The Best Covers of 2010

By Chris Moore:

For a guy who regularly posts cover song music videos, I am surprisingly unwelcoming as regards the inclusion of cover songs on studio albums.  That being said, there have been some excellent covers this year, and they’ve been handled in manners that I can respect.  For instance, Brian Wilson and Steven Page each released albums entirely composed of covers.  She & Him released their cover of “I Can Hear Music” as the “B-side” to their single, which was an intelligent decision that both allowed us to hear this excellent version yet also to preserve the continuity of Volume Two.  The Black Keys (on their very good album) and Sheryl Crow (on her forgettable album) each decided to include a cover near the end of the track listing, which blended well.  And Johnny Cash is, well… Johnny Cash.  He’s the man, and for the last decade of his career, it became a mark of distinction to have the man record a cover version of your song, artists lining up to present him with tracks for future consideration.

So, here they are: the top five cover songs of 2010.  Check back tomorrow for another list!

BEST COVER SONGS of 2010

1)  “They Can’t Take That Away From Me” – Brian Wilson (Brian Wilson Reimagines Gershwin)

2)  “I Can Hear Music” – She & Him (“In the Sun” single)

3)  “Paranoid Android” – Steven Page (A Singer Must Die)

4)  “Never Gonna Give You Up” – The Black Keys (Brothers)

5)  “Redemption Day” – Johnny Cash (American VI: Ain’t No Grave)

Honorable Mention: “I Want You Back” – Sheryl Crow (100 Miles from Memphis)

“On the Shelf” (Original Wednesday Acoustic Video by Jeff Copperthite)

By Jeff Copperthite:

Wow it seems so long since i’ve done an original Original Wednesday.  I checked my video session catalog (which is nearing 100 by the way) and the last true original song I have brought you (read: a song that I have written) was actually on July 15.  That is OVER TWO MONTHS!  I couldn’t let it go on any longer!

So i’m digging one up for the sessions today.  Finally, not only an original tune, but a PREMIERE, never before seen or heard, Jeff Copperthite original.

All my fans and my sessionmates are familiar with my playing style.  I feel this song is somewhat of a deviation.  The guitar part I play to this song is probably among the more creative ones I have recently conceived.  The lyrics – well, remember I am a happily married guy, but that doesn’t mean someone can’t tell a story that isn’t personal to the writer.  Plus, it fits the “spirit” of the guitar part quite well.

Perhaps this song will make it to the recording studio next year for another album.  I’ve felt the writing itch for a couple months now.  Scott & I are going to be getting together in the near future to do some jamming as well.  Perhaps a new Quilt EP or album is not that far in the future.  And everyone that knows both of us know, that he’ll blow me out of the water on the guitar.

My viewcount has reached 42K, and I have three new requests to work on for my upcoming sessions, but now back to your regularly scheduled “New Bands 2.0” week.  I’ll be back Saturday covering a band that has already made me say “Holy crap why did I pick this band?” – not because they don’t sound good, but because they sound incredible, and covering them will be a tall order.  I’m up to it, however.

And tomorrow, Jim will be back with another new band (feel free to register it under the “Thumpin’ Thursday™” tag Jim), and Chris will be back to satiate our eyes and ears with another new band.

I hope you enjoyed this edition of Original Wednesday!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“7 8 9″ (Barenaked Ladies Cover)

By Chris Moore:

And now for another milestone here at the Laptop Sessions — my first Barenaked Ladies music video! This is a track from their 2008 album Snacktime. The opening track, “7 8 9” was an instant favorite of mine — even though it is children’s music, this is some of the best new music of the year and definitely deserves a listen.  Being the Barenaked Ladies fan I am, I actually bought the book that accompanies this disc.  The book is essentially an enlarged version of what can be found in the CD booklet, but it’s a really great children’s book to have on the shelf.  And illustrated by BnL’s own Kevin Hearn!  As if that wasn’t enough, the “7 8 9” music video is simply excellent, with a hilarious twist ending…  You have to search YouTube videos for it and watch it!

You may wonder why tonight’s written portion of this music blog post is is so brief. Well, that’s because I sat down just before dinner to work on my session and other https://guitarbucketlist.com work. This would have been great until… the ants invaded. One by one, Jim and I found ants throughout the kitchen, basement, and then found them all around the front corner of the yard. Many paper towels were lost in action this evening…

See you next session, hopefully when I’m not so terribly tired!!



“Violet Hill” (A Coldplay Cover)

By Chris Moore:

Hello and welcome to yet another all-new acoustic cover song! Tonight is a special treat for those of you who love to listen to new music. This is “Violet Hill,” a track off of Coldplay’s brand new album Viva La Vida. This album was just released in 2008, and this is the first song from the new album to be featured here on the music blog. As an added treat, this is my very first Coldplay cover — I’ve always avoided this band, not so much because there aren’t any songs that I would like to cover, but because Chris Martin’s vocal range is typically much higher than this particular Chris is comfortable with…

Which leads me to my take on Coldplay’s catalog. I first listened to A Rush of Blood to the Head when one of my co-workers at Staples highly recommended it to me. At the time, I was listening to the Beach Boys’ underrated and (in my opinion) under-appreciated album Carl & the Passions – ‘So Tough. Perhaps it was because I had been listening to one of my favorite albums of all time, but when I began listening to the Coldplay album instead, I must admit I felt let down. This is the band that Rolling Stone magazine and many others have repeatedly termed one of the biggest and best rock bands of all time. Martin was recently referred to as a “Rock God” on the cover of RS. Don’t get me wrong; there were excellent songs, like the hit “Clocks” (that Jeff Copperthite has already covered – click here to listen!) and the title track, among others. However, the album seemed to suffer from an inability to really pick it up and move. So much seems to drag and float, Martin’s vocals only exacerbating the protracted sensation that the repetition of sections and sounds creates.

Years and listens later, my disapproval of Rush of Blood has certainly softened. I would even say I’ve grown to appreciate the album, though I’m still unable to really get into it. Their subsequent release, X&Y, was a different story altogether. Although I can understand why it was criticized for sounding too similar from song to song, I immediately grew fond of X&Y, and it is as a direct result of liking this album that I decided to give this year’s Viva La Vida a chance.

And I’m so glad that I did!

From start to finish, I can’t say enough about this new music from Coldplay. The album is a concept album and the best I can say is that it’s simply done well. The concept isn’t forced; it feels like a complete thought is being expressed. The fade-in and fade-out are the same synthesized section, giving the album a sense of being cyclical, which is interesting given that the main focus is life and death. I wondered if Chris Martin has been influenced by the true innovators of the concept album, the Moody Blues. For songwriters, there’s alot to be learned from albums like To Our Children’s Children’s Children’s, which have yet to be topped, and I doubt that they ever will.

As Sharkboy from TNA wrestling would say, “And that’s the fishin’ line!” (A play on Stone Cold Steve Austin’s “bottom line” catch phrase.) That’s it for me until next time, but don’t miss another quality session from Fusco-Moore Productions’ own Jeff Copperthite tomorrow…

See you next session!