“You and Your Heart” (Jack Johnson Cover)

By Jim Fusco:

Hello everyone and welcome to another new edition of the Laptop Sessions with Jim Fusco!  Glad to be back for my regularly-scheduled Thursday timeslot.  Remember- check back every two weeks for a brand-new video!

I went into a bit of a Jack Johnson phase recently because I ordered his new album, “To the Sea” on vinyl.  I was home cleaning or working one Saturday morning and decided to fire-up the record player.  I instantly liked the album and decided to add it to my car rotation.  However, I still hadn’t listened to Johnson’s previous album, “Sleep Through the Static”, from a couple of years ago.  I even bought it on the first day it came out, but was in another phase at the time (can’t remember what band).  My brother Mike didn’t give “Sleep Through the Static” great reviews, so I thought others should come first.  And there the album sat.  First at the condo, then in my car, and finally in my new house.

So, I listened to “Sleep Through the Static”.  It’s not a bad album.  But, it’s not a great album, either.  I mean, the songs are fine- I really have yet to find a Jack Johnson song I don’t like.  But, and I’m being completely honest here, there’s not too many Jack Johnson songs I truly “LOVE”.  “Sitting, Waiting, Wishing” is probably the closest.  But, all of Johnson’s songs have that same vibe and are semi-simple, for the most part.  Now, if you know anything about my musical tastes, you’ll know that those two traits are things I like in music.  But, on “Sleep Through the Static”, the music is very low-key.  There’s a lot of slow songs and nothing too catchy.

But on “To The Sea”, you start with “You and Your Heart”, which (in my opinion) is the catchiest, most single-worthy song since “Upside Down” off of the Curious George soundtrack.  And since this isn’t a kids’ song, it should get a bit more respect.  Mike doesn’t like the way Johnson sings the verses to “You and Your Heart”, so I hope I did a “better” job with that. 🙂

The song, as I mentioned earlier, is pretty simple to play.  If I had accompaniment, I would’ve played the riff the whole way through, though it’s very difficult to do while singing lead.  I chose to do rhythm guitar for most of the song because it sounds better on a solo performance and helps me keep time better.  It took quite a few takes to get this one right- those fast-paced words during the verses are very tricky.  The first line starts with, “Watch you when you say what you…”  That’s three “you”s in the first seven words of the song!  But, Jack Johnson’s alliteration has always been his strong point, lyrically.

I hope you enjoy tonight’s video.  I’ve got the next three videos planned-out already and they’re sure to please.  A quick note on my musical ambitions: The new website is coming along nicely after a tedious start (coding!) and I’ve started creating a new Facebook page just for me and my music.  Also, please remember to follow me on Twitter @jimfuscomusic!  You’ll get up-to-the-minute news and will always be notified of new videos and blog posts.

I’ll be back sooner if I can get the new website done first, but if not, I’ll see you in two weeks.  For now, enjoy, “You and Your Heart”!

“Scare Easy” by Mudcrutch – Chords, Tabs, and How to Play

“Scare Easy”
Mudcrutch

Am           G          Em         D
My love’s an ocean, you better not cross it
I’ve been the distance and I need some rest
Yeah, I had somebody once, and damn if I lost her
I’ve been running like a man possessed

        C      G          D
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run

        Am                D
I don’t scare easy for no one

Yeah, I’m a loser at the top of my game
I should have known to keep an eye on you
I got a sky that ain’t never the same
Yeah, I got a dream that don’t ever come true

CHORUS

SOLO to verse chords

Sun going down on a canyon wall
I’ve got a soul that ain’t never been blessed
Yeah, I’m a shadow at the back of the hall
Yeah, I got a sin I ain’t never confessed…

CHORUS 

CHORUS

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Alison” (Elvis Costello Cover)

For Elvis Costello chords & lyrics, CLICK HERE!

By Chris Moore:

Good evening and welcome to another week of all-new Laptop Sessions posts!  Today was busy, and although I had a lot of work to do around the condo, I was able to finally relax a bit and begin enjoying being here.  Since tonight marks my first cover song music video since the move, you’ll notice a new backdrop.  It’s a bit plain, since we’re still unpacking boxes and hanging up posters, etc.  In fact, I’m not entirely sure where I want to play my sessions here.  Although I miss having the “wall o’ CD’s” in the background as I did when I lived in the apartment, I do like the light and acoustics of the living room here at the condo.

