“Development of a writer” – A retrospective by Jeff Copperthite (Part 3/4)

By Jeff Copperthite:

In my last installment of this miniseries of articles, I gave some insight into my love of video game music, and some of the things that genre has caused me to do.  For the final part, i’d like to bring it back to original composition work, live music, and help bring it full circle.

In the first part, I mentioned that I took part in many musical endeavors in high school.  Nearly every band or music ensemble that existed, I took part in.  I sang in choir, played trombone in the concert band, double bass in the orchestra, electric bass and trombone in the jazz band, and whatever else needed playing for musical productions, talent shows, and even some Senior Court jam sessions w/ Scott.  I taught myself how to play all the instruments I play with the exception of Trombone.

In 1997 I joined a band that was fronted by a guy named Dave.  I was only part of the band for a few months because my work schedule conflicted with when they wanted to practice and write.  It was a mutual parting and I held no animosity to them, nor they to me.  We did get a couple of live shows in those 3 months, and they were fun to jam with.

I didn’t really play with any bands again until senior year, when Scott asked me to play bass at the talent show (I forgot the name of it, but the idea was for students to display various arts on the stage, be it music, dance, or the like) with another friend of ours named Brian.  The three of us were going to play Dave Matthews Band covers in our act.  We learned about 7 songs (could’ve been more or less) and our performance was actually played towards the end.  I also played bass w/ Brian on drums for one of our other mutual friends’ Lindsay to do her rendition of the song “Fever”.  Funny thing is I still know how to play all these songs on the bass.

Our show was liked by the school that we were asked to play at the school’s other talent event called “EATA” (Evening At The Arts).  Our year was the kickoff for this show and again, it was meant to be a display for all the talents of the students at our school.  Except this time, there were events going on at multiple locations.  I myself loved the idea and the three of us jumped at the opportunity.  Scott & I played the open-mic as a bass/guitar duo, and it was easy to do because for the few weeks coming up to the show, we sat in the senior court playing tunes from the show (we had expanded to other covers as well, such as “With A Little Help From My Friends”).  I think we even collected a few bucks.

That show was awesome.  Somewhere i’ve got a picture of us playing at that show.

Not long afterwards, Scott asked me to contribute some recordings to some original songs he had written for an English Project.  The three songs we recorded would become known as our first EP, which was simply called “English Project”.  How appropriate.  The songs that we recorded were patched together rather quickly because he had recorded the guitar part by himself, so I had to put drums and bass on top of that.  Although for a rookie effort, it worked out nicely.

Around this time I also helped Jim put together some MIDI productions that he used for a project (which class?) on MacBeth, putting some songs to varying points of that play.  It was fun to lend my growing instrument collection (which at that point included the Yamaha PSR 320 I had done MIDI on previously, and the Roland Electric Drum Set I still own and use).

Scott & I had a great reception from his recordings, and we were encouraged to record them more formally, along with four more songs.  That album would become “First Stitch” by Quilt.

That reminds me, we came into that name because we saw it on a license plate while going to Sam Ash to get my bass and amplifier.  I still have the bass, but the amplifier met it’s demise last year (you’ll have to check the blog from March of last year to read all about that).

Scott & I continued to record songs, and our duo still is active.  We have recorded two additional albums and one EP since “First Stitch”.  The albums are “Patchwork” and “Expressions” (the latter of which featured my writing exclusively), and the EP was called “Blanket of Death” (which i’ve mentioned already contains some of my favorites from Scott’s writing).

Well, I’m going to stop this for the evening, as it is late.  I’ve decided there will be a part four about a month from now.  Too much music history left to write about.  Stay tuned for that, and i’ll be back next week for another regularly scheduled laptop session!

