“On Christmas Day” by Jim Fusco – FREE mp3 Download! – Day 10 of 14

By Jim Fusco:

Welcome to Day 10 of Jim Fusco’s 14 Days of Rock’n’Roll Christmas!  I can finally breathe a sigh of relief, as I’ve officially finished the album.  And only four days ahead of time!  I had to re-record some parts and mix down the last couple of songs, but I’m finally done.  Now, I can give my friends and family high quality versions on CD so they can import into their iTunes libraries.

Tonight’s song is another you probably haven’t heard of (don’t worry- this is the last one!), but it’s a really great song.  It’s called “On Christmas Day” and is written by Brian Wilson.  he recorded it and included it as a bonus track on his Christmas album from the mid-2000’s.  I love the video of the band making this song- it’s so cool seeing it come together in the studio.

An interesting thing to me is that this song really was done back in the 70’s and was called “Bells of Paris”.  Of course, the tune was slightly different, but it’s really the same song.  I’d be interested to find out what came first- Brian’s Christmas lyrics or the ones about Paris.  I know the Beach Boys had a failed Christmas album in the mid-70s and there’s actually a version called “Bells of Christmas” that replaces the lyrics with holiday-themed ones.  But, the version Brian re-tooled that eventually became “On Christmas Day” is by far my favorite and that’s why I had to make my own version!

I hope you like the song as much as I do.  Come back tomorrow (for a song you’ve heard of!) for Day 11 as we roll-on!

Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review

By Chris Moore:

Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre.  More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.

Still, not every nostalgia-inducing feature is practiced or purposeful.  For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.

Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.

Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970’s Self Portrait, the runner up being 1992’s Good As I Been To You, clocking in at thirteen tracks.  Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.

Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so.  Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past.  2001’s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.

In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.

Bob Dylan's "Christmas in the Heart" (2009)

Bob Dylan's "Christmas in the Heart" (2009)

I will admit that, upon a first listen, I was unimpressed.  Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.

“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone.  In this song, his vocals are stretched and utilized to heartfelt effect.

As I listened a second and third time, the subtlety of these tracks began to set in.  The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.

Is there a better description for a Christmas album?

What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people.  Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.

Dylan, known for turning around and surprising even his most loyal fanbase, has done it again.  It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career.  Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.

If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…

For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit.  It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.

All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.

“Christmas Cards” (Original Christmas Song by Chris Moore) – The Laptop Sessions

Okay, it’s time for me to contribute to “Original Wednesday.” And for my first selection…

This is one of my original Christmas songs. I know it’s a bit sad for a Christmas song, but it was a clear and simple portrait of how I felt at the time that I wrote it. And it still takes me back. (I suppose the question is, why would I want to?…)



“Christmas Vacation” by Jim Fusco – FREE mp3 Download – Day 2 of 14

By Jim Fusco:

Welcome to Day 2 of Jim Fusco’s Rock’n’Roll Christmas!  I think you’ll all agree that getting a brand-new recording of a Christmas song you can download for FREE is MUCH better than getting a couple of turtle doves.  I mean, what do you even feed those things??

Today’s song is a unique one- it’s a cover of Mavis Staples’ “Christmas Vacation” that she recorded for the movie, “Christmas Vacation”, one of the absolute classics.  In fact, we just had our yearly watching of this movie the other night with our friends Bob and Sue.  Of course I have the high-definition Blu-Ray version.  I just had to see Clark Griswold fall off that ladder in glorious HD!

I actually noticed that Mavis Staples sings a different final verse in the version that begins the movie.  I chose to go with the version from the soundtrack, which is the one I’ve been listening to for about ten years now.  Over at WCJM Free Internet Radio, we actually named our final Christmas show after the movie and featured this song!

I hope you enjoy tonight’s song.  I think I did a pretty good job of recreating the sound without going too late-80s (like the original).  This was a fun one to do and really stretched out my vocal chords.  And you KNOW I did it in the original key. 🙂  Take care, everyone, and come back tomorrow for Day 3!