Still, the visuals should come second to the song at hand.  My session tonight is a cover of Elvis Costello’s “Alison” from his classic 1977 debut album My Aim is True.  As for how I’ve never recorded this song before, I really don’t have an explanation.  This is widely considered Costello’s best known and best loved recording, second only to “(What’s So Funny ‘Bout) Peace, Love, and Understanding?”  There are certainly other Costello songs that are more rocking, more complex, or simply better, but this heartbreaking tune is a wonderful little song.  Although I’ve loved Elvis Costello and the Imposters since Delivery Man, I’ve only recently gotten into his older material (via Live at Hollywood HighCLICK HERE for the full review).  Even still, I’ve always loved “Alison.”

I’ve been thinking recently about why it took me a while to warm to Costello’s material, and my best guess is the way his “best of” is compiled.  The Very Best of Elvis Costello, the quintessential EC greatest hits that was released in April 2001, is a two-disc set with virtually no booklet to speak of.  This, to me, is a cardinal sin — how could one, as an album designer, decide to disconnect a “best of” compilation from the appropriate context?  Instead of liner notes, there is a series of the same photo of Costello colorized in different shades.  And, really, I would have been happy with any type of text: brief notes about each song, an essay about Costello, or even a message/reflection from the man himself.

And what really surprised me years ago when I opened this CD on Christmas morning was that it was a Rhino release.  Anyone who’s ever bought an album release from Rhino knows that they’re typically very generous with booklets and other packaging.  At least, that’s the experience that I’ve had.

Regardless, I picked up Live at Hollywood High, an Elvis Costello and the Attractions concert from 1978, out of curiosity, and I actually felt a little guilty about spending money on it.  After all, the last time I had listened to his early songs, I hadn’t been overly interested.  But it has also been a good number of years since I had heard them.

The concert is fantastic.

I went back last week and listened to all 140 EC songs on my iPod and five-starred the songs I really liked.  In the end, I was left with a 36 song playlist that I’ve been listening to in shuffle mode constantly for days.  (And, since there’s no new music of interest coming out this week, it’ll have to sustain me for another seven days.)  Not surprisingly, several of the live versions of his songs made the playlist over the studio versions.  Typically, I opt for studio recordings, but this was one of those cases where the live versions are sometimes just better — more catchy, passionate, etc.

The studio recording of “Alison” is classic, though.

I’m posting late tonight because I had a faculty meeting today, followed by a trip to a fancy locale known as K-Mart (remember those??) to pick up a dinette set with the help of my parents, and I’ve been building the chairs ever since.  You can’t believe how many nuts, bolts, washers, spring washers, screws, and other little pieces go into the assembly of these things.

It’s been so much work that I might record my session next week at the dining room table just to feel like it was for a purpose…

Seriously though, it’s actually been a lot of fun just building this set while watching season five of The Office.  Of course, it wouldn’t be exciting without an issue.  In this case, I unpacked the pieces to find that the table has a six-inch crack down the center of it.  They’re getting more in on Friday, so I’ll be able to complete the building then, but I just have to wonder…  why did it have to be the BIGGEST piece that’s broken?  Couldn’t it have been something like one of the chair spindles?

Until next week, I want to remind you to stay tuned here all week for some great new posts.  There are more Laptop Sessions to come, as well as music reviews and more.  And the Guest Sessions submissions have been multiplying recently, which I couldn’t be more thrilled about, so once I review those videos, you can look forward to the cream of that particular crop over the next few weeks.

See you next session!

“Essential Question” (Original Music by Indie Songwriter Chris Moore)

By Chris Moore:

Well, it’s the best time of the week. It’s the time when we songwriters — Jim Fusco, Jeff Copperthite, and myself — get to really believe what we boast: that this is the best acoustic cover songs music blog on the web. And we get to do that…

…by not recording an acoustic cover song!

We still record and post a music video of an acoustic song, but it is not a cover. On Original Wednesday, we bring you an original song for your enjoyment that you most likely have never heard before. Today, I bring you a song that I have had kicking around for a few years called “Essential Question.” It never quite made the cut for Love Out of Fashion, either because I hadn’t finished writing it or because I didn’t feel it was up to par. It finally saw the light of day as a track on Weekend Demos… but only on the bonus disc. I don’t really know why it never made the cut, even on a demos album. Overall, I’ve always felt that the song was a bit simplistic, particularly in the verse and bridge. I do like the chorus a lot, though, and that’s one of the reasons that I wanted to break it out for an original Wednesday.

I have been working on some new songs, and I hope to bring an all-new one to the music blog very soon! For now, just be sure to hurry back for another great, all-new acoustic cover song (business as usual!) by Jeff tomorrow…

See you next session!