“Christmas (From Now On)” (Chris Moore Original Acoustic Song)

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By Chris Moore:

Hello and welcome to a special Christmas Eve edition of your best bet for excellence in cover musicianship on the web — the Laptop Sessions home page!

For tonight’s video, I had initially planned on recording my original Christmas song “Moment.”  I have written two original Christmas songs in the past, and I already recorded the other (“Christmas Cards”) last year.  Thus, I began practicing “Moment.”  And I wish I had taken the time to record it earlier, because I really do like that song.  I take issue with some of the lyrics now, as I find them much too cheesy at points, but the overall feel of the song is one that I love.

Then, a song started coming to me.  And I’ll break my general silence on my songwriting process here, as there is such an amalgamation of influences and ideas that came together to forge this song.  First, you should know that I am purposely tipping my hat to the classic Christmas tune “Christmas (Baby Please Come Home)” with the beginning of my chorus lines.  Also, I used a chord pattern that Jim and I found to be recurrent in a lot of our favorite Christmas songs.  It’s a cycle of sorts with barre chords, starting with a major, going down two frets to a minor, then the lower minor on the same fret, and finally jumping back up to a higher fret.  Then, the same pattern is repeated.

In terms of what the words mean, I started off writing about my feelings about a very important person — my girlfriend of three years — who I’m no longer with.  I haven’t really resolved the situation, so there’s a lot on my mind and I think the emotion got this song started.

Then, I began to think about Christmas in general.  The past few years, I’ve really missed being able to spend the Christmas Eve festivities with my close friends.  Thus, the song shifted to be about reclaiming my Christmas traditions with my friends.

As the lyrics progressed and I changed lines, the song shifted again to be about my grandmother, who passed away a little over a year ago.  This is only my second Christmas without her, and I can’t understate how big a part she has always been of my Christmas.  As a kid, she and my grandfather would come over on Christmas Eve and we would have a really relaxing, enjoyable night — nights that I will forever remember with great fondness.  As a young man and up until last year, Christmas became an increasingly more important opportunity to spend quality time with her.  I don’t quite have the words right now in this format to describe what those days were like or what our relationship was like, and that’s what I tried to accomplish in the song.

Thus, I dedicate this song to my Grandma Moore, a person that I am truly better off for having known and grown up with.  I’m going to miss her a lot tomorrow, but writing this song really did help me to express some of that emotion.

As a final sidenote, I spent tonight at the second annual Fusco-Moore Experience Christmas Eve party.  I didn’t attend last year, but I figured I should probably attend this year, as my name is in the title and all…  According to Jim, the real reason I attended was because I didn’t have anything better to do.  Now, this may be true, but…  Seriously, though, tonight was really relaxing and fun, the food was amazing, I’m somehow still full from the multi-course meal, and thankfully, Jim’s mom cleaned the dishes.  It was a Christmas miracle, as far as I was concerned, that I didn’t have to clean them.  I always expect to, and there was more than double our average amount of dirty dishes tonight!  Thank you again, Mrs. Fusco!!

Jim, Mike, and I are planning a little get-together we’ll call “Mas Christmas” — or, for those of you who do not habla espanol, “More Christmas.”  I’m definitely looking forward to that!

For now, I’m off to get ready for Christmas morning.  It will be a full day, capped off by an all-new episode of TNA Impact! at 9pm in the Fusco Theatre.  And YOU will have an exciting new yuletide Jeff Copperthite video to look forward to…

Merry Christmas and see you next session!

The Deep Racks Report: “A.M.”

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By Chris Moore:

We’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to going deep into the CD racks to bring you brief but focused reports on ALBUMS that have not received as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS:  Chris – “Box Full of Letters”

A.M. by Wilco

This is an album that seems to get universally hated on.  It is Wilco’s first album, released in 1995 following the breakup of the alt.country band Uncle Tupelo.  All of Tupelo’s members except Jay Farrar became Wilco and proceeded to record an album of songs that sound very similar to Tupelo’s work with one significant difference — they sound somewhat more together, less raw than your average Uncle Tupelo tracks.

