“Passing Friend” (Beach Boys/Culture Club Cover)

For Beach Boys / Culture Club chords & lyrics, CLICK HERE!

By Chris Moore:

The general public’s response to my video tonight will most likely be:

“Culture Club?  Finally!”

Since I’ve been focusing so heavily on more recent music, I decided tonight to go back to one of the best bands of all time, the Beach Boys!  (You might be thinking: “Wait, I thought he said ‘Culture Club,’ and you’d be right.  Be patient; all will become clear soon…)  For the past week, I’ve been listening back and forth to newer and older music.  In the car, it’s been newer — Wilco and Marcy Playground — and in the house, it’s been older — Beach Boys and George Harrison.  (I’m trying to iron out my George Harrison essentials playlist; I made the first selection of tracks months ago, but the recent release of the Let it Roll CD has inspired me to finally make the next set of cuts necessary to carve out the compilation.)

For tonight’s session, I’ve chosen to cover “Passing Friend,” a track from the Beach Boys’ self-titled release back in 1985.  This song was penned by George O’Dowd — better known as Boy George — and Roy Hay of Culture Club.  (So, I suppose, this technically isn’t a Culture Club song, but it’s as close as we’re going to come on this blog at least for now!)  “Passing Friend” is generally considered to be a disposable track on what is often considered a disposable album in the Beach Boys catalog.

Nonsense!

Okay, so maybe “Passing Friend” is somewhat disposable.  But let’s be very clear here that The Beach Boys (1985) is one of my favorite albums of all time.  I think that I’m one of only two people who would give it that distinction, but it really is an enjoyable, versatile, all-around great album.  “Passing Friend” isn’t one of the strongest songs on the album by any means, but it’s still a solid track.  I was surprised by how easy and fun it was to learn, play, and record an acoustic cover of the over-produced studio version.

The story behind the song is based on members of the then-popular band Culture Club — singer Boy George and guitarist/keyboardist Roy Hay — writing a track for the Beach Boys to record.  It seems that the Beach Boys were experimenting with new ways to regain some semblance of relevance in a musical climate that was drastically different from their 1960’s hey day.  At the time, Culture Club had taken a break after touring England.  Hay was involved in a new band (This Way Up) and Boy George was making the rounds on the club scene.  Although they came together to write this song, Culture Club was destined to disband the following year due to tensions within the band and Boy George’s addiction to drugs.

Thus, we have “Passing Friend,” a deep track if I’ve ever heard one!  I hope you enjoy this stripped down version.  Maybe it will even encourage you to give The Beach Boys (1985) either a shot or a second chance…

To address old business, I had promised in last week’s cover song music video post that I would bring you a double header this week.  Well, today was a tremendously busy day, so I decided to hold off, as I need just a little more time to focus and figure out the chords for the second of the two songs.  I won’t give them away just yet, but suffice it to say that I’m presenting an all-new band to the blog.  They are big time one hit wonders — probably for good reason — and I’ll be recording a video of their hit single, as well as the single from their most recent album.  More on that next Monday…

But this is certainly NOT the last time you’ll be hearing from me this week.  You can look forward to a very special post — one that is very near and dear to me — coming on Wednesday and then another post on either Saturday or Sunday.

I realize this is all very vague, but believe me: these posts promise to be well worth your time clicking back to the best acoustic cover song blog in the universe!  (And we’re modest, too…)  Just think: you’ve got Jim Fusco Tuesday tomorrow (maybe more Beach Boys cover songs?), then I’ll be back on Wednesday, Jeff Copperthite’s “Thumpin’ Thursday,” and at least one more post this weekend.  Don’t miss any of the musical fun!

See you next session!  (Or, in this case, sooner…)

“Yesterday” (Beatles Cover)

By Jeff:

Let us continue our Beatles cover songs streak!

Oddly enough, I read an article today that The Beatles are breaking records (again) from album sales in the past couple of weeks.  So why not continue to post about possibly the best group ever.

So here’s a great classic song from their 1965 album “Help!” called “Yesterday”.  It’s a great ballad about a surprise departure.  Kind of odd that my song from last week was about a surprise arrival.

This song was recorded late at night.  Forgive the brevity of this post.  I’m busy as anything.

And it’s almost the end of September.  Already.

And why aren’t you following me on Twitter 😀  I’ll update more than twice a month of I get more than two followers.  Oh, and that doesn’t include the stupid auto-followers who include their virus loaded web sites on their profile page.  Stay away if you’re one of them.

So enjoy this song and i’ll see you next week for another great video!  Come back Monday for the next installment from the latest Fab x (that x is for how many people Jim will be playing with – substitute at will!)

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Surrender To Me” (McGuinn, Clark, & Hillman Cover)

By Jim Fusco:

Welcome to your Monday, Monday edition of the Laptop Sessions with me, Jim Fusco!

If you take a look at the last few posts, you’ll notice all the work I’ve been doing over the past 24 hours.  I’ve managed to mix, master, and put online three concerts worth of material.  The last one has 35 songs!  Then, I finally posted my photos from our TNA Wrestling show back in May.  Finally, I went through and backed-up literally 100 gb of data that was clogging up my laptop’s harddrive.  I put all of it on DVDs, which meant that I needed to complete everything before I backed it up and deleted it from my hard drive.

This is the first time in about nine months that the coffee table is clear of five spindles of DVDs.

Today, I bring you a song that Chris, Becky, and I have been playing since the beginning.  Back in late high school, I fell in love with the music of Roger McGuinn, Gene Clark, and Chris Hillman.  I mean, I was already a fan of the Byrds, but we had recentely gotten this album called “McGuinn, Clark, and Hillman”.  It was recorded in the mid-seventies, long after the original Byrds broke up and reformed.

