“For What It’s Worth” (Buffalo Springfield Cover)

By Chris Moore:

Hello and welcome to yet another all-new cover of an all-new band to the blog!  Straight from the treasure trove of genre-crossing singles and album tracks that is Dana Camp’s iTunes library, this is Buffalo Springfield’s early hit “For What It’s Worth.”  This is one of those songs with a title that is not used at any point during the lyrics, so my initial response to the title was, “How does that one go?”

Of course, from the first strum of the first verse, I instantly recognized this hit sixties protest song.

I’ve always loved this song, and I loved it all the more this afternoon as I realized it was right in my vocal comfort zone!  Still, as fun as it was to learn and play it, I do wish there had been some way to include that awesome reverberating lead guitar and solo.  I guess you’ll just have to imagine it as you listen…

About a week ago in one of my posts, I started out by saying it would be a short one.  Then, I proceeded to write one of my lengthier posts.  This time, however, I’m going to cut my writing short, as I’m fading fast and need my sleep on this final night of the weekend.  I spent the last forty-five minutes or so helping Jim with the new cover songs branch of the Laptop Sessions music blog series.  He put me in charge of finding good photos for each band/songwriter to use for the new site.  Probably the most fun so far has been searching for the best Britney Spears photo — and, yes, we DO have a Britney Spears category!  Meanwhile, Jim was doing the hard work (i.e. making the site run, run properly, and look good while doing it!).

And, on a final note, this is my final in a series of political songs.  I like these unnofficial themes I’ve been doing, first with three female lead songs in a row, now with three political songs in a row.  I’d probably find another one to record, but my next session will land on a by-now-infamous Original Wednesday!

With that, I’m closing my laptop and closing my eyes to the sounds of R.E.M.  What better band to encourage a healthy sleep cycle?…  Get it?…  Okay, that was bad, and I apologize.  At least you’ll be safe for at least a couple days, as I’d challenge Jeff and Jim to make a pun worse than the aforementioned REM cycle one…

See you next session!

More Laptop Sessions covers

“Letters From the Wasteland” (Wallflowers Cover)

By Chris Moore:

Hello and welcome to yet another all-new acoustic rock cover song from the best cover music video blog on the Internet!  Although last week was fun for me — I played covers from the Counting Crows and Jimi Hendrix, which were both a lot of fun to learn and play — but this week promises to be even better.  Not only is it my turn for an Original Wednesday (when we songwriters here at the music blog break out one of our original songs), but I’m starting out the week with a song from one of my all-time favorite bands, the Wallflowers.

Which brings me to today’s video.  This is “Letters From the Wasteland” from the Wallflowers’ Breach album, which was released in 2000.  I was actually listening to my iPod on random earlier today when this song came up.  I couldn’t believe that I hadn’t already done a session of it, and I figured that Jeff might take it if I didn’t jump on it soon.  In fact, Jeff is another reason I chose to record the song.  He just recently recorded “Some Flowers Bloom Dead,” another great song from Breach.  I love that song, too, but I’ve always been taken by “Letters.”  There’s something really dark and powerful about it, and I absolutely love the drum beat and the guitar sounds.

Interestingly enough, at least for an English teacher like myself, is that the title of this song is reminiscent of T.S. Eliot’s famous poem, “The Waste Land.”  I always wondered if Jakob Dylan intended any sort of reference, but there is a key clue that makes me believe he didn’t.  Namely, the Eliot poem spells it as two words — Waste Land — whereas the Wallflowers song spells it as one — Wasteland.  This may seem like a minor detail, but you’d think that Dylan, being as careful about his wording and his songwriting as he says he is, would have picked up on such a detail.  It would honestly be one of the questions I would ask him if I ever met him…

That being said about the background information regarding the actual song, I have to say a bit about my night surrounding this music video.  What a night!  First, I’ve been hit with allergies pretty bad the past couple days, and even though I started taking allergy medication again, it hasn’t quite kicked in.  Thus, my voice wasn’t exactly angelic to begin with tonight.  Then, I kept recording takes of the song that I wasn’t really thrilled with, so by my tenth take or so (including brief false starts) I was dragging.  My throat was pretty sore.  After taking a break to watch the Mets a bit, I went back downstairs and ten or so minutes later, I had a take that I was pretty happy with.  So, I went upstairs from the studio to render my video and post it…

…only to find that the last ten seconds of the recording were all audio static!!

This was devastating to me at the time and some words and phrases slipped out that I shouldn’t repeat on a family-friendly blog.  (Well, as a quick tangent, a family friendly blog directory actually removed us from their listing a few months ago, so maybe we’ve crossed the line already…)  But, anyway, Jim swooped in and, being the computer deity that he is, spliced and salvaged my take by using footage from previous takes.  Amazing.  Even though I now owe him lunch or dinner or a drink or really any sort of food/beverage outing that he chooses, it was well worth it!  I didn’t mentally or physically have it in me to either record yet another take or to settle for a previous one.

And this brings us to the actual video.  I hope you enjoy “Letters From the Wasteland” — more Wallflowers covers from our resident expert Jeff Copperthite are in the archive.

See you next session!

More Laptop Sessions covers

Goo Goo Dolls’ “Hold Me Up” (1990) – Yes, No, or Maybe So

Goo Goo Dolls’ Hold Me Up (1990) – MAYBE

Hold Me Up (Goo Goo Dolls, 1990)

Hold Me Up (Goo Goo Dolls, 1990)

(October 16, 1990)

Review:

The epitome of a three star album: not a masterpiece, but a solid collection of raw yet concise, grungy rock tracks that are energetic and enjoyable — Takac and Rzeznik splitting lead vocal duties and even sharing a duet is a dynamic arrangement.

Top Two Tracks:

“Two Days in February” & “Laughing”

More from the Weekend Review

“Moment” by Chris Moore – Chords, Tabs, & How to Play

“Moment”
Chris Moore

F
They say you’re coming around to this cold New England town.
Well, that don’t mean much to them, but that sure means a lot to me.
G
You’ve seen many parts of the world, reporting on the Vietnamese.
All I want to see today is you in your red and green Christmas fleece.

G
Strange things have happened to me on these snowy Christmas eves…

They say you’re coming around, but they don’t say anything else.
Don’t leave me here in the dark; please lead me out in the cold.
Let me know that you’re coming for sure. (I’d wait forever for her.)
By now, you know that you’re the type of a girl who rocks the world
of a guy in a rural town.

Strange things are happening to me on this snowy Christmas eve…

E                                       D
You don’t need a blanket, and you don’t need a bed.
E                                                                     G
If all you’ve got’s my shoulder, baby, you can rest your head.

G                                        C
Remember last Christmas, building the tree,
G                                       C7
Lying under the branches, just you and me?
We were talking about Jesus, defining the Holy Ghost,
Wondering where our senses of humor went when we needed them most.

You don’t need a blanket, and you don’t need a bed.
If all you’ve got’s my shoulder, baby, you can rest your head.

I attended a Thursday mass in the center of town.
Looking out for your big, bright cathedral eyes.
I was always the one who tries, and you were the one.
And I in my sport coat, and you in your dress — we knew it was best…

INSTRUMENTAL (over G – C – G – C7)

G
Hay was all they had in the manger,

E
Hay was all that Mary had.
But that didn’t matter none to Mary ’cause

C
Mary had Joseph to share each and every

Cmin
Moment…

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