“Hang On To Yourself” by David Bowie – Chords, Tabs, and How to Play

“Hang On To Yourself”
(David Bowie)

F#m
Well, she’s a tongue twisting storm,
A
Come to the show tonight,
Bm
Praying to the light machine.

She wants my honey not my money;
She’s a funky thigh collector,
Laying on electric dreams.

CHORUS:
C                     D                        C                                  D
So, come on, come on… We’ve really got a good thing going.
C                                D                          C
Well, come on.  Well, come on — if you think we’re gonna make it,
A                                                D – C – D – C
You better hang on to yourself…

We can’t dance; we don’t talk much.  We just ball and play.
But then we move like tigers on Vaseline.

Well, the bitter comes out better on a stolen guitar.
You’re the blessed; we’re the spiders from Mars.

CHORUS

SOLO (over A – D – A – D)

CHORUS (repeat)

A                     D
Come on, come on…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Three Ways” (Wallflowers Cover)

For chords & lyrics, click HERE!

By Chris Moore:

For those wondering how long it’s been since I last recorded a bona fide “Laptop Session,” please refer to my YouTube page, and check the length of my hair.

(This has long been one of my favorite aspects of the LS blog, as I can skim through the stills of my cover song music videos posted over the span of months and years and watch my hair grow out, out, out, then get cut, and continue to grow…  Well, you get the idea.)

That being said, I decided several months ago that I would only post a cover song again when the time felt right.  I’ve been keeping quite active reviewing albums for the Weekend Review and “Yes, No, or Maybe So” segments that are regularly published here at the site.  However, I haven’t recorded an official cover song session since April 11th.

It’s now July 6th.

I spent the morning and afternoon this past Saturday driving around the state with a dear friend, windows down with selections from our favorite albums blasting at full volume.  All the time, we were singing along and pointing out our favorite sections and solos, etc. in the various songs.  Of course, the first album we chose was one with the following line:  “I feel fine with the sun in my eyes, the wind in my hair…”

I’m referring to my pick for number one album of the decade and my personal favorite: the Wallflowers’ Red Letter Days.

This is one of those records that incessantly hits you with great songs, track after track.  After the rock/pop/alternative rock attack of the first four tracks, the fifth track slows down a notch, but is equally as catchy as the songs that have come before.  I’m referring to “Three Ways,” a beautiful little song that I’m featuring here this morning on the blog.

When I heard it again in my friend Mike’s car, I spent part of the duration thinking how much I would like to learn it on acoustic guitar.  And that feeling didn’t dissipate days later.  Thus, I took a break from reading Lewis Carroll’s Through the Looking-Glass yesterday to figure out the chords to “Three Ways.”  I found chords online, but not surprisingly, they were significantly flawed.  This cemented my desire to complete a full session, posting chords and lyrics for others to access that are accurate to the song. For the chords, I spent quite a while playing to the song and experimenting with different options until I pieced together the core components of the song.  As for the lyrics, I went to the CD booklet — one of the reasons I love having physical copies of my music — and copied them from there.  (In fact, if you enjoy this song at all, I would strongly encourage you to check out this album, either as a download from iTunes or some other service, but PREFERABLY as a physical CD.  I’m telling you: this is not only one of the best albums of all time, but it has excellent packaging as well!)

After a few takes, I recorded one that I was happy with, which is the one you’ll see tonight.  So, without further ado, I’ll leave you to the actual recording.  Enjoy…

See you next session!

“Bathtub Gin” (Phish Cover)

By Jeremy Hammond:

I recently had to take my acoustic/electric into the shop to get it looked at, since the “electric” half of it wasn’t working, and a Made in the U.S.A. Fender Strat was hanging on the wall.  I couldn’t resist.  I took it home (yes, I paid for it first).  It feels great and has great tone and sustain, even out of my tiny little amp.  So here’s “Bathtub Gin” by Phish.  I laid down the rhythm and vocals first (single take), and then laid the solo over that track.  This is a fun tune and I love the solo melody, particularly when played on my new ax.

** EDITOR’S NOTE: **

Our favorite perennial format bending, Phish-covering Guest Sessions contributor is back, and this time, he’s brought a new guitar purchase to his cover song music video.  We hope that your Friday may be a little brighter for this great, groovy rendition of a Phish deep track, originally recorded for their 1990 album Lawn Boy.

“High Water” (Bob Dylan Cover)

By Chris Moore:

Trivia: Yes, the title is actually “High Water (For Charley Patton)” — but, that’s just too long for YouTube’s liking. Isn’t that just like Bob Dylan? Always breaking the rules…

Hello and welcome to Monday’s installment of the Laptop Sessions! Today, I bring you a song off of Dylan’s 2001 Love and Theft album. At first, it was one of my least favorite on the album, but the more I listened to it, the more I really got into its dark sound and interesting lyrics. I actually decided to record this one today because my voice is almost entirely shot (and I figured, hey, what better time to play a contemporary Dylan tune?). I recorded about five takes of this song, and four of the outtakes were due to coughing. Because I couldn’t really sing all that loud, I dropped the pick and moved closer to the microphone — I’m glad I did, since it seems to work for this song.

I’d like to say again how much fun it was to play some of MoU’s new songs live at the SCSU Talent Show at the Lyman Center last Wednesday. I really encourage you to do one of the following:

1 ) Watch the live videos on YouTube at http://www.youtube.com/user/jimfusco.com/albums.html ,

2) Hear the recorded versions in full off the brand-new Homestead’s Revenge album at http://jimfusco.com/albums.html ,
or, if you like the songs,

3) Buy the album!

Okay, that’s enough shameless plugging for today… 🙂 Thanks again to all who have been watching my videos — it’s really exciting to keep seeing my total view count rising. It makes this project all the more fun!

See you next session!