Reception?  Well, fans and critics alike appear to have agreed that Jay Farrar’s new band, Son Volt, released a superior debut album.  To be fair, I have only heard selected tracks from the Son Volt release and I do understand the inevitability of comparisons between Son Volt and Wilco.  Still, I haven’t been overly impressed with what I’ve heard from Son Volt.  (Please, send your letters and complaints care of Chris at Laptop Sessions!)  Yes, A.M. is a pretty simple rock record.  No, songs like “I Must Be High” and “Passenger Side” aren’t going to win any lyrical accolades with lines like “You’re pissed that you missed the very last kiss” and “You’re gonna make me spill my beer if you don’t learn how to steer,” respectively.  Even Jeff Tweedy expressed disatisfaction with the straightforwardness of the record, and he was among the first to suggest that this was Wilco “treading some water with a perceived audience.”

Okay, but it’s a fun record!  Anyone who is familiar with Wilco’s catalog now knows that, from the second album on, the band became progressively more experimental and interested in making great records.  A.M. is breath of fresh rock’n roll air!  Not until 2007’s Sky Blue Sky would their sound be as compositionally straightforward again, and as much as I love all the albums in between, isn’t the cliche “variety is the spice of life”?  I never skip these tracks when they come up on random and I continue to be drawn in by tracks like the catchy “Box Full of Letters,” the heart-breaking “Should’ve Been in Love,” and the haunting “Dash 7.”  (I’m excited that I finally figured out that “Dash 7” refers to, as Wikipedia states, “The de Havilland Canada DHC-7 [airplane], popularly known as the Dash 7.”)

So, contrary to the press it received, I would highly recommend you pick up a copy of A.M. today.  It’s not their best album, but who cares?  And please, for crying out loud, ignore the genre nonsense altogether — alt.country, country rock, rock’n roll, alternative rock??? — and just enjoy the music!

“What’s the Frequency, Kenneth?” (REM Cover)

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By Jeff Copperthite:

Good evening to you!  I just had a wonderful run of Dynamis, then realized “Oh yeah, I am fresh out of videos for today!”  Thankfully, I had one ready to play and record, and you are in the right place to listen to it!

The song I have selected for today is by one of my favorite bands from my entire life, REM.  This song “What’s the frequency, Kenneth?” was a single from their album “Monster”, which is home to some of my favorite REM songs.  The album itself has a wide range of sound, but a common element is the “fuzz” guitar sound that seems constant in nearly every track.  This song is not an exception to that trend, but naturally here at guitarbucketlist.com, we give you acoustic guitar and an in-tune voice to go along with it!

There’s been some debate to the last line of the song.  Most places i’ve read lyrics to the song say the last line is “I’ve never understood, don’t f*** with me, uh-huh”.  However, the radio play version I have heard countless times does not alter this last line that is in the CD version.  It leads me to believe the last line does not include the f word.  However, I still can’t figure out what it is.  So you will notice a change in the last line which does not change the meaning of the line at all.

This is also unique because the song has no acoustic guitar track, so hearing this played back is quite unique to me as well.

I hope you enjoy this latest installment, and I know you’ll be back tomorrow for our favorite day of the week, as Jim dips into his library of original goodies for a great session installment.  I’ll be here to watch it, and I know you will be as well!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Lady Picture Show” (Stone Temple Pilots Cover)

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By Jeff Copperthite:

Good evening to you. I hope you had a great and fulfilling weekend, and that you are starting off your week right by visiting us here at https://guitarbucketlist.com/!

Back to normal here, I bring you another song by Stone Temple Pilots, bringing the total of STP songs we have covered for the sessions to 5. This will be the first cover from STP’s third album “Tiny Music Songs From The Vatican Gift Shop”. We’ve had long song titles before, but not long album titles. I look forward to hearing some even longer titles.

Well anyway, tonight’s session is a single from the album called “Lady Picture Show”. Always a favorite of mine. I always thought this song and album were underrated. The track selection is unique and unlike anything from their library, and produced two of their best singles “Big Bang Baby” and “Trippin’ on a Hole in a Paper Heart” (speaking of long song titles…).

This song translates well as an acoustic cover. My voice was a bit tired from baseball this weekend though (a whole lot of called strike 3’s can be tough on the vocal cords). I also said one wrong word in the final verse. It should be “she hides behind the bedroom door”, but I said “she hides behind the bedroom wall” instead.

I hope you enjoyed “Title Track” week, and if you found our series as a result of our article in the Record Journal today, we welcome you and hope you enjoy our series so much that you come back every day.

Also, as a side note, I crossed 15K views on Friday night, and this video marks my 60th Laptop Session! Don’t worry – there are plenty of acoustic cover videos to come from Chris, Jim, and myself!

Stay tuned for Jim’s latest and greatest session tomorrow. Have a great day!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!