Tag Archives: laptop sessions

“God Rest Ye Merry Gentlemen” (Traditional/Brian Wilson acoustic rock cover)

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For Brian Wilson chords & lyrics, CLICK HERE!

By Chris Moore:

If you have found yourself suffering from a “pernicious case of the Mondays” and need something to turn your week around, then look no further than the best cover song music video blog on the Internet today!

That week, as with all weeks, there was a lot to look forward to.

That night, there was Chris Moore Monday.  The next day, there was Jim Fusco Tuesday.  On Saturday, there were chords to one of the most classic Christmas songs of all time.  And, finally, there was The Weekend Review on Sunday, during which I’d reveal my pick for the #3 best rock album of the decade, 2000-2009.  Thus far, it had been The Barenaked Ladies’ Maroon at #5 and, as of the day before, Elliott Smith’s Figure 8 at #4.

But that’s enough about the future.  For now, let’s live in the moment.

“God Rest Ye Merry Gentlemen” is a traditional song, which basically means that no one knows who wrote the song.  I learned tonight that the song is more accurately referred to as “God rest you merry, gentlemen,” even though it is often incorrectly punctuated as “God rest you, merry gentlemen.”  Of course, as an English teacher, I found this fascinating.  Don’t you?

And, as if that wasn’t enough, Charles Dickens referred to this song in his classic holiday novel, A Christmas Carol.  This is a novel that I loved when I first read it in my Charles Dickens class at CCSU, and I loved it even more when I returned to it a couple years ago.  If I wasn’t so busy this month, I would re-read it for a third time.

Instead, I’m grading, getting car work done, attending real estate meetings, and, of course, decorating for Christmas.  We had a lot of fun pulling out old decorations and buying some new ones to complete the Christmas spirit in the apartment.  Even now, I sit bathed in the multi-colored glow of Christmas lights, and really, there’s no better atmosphere for typing a yuletide post.

I’m very proud of tonight’s session for a couple of reasons.  First of all, I couldn’t find any reliable chords on the web to work from, so I essentially started from scratch.  I used a set of lyrics and chords for the traditional arrangement as a foundation from which to transcribe, but Brian Wilson, true to form, added some twists as well as an instrumental middle section that I figured out on my own.  Being that I’m more of a lyrics guy, I always feel excited when I crack a musical code, no matter how simple or complex it might be.

How long it took me, I won’t mention…  🙂

The other main reason I’m happy with this session is that, for whatever reason, this became one of those songs that I just couldn’t relax for.  For instance, for the life of me, I couldn’t remember which line to sing after the instrumental break.  I kept opting for the blending of the first and third bridges, singing, “To save all those who…”  So, I played more takes than I’m willing to admit here, but in the end, I walked away with a complete session that I’m happy with.  I especially enjoyed being able to play my Bb harmonica, a first for the Laptop Sessions!

“God Rest Ye Merry Gentlemen” is one of those songs that I’ve known forever.  As I mentioned, it’s a traditional Christmas song that anyone who has gone to church has heard.  I never particularly cared for the song — even the Barenaked Ladies and Sarah McLachlan version was one I appreciated but never really loved.

Then, I listened to Brian Wilson’s 2004 Christmas album, What I Really Want for Christmas.  I was immediately drawn to Wilson’s arrangement of this song, and it has become an instant favorite for me these past several years.  The album as a whole has become a favorite of mine, right up there with the Beach Boys’ Christmas album and the Moody Blues’ December.  (And, after five years, another top holiday album has been added in Bob Dylan’s Christmas in the Heart.)

If you’ve heard Brian Wilson’s Christmas album — or even if you haven’t — I strongly recommend you go to YouTube and search “Brian Wilson What I Really Want for Christmas Video Part I.”  I just watched this documentary today, which includes some great behind-the-scenes making-of footage, interviews, and clips from the album.  If you love the album, it will remind you why.  If you haven’t heard the album, it will make you want to.

