CD Review: Tegan and Sara’s “So Jealous”

RATING:  3 / 5 stars

By Chris Moore:

So Jealous brings to mind the definition of a three star album.

If one star indicates one’s ability to record an album and five stars suggests one’s talent for producing superior, impressive music, then three stars is a rating for a good album. In this case, Tegan and Sara have found a unique sound for themselves and embraced it. It is a good album that I have enjoyed—I am arguably biased in their favor, as my first two listenings took place on a two and a half mile stretch of I-91 during a major traffic jam; they saved me from utter boredom and frustration.

Yes, it is a good album. Does it demonstrate the musical genius of Brian Wilson? Does it compete for poetic excellence with the Wallflowers? Does it draw you in entirely, body and soul, as Jack Johnson’s new album can? The answer to these questions is an honest “no.”

This being said, I have learned that one cannot expect miracles out of every album ever made.

Tegan and Sara’s greatest strength lies in their ability to combine acoustic and electric elements. The first track demonstrates their very catchy sound as it builds from an acoustic song to an all-out electrified jam. And they sound good together. The combination of their voices is a blend that is pleasing to the ear.

For the most part, the songs are successful—memorable, even. This is not an album with one or two good songs and the remainder a void of throwaways. After all, how can one resist their cries for the subject of one song to “take me anywhere”? Or ignore their quiet, though authoritative pleas for another not to “get so uptight,” then to “Go away!”?

They have chosen to incorporate basic harmonies, which is a good choice for their vocal blend. Even their slower songs have a backbeat that drives them simply—as is the case with their vocals—yet effectively.

The most significant factor in my mediocre rating of this album lies in their one notable flaw—repetition. On several tracks, they tend to take the same chorus, albeit a well-written, catchy chorus, and repeat it too many times. Ending some songs earlier or expanding the lyrics would have significantly improved the flow of the album.

I truly believe that they have it in them to write better songs. Actually, I should say they have it in them to better the songs they have already written. “You Wouldn’t Like Me,” “I Bet It Stung,” “I Won’t Be Left,” “Walking With A Ghost,” and “Fix You Up” are strong tracks and very good songs. They are performed in a heartfelt manner by two talented young songwriters who are perhaps a couple of the world’s last, best hopes for successful women artists in the music industry. They write their own songs, play their own instruments, are entirely clothed in all their pictures, and criticisms aside, have produced a thoroughly enjoyable album.

7/2005

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“I Can’t Tell You Why” (The Eagles Cover)

By Jeff Copperthite:

Good afternoon to you! Thank you for checking out today’s Laptop Session. I really am looking forward to your watching this session, as it is my third Eagles acoustic cover video. Today I bring you the awesome ballad “I Can’t Tell You Why” from their album “The Long Run”.

This song is among the few that are sung by bassist Timothy Schmit. His voice is very sweet and appropriate for this song. I feel I did a great job emulating his singing style, and I hope you agree. The guitar part I play is an adaptation of the synthesizer that is constant in the song.

Also, if you are wondering why i’m dressed up, it is because I went to a wedding today (and am going to a reception in a little while). I want to take this opportunity to congratulate Lisa & Tom Kapitan on their wedding today.

Thank you again for checking out today’s session. Your weekend has just started. Until then…

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

More Laptop Sessions covers

CD Review: Brian Wilson’s “SMiLE”

RATING:  5 / 5 stars

By Chris Moore:

SMiLE has arrived!

This was the general battle cry that my closest friends and I sounded after we heard official reports of the scheduled 2004 release of an album that had originally been conceived nearly four decades earlier. Billed as “the abandoned follow-up to the Beach Boys’ classic Pet Sounds,” SMiLE was indeed released in 2004, accompanied by a tour that left nothing to be desired. Short of going back in time and releasing a SMiLE that would have been fronted by Carl and Dennis Wilson and would have gone up against the Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, Brian Wilson could do little more to truly do this album—his album—justice.