The Weekend Review: March 2012 Report

Wrecking Ball (Bruce Springsteen)

Producer: Ron Aniello & Bruce Springsteen

Released: March 5, 2012

Rating:  2 / 5 stars

Top Two Tracks: “We Take Care of Our Own” & “This Depression”

Diverging from the string of excellent albums Springsteen has been releasing steadily since his return from a seven year hiatus (with 2002’s The Rising), Wrecking Ball comes across as a bunt where his past several albums have felt more like full-force swings aimed at the fences.  It’s not so much that this is a bad album: it is, just as disappointingly, a mediocre album.  Most songs fall into one beat from the opening bars on, often establishing a chorus line that becomes the repetitive chant throughout.  There are standouts, such as the album opener “We Take Care of Our Own” and “This Depression.”  And, of course, the tone and textures of Springsteen’s Americana sound are impressively rendered, incorporating acoustic and electric elements intermittently, as well as choir-style background singers (see: “Shackled and Drawn” to begin with) and other cultural textures (see: Death to My Hometown, itself perhaps a frown of an update to his 1985 hit “My Hometown,” then the seventh top ten hit off Born in the U.S.A.).  Still, these elements are not enough to lift Wrecking Ball into any real sense of artistic accomplishment, nor does it live up to the rock music energy and promise of the Bruce Springsteen & the E-Street Band performance of “We Take Care of Our Own” at the Grammys earlier this year.

 

 

 

Port of Morrow (The Shins)

Producer: Greg Kurstin & James Mercer

Released: March 20, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Simple Song” & “No Way Down”

Fresh off his 2010 collaboration with Danger Mouse as the indie duo Broken Bells, James Mercer returns with the Shins to deliver an alt pop/rock punch in Port of Morrow.  From the fast-paced opener “Rifle’s Spiral” to the lead single and album standout “Simple Song,” through three more excellent though more understated tracks, to the second standout “No Way Down” (which, unlike “Simple Song,” requires little warm-up to get up to full speed), and up to the subsequent ballad “For A Fool” and then the quirky, sonically unique “Fall of ’82,” finally arriving at the penultimate “40 Mark Strasse,” there isn’t a clunker in the set.  The final track feels, like so many title tracks throughout history, like a bonus track or a tack-on rather than a full member of the record.  The Shins are certainly guilty of finding a sound and falling into it, destined to draw claims of “the Shins are a good song,” and yet when you like the sound – as I certainly do – it’s difficult to criticize the nine tracks of gorgeous, bright, modern alt rock music that await you on Port of Morrow.

“Lightning Crashes” (Live Cover)

By Jeff Copperthite:

Good evening and I hope this past Tuesday has found you well.  Tonight I add another new band to the category page here on our awesome site.

“Live” is our focus this evening, and one of their hit songs “Lightning Crashes” is the video tonight.  I had attempted to record this video last Friday, but my voice was shot from the previous video I had recorded (which some person on Youtube rated 1 star – to my bewilderment).  Therefore, here’s what I was able to get out of me this evening.

The song is off the album “Throwing Copper”, which I happily own.  I do own albums 2 through 5 from this band, and the album tonight’s song is from was the first one I bought.  I remember burning a copy for my car, and writing on the blank CD the letters “Cu” with some trail marks behind it.

…I’ll give some of you a second or two on that one…

This isn’t my best, or worst performance.  I’ve had a tough month, so I apologize if it isn’t my best.  However, it works and it goes to show that I continue to have a penchant for recording 5 minute songs (tends to get frustrating doing retakes for long songs like this).

Tomorrow Jim will show us what he’s got in his library!  I can’t wait!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Pinch Me” (Barenaked Ladies Cover)

By Mike Fusco:

This song was done on the first take with the help of my bro Big Fusc, which was a lot of fun to do on the fly.  I heard this catchy pop song first in the Meriden Mall shopping and it was after I was into BNL, but before I realized “Wow, this song was THEM!”  And I cracked up at the line “I could hide out under there… I just made you say underwear”, which, comically enough, Jim JUST got this joke on Sunday night.  (how many years???  haha make sure to give him grief over that!)  This is from the album Maroon, a great album, and this song captures how I’m feeling right now… Not necessarily bad or down, actually very upbeat.

But,  I still feel like I’m walking around in a state of disbelief.  (so, Pinch Me!)  I hope you enjoy this acoustic cover me and my brother whipped up for the guitarbucketlist.com blog!

Leave me some love!

~mikey