And, on that note, I hope that my video makes you interested enough to want to hear the Brian Wilson version.

See you next session!

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“Mother” (Pink Floyd Cover) – Jeremy Hammond (Guest Session)

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Do YOU record acoustic cover songs?  Submit your YouTube link and a blog post about your performance, why you chose the song, etc. to the “Fridays: The Guest Sessions” link in the weekly calendar above!

By Jeremy Hammond:

This is my cover of “Mother” by Pink Floyd from the album The Wall. I first recorded the rhythm and vocals, then overlaid another track for the guitar solo.

I had two versions of this up previously. On the first, a commenter suggested I add the solo, so I did. But then watching that second one, and then going back and listening to the original for the first time in ages, I realized I had the timing wrong in two parts. So I redid it yet again. This, my third “Mother” effort for YouTube, is one I am finally happy with.


** EDITOR’S NOTE: **

Jeremy’s session technically breaks the golden rule of “one live take” established since the first Laptop Session over two years ago.  That being said, his version of “Mother” is an excellent performance, and as he explained above, the solo was overdubbed and handled nicely in the video with a fade in and out.  We simply couldn’t deny you the opportunity to hear and see this great version.

Now if only he could clone himself, that would make for quite the duo…

Laptop Sessions contributor Jeff Copperthite first recorded this song in August 2008, and it quickly became one of his most popular and highest rated performances.  Click HERE to watch his version.

Thanks again, Jeremy, for contributing to the Guest Sessions!

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“Holiday” (Bee Gees Cover)

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By Jim Fusco:

Welcome to the first-ever Laptop Sessions acoustic cover song music video in high definition, which I’ve dubbed, “LSHD”.  I’m so excited to be on the cutting-edge of technology and hope that more YouTube viewers will see my cover song music videos because of the enhanced new look.

But, what a project doing this for the first time…  Even on my fast Mac Pro, it still took almost an hour just to render this video, and then the audio and video sync kept going off.  So, it was a project that took WAY more time than anticipated.  I think I have a pretty good system going now, so I hope the future music videos will be a bit easier to produce.

Tonight, I enlisted the help of  my colleague Noreen’s 1967 Gibson 12-string acoustic guitar.  It’s pretty sweet, as you see in the video, but also sounds pretty great, as well.  It’s really easy to play and has a very powerful sound.  As soon as I picked it up a couple weeks ago, “Holiday” from the Bee Gees just popped into my head.  Something about that 12-string sound that just reminded me of this song.  So, I knew I had to have it for this video, and I knew I wanted something special for my first one in HD.

Actually, this is also my first music video from my new house, which I share with my new wife.  Yes, the awesome studio is long gone now, but I’ve got a pretty good setup here in one of our spare bedrooms.  Someday I’ll rebuild the studio, but I don’t think it’ll be in the house.  We’ll see.

“Holiday” is one of those songs I’ve known for all my 25 years.  My father put it on his famous Christmas compilation cassette tape set and we heard it every year.  It took me quite a long time to realize that this wasn’t necessarily a Christmas song, though I do hear it on the oldies stations during this time of year.  I thought it would be a nice way to usher in the “season”.  Actually, there are a lot of songs that aren’t really Christmas songs, but I’ll always consider them to be: “Another Morning” from the Moody Blues (off of Days of Future Passed, which is about “a child’s world”, which my father thought reminded him of Christmas), “Eyes of a Child” by the Moody Blues (off of To Our Children’s Children’s Children, which my father took to mean like the birth of a child, like Jesus), “Christmas” by the Who (which is only loosely based on the holiday of Christmas), and “My Sweet Lord” by George Harrison (which is a song praising God, but says nothing about the holiday).  Again, they’ll always be Christmas songs to me.

I’m glad I got to know this song- it’s a good tune.  The early Bee Gees were really good and I enjoy many of their early hits.  They’re a band that really re-invented themselves in the seventies.  It’s almost like two completely different bands.  Plus, you know I love a group of brothers that write their own songs and sing in harmony, so it’s a perfect fit!

