“Box Full of Letters” (Wilco Cover)

By Chris Moore:

Hello and welcome to yet another all-new Laptop Session at your web blog for a session-a-day, guaranteed through December 31st, 2008. Now, that guarantee is swiftly running out, but don’t fret. We’ll be introducing a new schedule of performances for 2009 that will not only introduce many new types of posts to the blog on a regular basis, but also maintain a steady and prolific stream of new cover song music videos!

But, let’s focus on the present for now…

I had originally intended to record a Christmas song tonight, but I got busy with napping, fast food eating, Christmas shopping, and TNA Impact! viewing, so I decided to pull out my one and only “backup video.” If I haven’t already, I should introduce this video by announcing my desire to record a cover video for at least one song from each Wilco album. I’ve been listening to this band a lot these past several months, picking up their albums one by one as I find them on sale or used. I’ve already recorded a song from their third studio album, Summerteeth, called “How to Fight Loneliness” — that video is posted in the members only area of this blog (scroll down to the bottom to sign in and/or sign up!). Previous to that, I recorded “I Am Trying to Break Your Heart” from their critically acclaimed fourth album Yankee Hotel Foxtrot. This was a great song — easy to learn, fun to memorize the lyrics for the performance, and I even got a compliment from a former student who watched the video!

Last week, I picked up a copy of their subsequent album, A Ghost is Born. Ironically, I’m listening to that album now and — literally the moment I typed the title of the album (!) — I just heard Tweedy singing “a ghost is born…,” which is in the lyrics to the song “Theologians.” I don’t think that A Ghost is Born is as impressive an album as Foxtrot or as rocking and enjoyable an album as Summerteeth, but I’m warming to it. There’s a great deal of experimentation, particularly on the 15-minute penultimate track “Less Than You Think.”

But I’m not quite ready to record a song from that album yet, so I went back to the first Wilco album, A.M., which is the final album that I own thus far. This album was more of a straightforward country rock effort, reminiscent of their predecessor Uncle Tupelo. Tweedy himself doesn’t sound all that impressed with the album, but I think it’s actually the most upbeat of the Wilco albums I own. It’s certainly the best album to listen to in the car!

This is my version of the single from the album, titled “Box Full of Letters.” I don’t know what it is about this song — something about the combination of the guitar hooks, lower lead vocal that resonates, and the catchy chorus — but I love it.

And it puts me one step closer to having recorded one song from each album!

When I return next week, I’ll have three sessions for the week — barring unforeseen difficulties, I’ll be bringing you three holiday-themed songs to finish out the season for me (musically, at least).

Thanks for reading and watching, and don’t forget to hurry back tomorrow and the next day for great videos from Jeff and Jim. They’ll be “slapping yourself in the face to make sure you’re not dreaming” good!

See you next session!

“I Am Mine” by Pearl Jam – Chords, Tabs, & How to Play

For the cover song music video, CLICK HERE!

“I Am Mine”
Pearl Jam

Intro:  D – F – C – G (x4)

D…   D          F             C               G
The selfish, they’re all standing in line
Faithing and hoping to buy themselves time.
Me, I figure as each breath goes by,
F       G         D
I only own my mind.

The north is to south what the clock is to time.
There’s east and there’s west and there’s everywhere life.
I know I was born, and I know that I’ll die,
The in between is mine.
F G   D
I am mine…

D          G             Am            D
And the feeling, it gets left behind.
All the innocence lost at one time.
Significant, behind the eyes,
D                    Cadd9
There’s no need to hide…
Cadd9           D
We’re safe tonight.

[D – F – C – G (x2)]

The ocean is full cause everyone’s crying.
The full moon is looking for friends at hightide.
The sorrow grows bigger when the sorrow’s denied.
I only know my mind.
I am mine…

And the feeling, it gets left behind.
All the innocence lost at one time.
Significant, behind the eyes,
There’s no need to hide…
We’re safe tonight.

SOLO:
D – F – C – G (repeat)
D…

And the meaning, it gets left behind.
All the innocence broken with lies.
Significance, between the lines.
(We may need to hide)…

And the meanings that get left behind.
All the innocents lost at one time.
We’re all different behind the eyes…
There’s no need to hide.

Outro:
G – Am – D (x3)
G – Am

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

The Deep Racks Report: “A.M.”

By Chris Moore:

We’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to going deep into the CD racks to bring you brief but focused reports on ALBUMS that have not received as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS:  Chris – “Box Full of Letters”

A.M. by Wilco

This is an album that seems to get universally hated on.  It is Wilco’s first album, released in 1995 following the breakup of the alt.country band Uncle Tupelo.  All of Tupelo’s members except Jay Farrar became Wilco and proceeded to record an album of songs that sound very similar to Tupelo’s work with one significant difference — they sound somewhat more together, less raw than your average Uncle Tupelo tracks.

