“All For You” by Sister Hazel – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“All For You”
Sister Hazel

(Capo 1st fret)

Am        D
Finally I figured out,
But it took a long, long time.
But now there’s a turnabout,
Maybe ’cause I’m trying.

Em                 Am
There’s been times, I’m so confused.
All my roads, they lead to you.
Em            Am                   D
I just can’t turn and walk away…

G               C(add 9)    Am  D        G
It’s hard to say what it is I   see in you,
Wonder if I’ll always be with you.
But words can’t say, and I can’t do
G  C(add 9)   Am           D      G        C(add9) – D – G
Enough to     prove, it’s all for you.

I thought I’d seen it all,
‘Cause it’s been a long, long time.
But then we’ll trip and fall,
Wondering if I’m blind.

There’s been times, I’m so confused.
All my roads, they lead to you.
I just can’t turn and walk away…

It’s hard to say what it is I see in you,
Wonder if I’ll always be with you.
But words can’t say, and I can’t do
Enough to prove, it’s all for you.

MIDDLE:
Am               Em                  Am                     D
Rain comes pouring down, falling from blue skies.
Words without a sound, coming from your eyes…

SOLO:  G  –  C(add 9)  –  Am  –  D  (repeat)

Finally I figured out,
But it took a long, long time.
But now there’s a turnabout,
Maybe ’cause I’m trying.

There’s been times, I’m so confused.
All my roads, they lead to you.
I just can’t turn and walk away…

SING A CAPPELLA:
It’s hard to say what it is I see in you,
Wonder if I’ll always be with you.
But words can’t say, and I can’t do
Enough to prove, it’s all for you.

GUITAR & VOCALS:
It’s hard to say what it is I see in you,
Wonder if I’ll always be with you.
But words can’t say, and I can’t do
Enough to prove, it’s all for you.

G               C(add9)      Am     D
It’s hard to say…
It’s hard to say…
Am  D       G          C(add 9) – D – G
It’s   all for you.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Indecision” by Steven Page – Chords & How to Play

“Indecision”
Steven Page & Stephen Duffy

Riff: G F C D (x4)

Gm C
I’ve always been a creature of habit,
Am D Gm
But another way I’m addicted to you.
I’m predisposed to have it,
Happiest when I don’t know what to do.
I wanna settle down like my father;
I wanna run away like my mother ought to.

G F C D
Be prepared for indecision; it might make me disappear.
Then again, my addiction to indecision keeps me here.

Riff (x4)

I was born between the tracks.
I left home, I turned around and came back.
One day you and I will be intertwined,
If I can only make up my mind.

Be prepared for indecision; it might make me disappear.
Then again, my addiction to indecision keeps me here.

Riff (x2)

Eb F G
Leave decisions up to fate
Eb F D
Nothing comes to those who wait

Come see the view from on top of the fence.
We’ll watch the world unfold its events.
Some days when I am nearly awake,
I can almost hear the decisions I’ll make.

Be prepared for indecision; it might make me disappear.
Then again, my addiction to indecision keeps me here.
Be prepared for indecision; it might make me disappear.
Then again, my addiction to indecision keeps me here.

Riff (x2)

End on G

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s).  They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Cornerstone” by the Arctic Monkeys – Chords, Tabs, & How to Play

“Cornerstone”
Arctic Monkeys

A                                                         D                          Bm
I thought I saw you in The Battleship but it was only a lookalike.
She was nothing but a vision trick under the warning light.
Bm         F#m    A                                     F#m
She was close, close enough to be your ghost,
F#m     A
But my chances turned to toast when I
D                   Bm                        A
asked her if I could call you her name.

I thought I saw you in The Rusty Hook, huddled up in a wicker chair.
I wandered over for a closer look and kissed whoever was sitting there.
She was close and she held me very tightly until I asked awfully politely,
“Please can I call you her name?”

D                           Bm
I elongated my lift home.
F#m                                           D
I let him go the long way round.
Bm                                                        E
I smelt your scent on the seat belt and kept my short cuts to myself.

I thought I saw you in The Parrot’s Beak messing with the smoke alarm.
It was too loud for me to hear her speak and she had a broken arm.
It was close, so close that the walls were wet,
And she wrote it out in Letraset,
D Bm C#m
“No, you can’t call me her name.”

A                                 C#m
Tell me where’s your hiding place?
A                         C#m
I’m worried I’ll forget your face.
F#m
I’ve asked everyone;
Bm                                      E
I’m beginning to think I imagined you all along…

D                           Bm
I elongated my lift home.
F#m                                           D
I let him go the long way round.
Bm                                                        Dm
I smelt your scent on the seat belt and kept my short cuts to myself.

SOLO:  (A      D – Bm) x2
F#m     Bm
D          E

I saw your sister in The Cornerstone on the phone to the middle man.
When I saw that she was on her own I thought she might understand.
She was close, well you couldn’t get much closer;
She said, “I’m really not supposed to,
but yes, you can call me anything you want.”

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

Video Blog: How Songwriter Jim Fusco Records A Song in His Home Studio

By Jim Fusco:

Originally done in four parts, this remastered video (originally recorded in 2007 and remastered in 2020) is about the triumphs and pitfalls of recording a song in my home studio. You’ll see techniques, advice, and most of all, a bunch of bad luck. The song I’m recording is called “Go Back To Him,” written by Jim Fusco and Alberto Distefano.  The song was featured on my album “Halfway There”, available at http://jimfusco.com and on iTunes!  Make sure to stick around for the end of the video and check out the music video for “Go Back To Him”, complete with remastered stereo audio for the first time!  For those who saw the original video, you’ll recall how dark the video looked, as the overhead lighting in my home studio at the time was not conducive to great video quality.  Thankfully, through the magic of Final Cut Pro X, I’m able to breathe new life into this documentary, which captures what it was like to record a song at 4am (which was easily done at 23 years of age…).