The Weekend Review: March 2012 Report

Wrecking Ball (Bruce Springsteen)

Producer: Ron Aniello & Bruce Springsteen

Released: March 5, 2012

Rating:  2 / 5 stars

Top Two Tracks: “We Take Care of Our Own” & “This Depression”

Diverging from the string of excellent albums Springsteen has been releasing steadily since his return from a seven year hiatus (with 2002’s The Rising), Wrecking Ball comes across as a bunt where his past several albums have felt more like full-force swings aimed at the fences.  It’s not so much that this is a bad album: it is, just as disappointingly, a mediocre album.  Most songs fall into one beat from the opening bars on, often establishing a chorus line that becomes the repetitive chant throughout.  There are standouts, such as the album opener “We Take Care of Our Own” and “This Depression.”  And, of course, the tone and textures of Springsteen’s Americana sound are impressively rendered, incorporating acoustic and electric elements intermittently, as well as choir-style background singers (see: “Shackled and Drawn” to begin with) and other cultural textures (see: Death to My Hometown, itself perhaps a frown of an update to his 1985 hit “My Hometown,” then the seventh top ten hit off Born in the U.S.A.).  Still, these elements are not enough to lift Wrecking Ball into any real sense of artistic accomplishment, nor does it live up to the rock music energy and promise of the Bruce Springsteen & the E-Street Band performance of “We Take Care of Our Own” at the Grammys earlier this year.

 

 

 

Port of Morrow (The Shins)

Producer: Greg Kurstin & James Mercer

Released: March 20, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Simple Song” & “No Way Down”

Fresh off his 2010 collaboration with Danger Mouse as the indie duo Broken Bells, James Mercer returns with the Shins to deliver an alt pop/rock punch in Port of Morrow.  From the fast-paced opener “Rifle’s Spiral” to the lead single and album standout “Simple Song,” through three more excellent though more understated tracks, to the second standout “No Way Down” (which, unlike “Simple Song,” requires little warm-up to get up to full speed), and up to the subsequent ballad “For A Fool” and then the quirky, sonically unique “Fall of ’82,” finally arriving at the penultimate “40 Mark Strasse,” there isn’t a clunker in the set.  The final track feels, like so many title tracks throughout history, like a bonus track or a tack-on rather than a full member of the record.  The Shins are certainly guilty of finding a sound and falling into it, destined to draw claims of “the Shins are a good song,” and yet when you like the sound – as I certainly do – it’s difficult to criticize the nine tracks of gorgeous, bright, modern alt rock music that await you on Port of Morrow.

“After Midnight” by J.J. Cale – Chords, Tabs, and How to Play

“After Midnight”
J.J. Cale

(Popularly performed by Eric Clapton)

C                        D#                F                    C
After midnight, we’re gonna let it all hang down.
After midnight, we’re gonna chug-a-lug and shout.
C
We gonna stimulate some action,
F
We gonna get some satisfaction,
F                                           G
We gonna find out what it is all about…

After midnight, we’re gonna let it all hang down.
After midnight, we’re gonna shake your tambourine.
After midnight, it’s all gonna be peaches and cream.
We gonna cause talk and suspicion,
We gonna give an exhibition,
We gonna find out what it is all about…

After midnight, we’re gonna let it all hang down…

SOLO (over one full set of chord progression)

After midnight, we gonna let it all hang down.
After midnight, we gonna shake your tambourine.
After midnight, it’s all gonna be peaches and cream.
We gonna cause talk and suspicion,
We gonna give an exhibition,
We gonna find out what it is all about…

After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Run Rudolph Run” (Chuck Berry Christmas Song Cover)

Welcome to your Thumpin Thursday©™ edition of the Laptop Sessions with me, Jim Fusco!

Tonight, Chris and I bring you another acoustic-electric tune in Chuck Berry’s classic Christmas hit, “Run Rudolph Run”.  And NO, that’s not “Run Run Rudolph” as many people (including me up to a couple years ago) think.  I’m not sure why Berry titled it the way he did, but if that’s the way it is, you know the Laptop Sessions will stay true to the original.

I like this performance a lot because it gave me a chance to do a guitar solo, which I rarely get to do on these music videos.  And this is a pretty rockin’ solo, too.  It’s always so much fun to play it.  But, to be honest, I’m actually not that huge of a fan of Chuck Berry’s version.  I mean, I love the song, but his version is just so subdued.  It sounds like a song that he just farted out in like two takes, then said, “It’s good.  It’s like playing rock’n’roll into my eighties good,” and then left the studio.

I love his guitar playing style, though.  It always sounds so effortless.  I even have a Chuck Berry influenced guitar, but a string was broken and I was too lazy to play it.  You can search for Masters of the Universe’s live version of this song to see me playing my Chuck Berry guitar!

Actually, I kind of have this “thing” against Chuck Berry for no good reason.  One time, a long time ago, my mother went to Chuck Berry concert.  They waited for HOURS for him to arrive, as he was late for one reason or another.  Well, he came out, played like two songs, and left.  She never forgave him.

I can’t believe it’s another Original Wednesday week for me starting on Sunday, which is when you’ll see me next.  After I’m done with some other freelance work I’ve been doing, I’ll be able to devote a bit more time to promoting the Laptop Sessions and our new site, Cover-Songs.com, in hopes of increasing our site views by 50% by February.  You know what would help the most?  WORD OF MOUTH!  So, tell your friends, blog about us, put a link on MySpace- DO ANYTHING and help us get the word out!  The more excited we are, the more we’ll do for the site.  And the more views we get, the more excited we are.  So, I hope everyone will chip in and tell a friend about the Laptop Sessions.

Have a great night and we’ll all be looking forward to the weekend…not to mention great videos from Chris and Jeff.  It’ll be “like having two weekend nights off before your next cover song music video” good!

“Let It Ride” (Bachman-Turner Overdrive BTO Cover)

By Jim Fusco:

Welcome to yet another edition of The Laptop Sessions with, you guessed it, another new band to music video series!  Jeff, Chris, and I have really been turning up the heat on the new bands lately- I’ll be featuring another new one on Friday this week.  And I’ll give you a hint- let’s just say that today’s song is the first in my week of songs that start with “Let It”.  Now, remember, I already did “Let It Be” by the Beatles- that was one of my first ever Laptop Sessions cover songs.  So, we’ll wait until Friday to see what I pull out of my bag of tricks!

Today’s cover song is another one of those, “I was obsessed with it in high school”, tracks alongside last week’s “Temptation Eyes”.   I hope to do more songs from BTO in the future, but I have to be careful to transpose them from heavy electric to acoustic.  This one, I thought, was less about the great electric guitar and more about the great vocals.  I decided to up the passion on the vocals to account for using only an acoustic guitar.

We’re really moving along here on the music video blog- I’ve had a bit more (unexpected) time to work on this stuff, and with the efforts of Jeff and (especially) Chris, we’ll be getting hundreds of new viewers every day.  I can feel it- we’re right on the cusp.  I hope the extra work I did today will push us over the edge.  Either way, you can bet that we’ll keep doing great acoustic rock cover songs and continue to surprise you with new bands all the time!