions of his songs made the playlist over the studio versions.  Typically, I opt for studio recordings, but this was one of those cases where the live versions are sometimes just better — more catchy, passionate, etc.

The studio recording of “Alison” is classic, though.

I’m posting late tonight because I had a faculty meeting today, followed by a trip to a fancy locale known as K-Mart (remember those??) to pick up a dinette set with the help of my parents, and I’ve been building the chairs ever since.  You can’t believe how many nuts, bolts, washers, spring washers, screws, and other little pieces go into the assembly of these things.

It’s been so much work that I might record my session next week at the dining room table just to feel like it was for a purpose…

Seriously though, it’s actually been a lot of fun just building this set while watching season five of The Office.  Of course, it wouldn’t be exciting without an issue.  In this case, I unpacked the pieces to find that the table has a six-inch crack down the center of it.  They’re getting more in on Friday, so I’ll be able to complete the building then, but I just have to wonder…  why did it have to be the BIGGEST piece that’s broken?  Couldn’t it have been something like one of the chair spindles?

Until next week, I want to remind you to stay tuned here all week for some great new posts.  There are more Laptop Sessions to come, as well as music reviews and more.  And the Guest Sessions submissions have been multiplying recently, which I couldn’t be more thrilled about, so once I review those videos, you can look forward to the cream of that particular crop over the next few weeks.

See you next session!

The Road to Nyack – Playlists on Parade

I’ll be driving my sister and her boyfriend back to New York soon.  Seeing as how I have a full gas tank already and recently brought my car for an oil change, I figured the best way to prepare for the trip was to make a playlist.

No brainer, right?

So, I’ve spent much longer than I should have rooting around among my iTunes archives to find a selection of songs that is varied, caters to both of our tastes, and will be good for a road trip.  This was a bit more difficult than I initially anticipated, but I finally have a final sequence that will last the entire hour and a half journey (give or take).

You’ll find some songs that Jaime first introduced me to via her consistently high-quality compilations, songs like “Anti-Christ Television Blues” from Arcade Fire and “I Just Do” by Dear & the Headlights.  Other songs are my picks from albums that she introduced me to, tracks like Right Away, Great Captain’s “What A Pity” and Neutral Milk Hotel’s “In the Aeroplane Over the Sea.”

I would have liked to include a different track by the Hush Sound (“A Dark Congregation” is a song that she included on a compilation), but I haven’t picked up a copy of their 2008 album Goodbye Blues yet.

Emphasis on “yet”…

The rest of the playlist is populated by blasts from the past, like the opener from Relient K, as well as a healthy helping of new 2010 tracks that I want her to hear (the songs from the Black Keys, the Hold Steady, Locksley, and Spoon).  And, of course, I couldn’t resist Bob Dylan and Beach Boys songs with New York in the title, as well as the only song I know of that refers to Nyack in the lyrics: Fountains of Wayne’s “Little Red Light.”

So, that’s my thought process on the creation of this playlist.  If you can think of any songs I should have added, comment as soon as possible so I can make the necessary updates!  🙂

1)  “My Way or the Highway…” – Relient K

2)  “I Just Do” – Dear & the Headlights

3)  “Asleep in the Chapel” – Thursday

4)  “Hard Times in New York Town” – Bob Dylan

5)  “Cream and Bastards Rise” – Harvey Danger

6)  “16 Military Wives” – The Decemberists

7)  “Drive My Car” (Live from Good Evening New York City) – Paul McCartney

8)  “Tighten Up” – The Black Keys

9)  “Am I Ever Gonna Find Out” – Lifehouse

10)  “Get Back” (from Love) – The Beatles

11)  “Hustle and Cuss” – The Dead Weather

12)  “The Girl From New York City” – The Beach Boys

13)  “Try” – Straylight Run

14)  “The Fixer” – Pearl Jam

15)  “What A Pity” – Right Away, Great Captain

16)  “Drive” – Incubus

17)  “Blue Orchid” (Live from Under Great White Lights) – The White Stripes

18)  “Soft in the Center” – The Hold Steady

19)  “21st Century” – Locksley

20)  “A Dark Congregation” – The Hush Sound

21)  “The Vampires of New York” – Marcy Playground

22)  “Anti-Christ Television Blues” – Arcade Fire

23)  “Hop a Plane” – Tegan & Sara

24)  “In the Aeroplane Over the Sea” – Neutral Milk Hotel

25)  “California Zephyr” – Jay Farrar & Ben Gibbard

26)  “Little Red Light” – Fountains of Wayne

27)  “Written In Reverse” – Spoon

28)  “Everybody Learns From Disaster” – Dashboard Confessional

“Love Minus Zero/No Limit” (Bob Dylan Cover)

By Chris Moore:

Well, my voice is still pretty much shot, so I did what I thought was logical… record another Dylan tune!

This is one that I’ve been saving for some time, as it’s one of my favorites — Bob Dylan’s “Love Minus Zero/No Limit” off his half-acoustic, half-electric album Bringing It All Back Home. I’ll be recording more off of this album in the future, but even a Dylan fan as devoted as myself hasn’t completely memorized “Bob Dylan’s 115th Dream”…

There’s some big news brewing for some live shows in the not-too-distant future, and as soon as dates are solidified, we’ll post them on the blog. For now, I really hope to see you for dinner at Testa’s in Southington this Saturday evening between 8:30 and 12:30. We’re prepared to play about 80 songs (which I don’t think we’ll get to, but we’re ready all the same!).

A final bit of good news — I hope to break 10,000 views on YouTube by my next post! Thanks again to all who have been watching my videos, both new and old, and I really hope you’ll come see them all — Jim’s, Jeff’s, and mine — at https://guitarbucketlist.com !!

You can look forward to an all-new session from Jeff tomorrow, and I’ll see you next session!

“Essential Question” (Original Music by Indie Songwriter Chris Moore)

By Chris Moore:

Well, it’s the best time of the week. It’s the time when we songwriters — Jim Fusco, Jeff Copperthite, and myself — get to really believe what we boast: that this is the best acoustic cover songs music blog on the web. And we get to do that…

…by not recording an acoustic cover song!

We still record and post a music video of an acoustic song, but it is not a cover. On Original Wednesday, we bring you an original song for your enjoyment that you most likely have never heard before. Today, I bring you a song that I have had kicking around for a few years called “Essential Question.” It never quite made the cut for Love Out of Fashion, either because I hadn’t finished writing it or because I didn’t feel it was up to par. It finally saw the light of day as a track on Weekend Demos… but only on the bonus disc. I don’t really know why it never made the cut, even on a demos album. Overall, I’ve always felt that the song was a bit simplistic, particularly in the verse and bridge. I do like the chorus a lot, though, and that’s one of the reasons that I wanted to break it out for an original Wednesday.

I have been working on some new songs, and I hope to bring an all-new one to the music blog very soon! For now, just be sure to hurry back for another great, all-new acoustic cover song (business as usual!) by Jeff tomorrow…

See you next session!