To critique the songs or to analyze them at any length would be, for me (the amateur critic), an exercise in misconceived self-importance. This is an album that has been elected Album of the Year by Rolling Stone, The New York Times, The Wall Street Journal, Entertainment Weekly, and USA Today. According to one advertisement, “…it has been declared a ‘masterpiece’ by Newsweek, and ‘a serious contender for the greatest album ever made’ by London’s The Independent.” Widespread acceptance and acclamation of this caliber must be taken seriously and, to an extent, must be questioned. Can one album be so wonderful as to deserve such accolades? Can the fact that SMiLE holds a historical importance have colored the reviews that it is receiving? I hesitate to heap additional praises on the album for this reason, as well as the fact that I have little to add that has not already been said.

This being said, I must heap additional—yet not undue—praises upon this album and the tour that accompanied it. I attended the SMiLE concert at Carnegie Hall and again when it came to my hometown of Wallingford, at the Oakdale (reluctantly I now say, Chevrolet) Theater. Additionally, I watched the DVD release that was filmed during a concert in Los Angeles. This is a body of work that I am well familiar with. This is the Brian Wilson who earned his fame leading the Beach Boys during their surfer music days. This is the Brian Wilson who paved the way for songwriters everywhere with the conception and creation of Pet Sounds. And this is the Brian Wilson who continued to create music, ranging from mediocre to incredible, both for better (think: Imagination) and for worse, remaining in relative anonymity for all these years. This is indeed the Brian Wilson who deserves all the credit in the world for reaching back into an “abandoned” project, pushing aside personal demons—both figurative and literal, and injecting new energy into what is essentially a forty-year old concept.

This is the most and the best I can say for SMiLE: it is not a wanna-be Beach Boys album. It is not a simple re-recording of demos and snippets that fans have been listening to for decades. This is an album that stands on its own, interweaving the old and the new, bringing the old voices—Van Dyke Parks’ pen and Brian Wilson’s mouth—together with the new voices—Darian Sahanaja and Nick Walusko of the Wondermints and eight other talented musicians and singers, not to mention the eight-piece Stockholm Strings ‘n’ Horns section that followed him on tour.

The album is a three-part composition. The songs range from light-hearted and even silly (think: “Vega-Tables”) to poetic (think: “Surf’s Up”) to vocally brilliant (think: “Our Prayer”) and sometimes all in the same track (think: “In Blue Hawaii”). I was particularly impressed by the manner in which Wilson utilized the Beach Boys hits “Heroes and Villains” and “Good Vibrations” as book ends for this album.

You’ll laugh. You’ll cry. And you might even smile.

11/2005

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“Living Well is the Best Revenge” (R.E.M. Cover)

By Chris Moore:

Hello and welcome to an all-new weekend edition of the Laptop Sessions acoustic cover song video blog! We’ve been doing a lot of work on the site recently, in terms of adding new features and new material to the Laptop Sessions site as well as promoting it so that we will bring in new fans to this great venture.

And now, without further ado, on to the Laptop Session of the day! I am pleased to bring you the album starter from this year’s R.E.M. release, Accelerate, “Living Well is the Best Revenge.” When the album first came out, I was interested in it, but I had my doubts. I do own both volumes of R.E.M.’s greatest hits, but I really only love about half of the tracks — I would have personally preferred a one disc greatest hits, but that’s just me. Suffice it to say that I wasn’t sure how I would feel about an entire album, especially when their last few albums have received mediocre music reviews. Still, I was interested, so I took a shot…

And I’m so glad that I did! The album is one of my favorites from this year. The music is upbeat and rocking, the vocals are strong and the lyrics interesting, and there is really only one song on the album that I’m not crazy about. The packaging of the deluxe edition (which, yes, I bought — I’m a sucker for attractive CD packaging…) is impressive. There is a booklet tied together loosely with string and a subtitle on the front cover that reads “This will fall apart.” And I don’t doubt that it would if I pulled on the pages too hard…

This song, “Living Well is the Best Revenge” is a great album starter. The verse is really only one chord, so I hope I’ve done it justice. Without the fullness of the other instruments, it just doesn’t sound the same, but you need to watch one other YouTube video after mine — the official R.E.M. music video for the song. They recorded it while driving in a car — the drummer, who is driving, is literally using the steering wheel for the percussion in the song. It’s a great idea that I wish my band MoU had thought of before, as we have been known to rehearse for gigs in the back of our bassist’s van!

That’s all from me for now; check out the Laptop Sessions archive for more amazing video blog entries from Jeff…

See you next session!



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