I never really understood the words to this song, but now I know why- it’s because I still had the kid’s understanding of the lyrics that I thought I “learned” when I was little.  I mean, I learned the words maybe 20 years ago, but my vocabulary then was not what it is now.  So, the line, “put the soft pillow on my head” always came out as “but there’s something upon my head”.  No wonder it never made any sense to me.

Anyway, I hope you enjoy my first LSHD video and welcome to the new era of the Laptop Sessions.

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Music Review: The Beatles’ “Please Please Me” (2009 Stereo Remaster)

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By Chris Moore:

Of all the remastered Beatles discs, the Fab Four’s debut album might seem the least likely to be the first you’d want to hear.  After all, it is their most raw effort, not only for the fact that it was their first experience in the studio but also because they were pursuing a “live” sound.  It was essentially recorded in a day under the supervision of a profoundly talented producer (George Martin) and four boys with a tremendous deal of potential (John, Paul, George, and Ringo), all five of whom had yet to re-create — or, really, create — the genre in which they would spend much of their respective careers and earn much of their respective fame.

Perhaps for all those reasons, Please Please Me is an excellent place to start.

"Please Please Me" - the Beatles' debut album, remastered for 2009!

“Please Please Me” – the Beatles’ debut album, remastered for 2009!

Amidst all the controversies over mono versus stereo, should the remasters have been remixed?, etc., Please Please Me has been released in the awkward stereo format — instrumentation at the left, vocals panned right — that would have been available only to “a small number of hi-fi enthusiasts,” as the liner notes recall.

I had to chuckle to myself as I sat in the parking lot today, cellophane wrapper on the floor and new-CD smell filling my nostrils, as I imagined how exciting and fresh this format must have been at the time, a hint of what was to come in the not-so-distant future.

For the first time today, I too was excited to purchase a Beatles album.  Each of my previous purchases of a Beatles record on CD left me feeling empty.  Sure, the music was excellent — phenomenal and mind-altering, even — but the packaging has always been far too sparse, nothing more than the cheapest of cheap jewel cases and a one-fold booklet.  The packaging of this 2009 remastered album makes it worth the purchase alone.  There are reprinted liner notes, rare photos, and a mini-documentary that, although very brief (less than four minutes), includes entertaining footage and interesting narration from all four band members as well as George Martin.

The songs themselves sound as good as they ever have.  The Beatles’ rapid ascent to pop music stardom becomes clear after hearing tracks like the energetic “I Saw Her Standing There,” the vocally superb “Please Please Me,” and George’s lead vocal debut “Do You Want to Know A Secret?”

As if these weren’t enough, the other Lennon/McCartney originals round out the set nicely — the classics “Love Me Do” and the lesser-known but equally catchy “Misery.”

Even the covers, like “Anna (Go To Him)” and “Twist and Shout,” shine almost as bright as Lennon/McCartney originals.  Although I have always maintained that “A Taste of Honey” is disposable, it is interesting to hear the first instance of Paul’s double-tracked lead vocals on a recording.

Throughout this remastered album, as with the original release, the words that continually come to mind are “energetic” and “fun.”  In all reality, the remastered tracks are merely cleaned up versions of the original mixes — the same as always with a sharper focus, so to speak.

If the past four decades are any indication, this may be the last overhaul of the Beatles catalog for a very long time.  For those of us “hi-fi enthusiasts” in 2009, it seems a shame to go on for the foreseeable future without all the Beatles’ material — arguably the most essential albums and tracks of rock and pop music — in full, lush stereo sound, each vocal and instrument standing out.

And yet, even if you feel this way, the 2009 remaster of Please Please Me — with all its simplicity and raw energy — should provide nothing but pleasant listening and reading.  And if you’re interested, make sure to check out all of our Beatles cover songs here on the Laptop Sessions acoustic cover songs music video blog!

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