Tag Archives: new music

“The Freshmen” (Verve Pipe Cover)

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By Jeff Copperthite:

It’s that time again – thumpin’ Thursday! Today I introduce another band to the sessions. It’s the Verve Pipe with their hit song “The Freshmen” from their album “Villains”.

This album is one of my personal favorites, as it was among the albums I listened to before a cross country meet in high school. I would listen to this album front to back. “Cattle” is my favorite song off this album. The song I bring you today probably ranks 4th or 5th on the album for me. Still, it is among my favorites.

I hope you are continuing to enjoy the Laptop Sessions daily. Every day a new video, and every day a new milestone. I have crossed 25k views, and at some point yesterday the video for “Horse With No Name” became my first video to eclipse 2k views.

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up. We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session. We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future. But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

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The Weekend Review: February 2013 Report

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By Chris Moore:

 

Spirits of the Western Sky (Justin Hayward)

Producer: Justin Hayward & Alberto Parodi

Released: February 26, 2013

Rating: 4 / 5 stars

Top Two Tracks: “In Your Blue Eyes” & “One Day, Someday”

 

For Moody Blues fans, it has been a long stretch indeed since the band last released a studio album of all-new material: since 1999’s Strange Times to be specific.  With the release of this latest Justin Hayward solo album, his first since 1996, it would be difficult not to see this as the most exciting Moody Blues-related recording of the past decade and a half.  (No pressure, right?)  Whether you are a glass-half-full person who sees any new Moodies-related music as a win or a glass-half-empty person who feels his/her expectations impossible to meet after all this time, Spirits of the Western Sky has something to offer, though it may be less than a new Moodies album would offer.  From the signature Hayward opening track “In Your Blue Eyes” to the soaring “One Day, Someday” and the beautiful, expansive “The Western Sky,” