Author Archives: Chris Moore

“American Girls” (Counting Crows Cover)

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By Chris Moore:

Happy Labor Day to one and all!  I’ve always thought that it was interesting that there is very little “labor” accomplished on Labor day, but I suppose it’s more an appreciation and celebration of all the labor that is done on the other 364 days of the year.  Regardless, I’m not complaining that I don’t have to work on this beautiful, sunny day — what a magnificent first day of September it is, at least here in good ole Connecticut, USA!

And September 1st is not only Labor Day, but it’s also the birthday of my girlfriend, Nicole.  So, to help her celebrate it, I figured there’s no better way than choosing and recording a song for my music video today that she would love.  This is actually a song that I just played her for the first time a couple of days ago, and she immediately loved it.  “American Girls” is the second track on the Counting Crows’ Hard Candy album.  It’s notable for being one of two songs from this album to make the greatest hits.  Although it was a very mild hit, I think it’s a great song.  And I can’t believe that it took me years to figure out that Sheryl Crow contributes the background vocals!  I picked up this album used from FYE a couple weeks ago and figured that out as I read the liner notes.  It was definitely a “Duh” moment…

The album is one of those that starts extremely strong — the first four tracks are simply amazing.  “Hard Candy” starts off the album and the first couple lines are among my favorite that Duritz has ever written.  Then comes “American Girls.”  The third track, “Good Time,” is not anything special, I suppose, but I really like it.  And I love “Richard Manuel is Dead.”  Those first four tracks are a tour de force.  Then, the next few tracks slow it down, which is not necessarily a bad thing, but it never really picks back up to the quality of those first four tracks.  So, while I like the album, I can’t really fall in love with it.  It’s one of those albums that, by track eight, you’re fighting the temptation to skip back to track one.

But, if you buy this album, don’t flip back to the first track without hearing the last track, “Holiday in Spain”!  It’s one of my favorite songs from the Counting Crows.  It starts off with just piano and Duritz’s vocals, and gradually builds up to a triumphant final verse and chorus.  For those of you who don’t know me, I just love it when a song begins with no drums or minimal drums, then really kicks into high gear!  For instance, that’s probably why “Pretty (Ugly Before)” is my favorite Elliott Smith song on From a Basement on the Hill.

Well, that’s enough music commentary for one day.  I’m off to have some lunch, celebrate Nicole’s birthday, celebrate Jim’s groundbreaking new purchase (I’m sure he’ll tell you all about it in his next post!), and try to get some work done amidst all the excitement…

See you next session!



“Jonathon Fisk” (Spoon Cover)

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For Spoon chords & lyrics, CLICK HERE!

By Chris Moore:

Good evening, cover song music video fans.  I’m coming at you this Martin Luther King, Jr. Day with a selection from a band that will be releasing a brand new studio album tomorrow.  The band is Spoon, and the album coming out tomorrow is Transference.  I’ve only heard the single “Written in Reverse,” but that one song was enough to capture my interest.

And I couldn’t be happier, since there is little that makes me as excited as having a reason to go to the music store on a Tuesday afternoon/evening.

So, to help bide my time until tomorrow, I learned and practiced a different Spoon song this weekend and finally recorded it earlier today.  The song is “Jonathon Fisk” and it is from Spoon’s 2002 album Kill the Moonlight.  I had this album recommended to me by a friend just after New Year’s Day, in anticipation of their upcoming new release.  I listened to it a couple times, then put it aside.  Out of nowhere last week, I had the urge to hear it again, and now I can’t get enough of it.  Kill the Moonlight is quirky and upbeat and experimental — all the aspects of great alternative rock music that I love!

So, it is with great pleasure that I pass along “Jonathon Fisk” to you for your consideration.  Apparently, the song was written about a bully that songwriter Britt Daniel had experience with in school.  Later, according to Daniel, the real-life “Fisk” attended a significant number of the band’s shows.

Interesting how life turns out…

Speaking of the oddities of our modern lives, has anyone else seen Up in the Air?  It was every bit as good as I hoped it would be, but what a downer!  Let’s just say that one of the characters turns out to be a…  Well, a big fat doo-doo head, for lack of a better euphemism.  I literally sat through all of the credits just staring at the screen in disbelief.  Really though, without saying too much, I would highly recommend this one, if for no other reason than the fact that George Clooney is awesome.

Some say that we have the same chin, which I take as the highest form of compliment.  Go ahead, try not to stare dreamily at my chin while you’re watching my video tonight.

In unrelated news, I’m coming up on crunch time here, as the second marking period for my school ends tomorrow and midterms run until next Monday.  What does this mean for me?  Well, I have essentially a week to enter and finalize grades for all my classes.  I’m currently in the middle of the pile I wanted to finish by this evening, so I naturally decided that I had plenty of time to kick back and watch a couple hours of television.  Now that that’s over, it’s back to work for me.

Thankfully, I had this Laptop Session post to write, so I’ve been able to procrastinate just a little longer…

But, at long last, it’s back to gradin’ for me.  I hope you enjoy tonight’s video and that you’ll come back soon for another week’s worth of new material at the greatest cover song music video blog on the web today.

See you next session!

“After Midnight” (J.J. Cale, Eric Clapton Cover)

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For J.J. Cale / Eric Clapton chords and lyrics, CLICK HERE!

By Chris Moore:

Okay, so before I explain my song choice tonight, I have to briefly address the music video I just watched.  I really do love music videos, and it seems a lost art.  Interestingly enough, it seems that the MTV show “Total Request Live,” or TRL for short, both furthered the popularity of music videos… and led to their demise.  I mean, what’s better than a show devoted to showing music videos?  Oh, wait — TRL, not unlike commercial radio, ended up circulating only about ten popular videos on any given day.  Oh yeah, and the show only aired clips of those ten music videos!  What?!  Who decided on this format?  No wonder they finally took it off the air!

To be fair, I heard that the show had recently adopted a more progressive format, utilizing online resources to poll viewers, etc.  But I stopped watching the show loooong before that.

Anyway, back to the music video I just watched.  I was on Yahoo and saw a link to Coldplay’s new music video for “Life in Technicolor II” — it’s a great one!  I was impressed with the overall progression of the video, as it documents a children’s puppet show that turns into an all-out rock’n roll concert that includes the puppet versions of Chris Martin and company playing their instruments, and Martin not only jumping around (hanging as though suspended in the air as he sings “Now my feet won’t touch the ground”) and crowd surfing.  It ends with them being picked up, in true rock star style, by a helicopter that exits the room by smashing through a window.  Which begs the question… how did it get in in the first place?

And this is wonderful…

…except for the fact that the Barenaked Ladies already did this!  Certainly, Coldplay’s video is not a plagiarism of BnL’s music video for “Pollywog in a Bog” last year (I wonder if they even saw it), but it seems odd that they did a puppet show so soon after BnL.  I guess that just goes to show how ahead of the curve they are.  If you haven’t seen these videos, you should definitely go watch them.  BOTH of them — it’ll be worth the six minutes of your life it will take!  (Just search on YouTube for “Barenaked Ladies Pollywog” and “Coldplay puppets”).  The BnL video is especially worthwhile, if only for the really cute animal puppets that look creepily similar to the respective band members.  Such a fun and funny video!!

Okay, so back to my video for tonight…

Those of you who regularly frequent the blog will already know that my goal this year is to tie every “Chris Moore Monday” in somehow with the following New Music Tuesday.  So, you may be wondering what a J.J. Cale song that is over four decades old has to do with new music…  Well, J.J. Cale is releasing a new album tomorrow entitled Roll On, his first solo album since 2004.  His most recent success was The Road to Escondido, an album recorded in 2006 in conjunction with Eric Clapton.  This was certainly not their first interaction, as Cale wrote the songs “After Midnight” and “Cocaine,” both of which Clapton popularized.  When I was growing up, my dad would often play his “Cream of Clapton” greatest hits, which included both of these songs.

Thus, it is my honor to bring you an old Cale track in honor of his new release, which (again) comes out tomorrow.  This song may have been written in 1966, but he’s still writing and recording in 2009 at the age of 70, and that is nothing short of amazing!

Don’t forget to rush back tomorrow for an all new Jim Fusco Tuesday…

See you next session!

WCJM Free Internet Radio Station: “The Best Song EVER! Show” – 2000

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By WCJM Free Internet Radio:

Jim Fusco’s constant quest for perfection reached its final destiny.  He had obtained perfection due to hours of careful planning and tedious work to make The Best Song EVER! Show a free Internet radio masterpiece.  First, Jim asked everyone in the cast, which now included Dave Perrelli as a permanent member, to pick the top three songs of all time (in their opinion).  He also threw in a suggestion for everyone to pick the worst song of all time, just to add a little comedy to the show.  After all the times were given to Jim, he wrote up an elaborate, down to the second, 3 page, typed outline of the proceedings of The Best Song EVER! Show.  But the show was going to be a little different from all the others.  There was too much music to put the whole show on one 90 minute tape.  Therefore, he was forced to choose two 60 minute tapes, making it an interesting double album.  Each of the 30-minute sides had a total time allowed for the essentials: 29 minutes 30 seconds for side one, 26 minutes 30 seconds for side two, 27 minutes 30 seconds for side three, and 22 minutes 35 seconds for side four.  Although Jim knew he was very liberal on the allotted time for each side, Mike made complaints that Jim’s down-to-the-second planning would be too strict, just as it was during the Millennium “Mayhem” Celebration tape.  But he was proven wrong, because there was plenty of time for all that was needed, even giving leeway for free time and debate.

The tape went off without a hitch, the first side having traffic, news, weather, sports, and technology coupled with the third picks of all time.  Side two then continued with the second picks of all time and another information report.  The beginning of tape number two, or side three overall, followed the same pattern of the first two sides: an information report, and the first picks of all time.  Side four, however, started with a three minute heated debate.  The side then moved on to the elimination of the first ten songs, would whittle the list down to number 5.  The songs were eliminated from worst to best going around the table using the “seniority rule”.  A person could pick one song to eliminate at a time, or could pass their turn.  After getting down to No. 5, the group kept the audience waiting by then playing thirty seconds each of the worst songs ever (or as long as they could take it).  After that came an information report, then finally eliminating all the songs down to No. 1.  As it turned out, Alberto had the final choice between numbers one and two, finally selecting the number one song of all time.  The number one song was played over again, and then a promo for the “Party!” tape was played, and finishing off the tape with a debate.

There were some problems, though, that the cast faced during the recording of this tape.  Jim stereo does not stop recording once the side of the tape has ended, so when the cast lost track of time on the second side, the tape flipped over and started recording over the first side!  So, the first five minutes of the beginning had to be recorded over again, but the cast learned their lesson, and checked periodically for the end of every side.

Even though that incident left the first couple of minutes of the tape a little choppy, listening to the tape again, the sound quality is great, everyone’s microphone levels are perfect, there is no feedback, the content is perfect, and everything seems to blend together.  Jim had finally received what he had worked so hard to do.

This is merely the first step on the road to free Internet radio (and funny radio!) perfection…