A few tracks on this album, including the first track (which Jeff did as a Laptop Session- Click HERE to view it!) meant a lot to me at the time.  I was with my first girlfriend (and so proud that I had a CD player in the car- my 1990 Camaro) and the way we got together was a little weird.  We kinda had a thing going a year or so earlier, but then something happened to make us not talk for a long time.  I’m being vague not because I want to be, but because I honestly don’t remember.  That’s why I wrote in a journal every single day, I guess.  I’ll have to go back and read up on it.  Anyway, when we finally made it happen, I just thought the song “Long Long Time” was perfect for it.  I hope you’ll listen closely to the words in Jeff’s version and you’ll see what I mean.

“Surrender To Me” is a great song for a couple of reasons- mostly because of McGuinn’s incredible guitar work.  I actually based our live version half on the album version and half on the acoustic demo with Hillman and McGuinn.  Having Chris there to play the rhythm guitar (back when we first started playing live, he had a ton of trouble doing harmony parts while playing), Becky singing with me, and me playing a guitar solo I could actually handle, this was a prime choice.  I just wish more people had heard of it.  But, that’s okay- most people probably think it’s an original, which is major points for me!

Actually, this song is a cover itself.  Neither McGuinn, Clark, or Hillman wrote this tune.  But I still think it’s a great one and a standout track on the album.  Coming up on my next Session starts my suite of videos recorded in the great outdoors.  These videos are part of what the Laptop Sessions is all about, coupled with those Jeff did while on vacation- they’re LAPTOP Sessions!  We can record them anywhere and bring them to you from whereever you may be.  Enjoy today’s Session and make sure to come back tomorrow for Chris’ video, Wednesday for Jeff’s Original Wednesday (which I hope he comes through and plays us his new song), and to download all the new concerts!



“Development of a writer” – A retrospective by Jeff Copperthite (Part 3/4)

By Jeff Copperthite:

In my last installment of this miniseries of articles, I gave some insight into my love of video game music, and some of the things that genre has caused me to do.  For the final part, i’d like to bring it back to original composition work, live music, and help bring it full circle.

In the first part, I mentioned that I took part in many musical endeavors in high school.  Nearly every band or music ensemble that existed, I took part in.  I sang in choir, played trombone in the concert band, double bass in the orchestra, electric bass and trombone in the jazz band, and whatever else needed playing for musical productions, talent shows, and even some Senior Court jam sessions w/ Scott.  I taught myself how to play all the instruments I play with the exception of Trombone.

In 1997 I joined a band that was fronted by a guy named Dave.  I was only part of the band for a few months because my work schedule conflicted with when they wanted to practice and write.  It was a mutual parting and I held no animosity to them, nor they to me.  We did get a couple of live shows in those 3 months, and they were fun to jam with.

I didn’t really play with any bands again until senior year, when Scott asked me to play bass at the talent show (I forgot the name of it, but the idea was for students to display various arts on the stage, be it music, dance, or the like) with another friend of ours named Brian.  The three of us were going to play Dave Matthews Band covers in our act.  We learned about 7 songs (could’ve been more or less) and our performance was actually played towards the end.  I also played bass w/ Brian on drums for one of our other mutual friends’ Lindsay to do her rendition of the song “Fever”.  Funny thing is I still know how to play all these songs on the bass.

Our show was liked by the school that we were asked to play at the school’s other talent event called “EATA” (Evening At The Arts).  Our year was the kickoff for this show and again, it was meant to be a display for all the talents of the students at our school.  Except this time, there were events going on at multiple locations.  I myself loved the idea and the three of us jumped at the opportunity.  Scott & I played the open-mic as a bass/guitar duo, and it was easy to do because for the few weeks coming up to the show, we sat in the senior court playing tunes from the show (we had expanded to other covers as well, such as “With A Little Help From My Friends”).  I think we even collected a few bucks.

That show was awesome.  Somewhere i’ve got a picture of us playing at that show.

Not long afterwards, Scott asked me to contribute some recordings to some original songs he had written for an English Project.  The three songs we recorded would become known as our first EP, which was simply called “English Project”.  How appropriate.  The songs that we recorded were patched together rather quickly because he had recorded the guitar part by himself, so I had to put drums and bass on top of that.  Although for a rookie effort, it worked out nicely.

Around this time I also helped Jim put together some MIDI productions that he used for a project (which class?) on MacBeth, putting some songs to varying points of that play.  It was fun to lend my growing instrument collection (which at that point included the Yamaha PSR 320 I had done MIDI on previously, and the Roland Electric Drum Set I still own and use).

Scott & I had a great reception from his recordings, and we were encouraged to record them more formally, along with four more songs.  That album would become “First Stitch” by Quilt.

That reminds me, we came into that name because we saw it on a license plate while going to Sam Ash to get my bass and amplifier.  I still have the bass, but the amplifier met it’s demise last year (you’ll have to check the blog from March of last year to read all about that).

Scott & I continued to record songs, and our duo still is active.  We have recorded two additional albums and one EP since “First Stitch”.  The albums are “Patchwork” and “Expressions” (the latter of which featured my writing exclusively), and the EP was called “Blanket of Death” (which i’ve mentioned already contains some of my favorites from Scott’s writing).

Well, I’m going to stop this for the evening, as it is late.  I’ve decided there will be a part four about a month from now.  Too much music history left to write about.  Stay tuned for that, and i’ll be back next week for another regularly scheduled laptop session!