Reception?  Well, fans and critics alike appear to have agreed that Jay Farrar’s new band, Son Volt, released a superior debut album.  To be fair, I have only heard selected tracks from the Son Volt release and I do understand the inevitability of comparisons between Son Volt and Wilco.  Still, I haven’t been overly impressed with what I’ve heard from Son Volt.  (Please, send your letters and complaints care of Chris at Laptop Sessions!)  Yes, A.M. is a pretty simple rock record.  No, songs like “I Must Be High” and “Passenger Side” aren’t going to win any lyrical accolades with lines like “You’re pissed that you missed the very last kiss” and “You’re gonna make me spill my beer if you don’t learn how to steer,” respectively.  Even Jeff Tweedy expressed disatisfaction with the straightforwardness of the record, and he was among the first to suggest that this was Wilco “treading some water with a perceived audience.”

Okay, but it’s a fun record!  Anyone who is familiar with Wilco’s catalog now knows that, from the second album on, the band became progressively more experimental and interested in making great records.  A.M. is breath of fresh rock’n roll air!  Not until 2007’s Sky Blue Sky would their sound be as compositionally straightforward again, and as much as I love all the albums in between, isn’t the cliche “variety is the spice of life”?  I never skip these tracks when they come up on random and I continue to be drawn in by tracks like the catchy “Box Full of Letters,” the heart-breaking “Should’ve Been in Love,” and the haunting “Dash 7.”  (I’m excited that I finally figured out that “Dash 7” refers to, as Wikipedia states, “The de Havilland Canada DHC-7 [airplane], popularly known as the Dash 7.”)

So, contrary to the press it received, I would highly recommend you pick up a copy of A.M. today.  It’s not their best album, but who cares?  And please, for crying out loud, ignore the genre nonsense altogether — alt.country, country rock, rock’n roll, alternative rock??? — and just enjoy the music!

“I Am Trying To Break Your Heart” (Wilco Cover)

By Chris Moore:

It’s no secret that I’ve been going through a Wilco phase recently.  And, by phase, I mean that I wasn’t really familiar with the band until a couple months ago.  I had read about the band a bit in music magazines, and I had read quotes by band frontman Jeff Tweedy, which I generally found interesting.  So, I finally found a copy of their critically acclaimed Yankee Hotel Foxtrot album and decided to give it a spin.

And instantly loved it.

Ever since, I’ve been listening to alot of other music, but I’ve gone back to Wilco every time.  In the past two months, I’ve gone on an odyssey to discover as much about them as possible.  This has involved reading Wikipedia posts, skimming music magazines, and browsing through numerous CD store racks and used album bins.  In the process, I’ve found affordable copies of Yankee Hotel Foxtrot‘s predecessor, Summerteeth (which is the origin of the song I just added to the members-only section, which you should definitely check out soon!), and their first album, A.M.

Now, it’s not that Wilco is my new favorite band of all-time, by any means.  But there is a certain excitement that accompanies fresh territory, striking out into a land that is unusual and can present unexpected ideas, sounds, etc.  For instance, I learned all about Uncle Tupelo — a band I had heard OF but had never actually HEARD — because Uncle Tupelo, minus one member, became the first incarnation of Wilco.

But, I guess that’s a story for another time.

Suffice it to say that Uncle Tupelo is credited with founding the “alt-country” genre that I didn’t even know existed until recently.  As Tweedy progressed, he became more and more experimental with his music, particularly after the first couple Wilco albums.  He seems like an interesting musical figure to me, as he embodies that rock songwriter ideal; he has made some great music, and from many reports, he can be a bit of a jerk.  For instance, members of Wilco have been essentially summarily dismissed to make way for new musicians with new sounds to bring to the process.  While this may not make for pleasant interpersonal relationships, it has certainly made for some interesting musical variations and evolution in the band.

When I think of this song and this album, Yankee Hotel Foxtrot, in particular, I am reminded, to a degree, of some of the classic albums that have initially been criticized or even rejected by record company executives.  In this case, the hype surrounding the making of the album seems to have only aided and increased its eventual popularity.  Essentially, as Wilco recorded this album, but the powers-that-be needed to make some cuts at the label, so they released the band.  There are several conflicting stories, but the end result is that Wilco got to keep the recordings and rights to the then-new material, going on to another division of Warner Bros. to officially produce and release the album.  This caused a bit of a stir in the record industry at the time — particularly the public perception of the label’s treatment of this fairly longstanding act — and even though I wasn’t nearly as interested in music industry news as I am now, I remember something about this at the time.

The track I chose for tonight is the opening song, “I Am Trying to Break Your Heart.”  For better or worse, my version does not do justice to the studio version, which you should definitely listen to; for that matter, you should definitely listen to the album!  But, when I discovered that Jeff Tweedy does an acoustic version of this song in his acoustic sets, I couldn’t resist.  It’s a great song that sets the tone remarkably well for the album to follow.

I hope you enjoy my version and that you hurry back in the next couple days for Jeff and Jim.

See you next session!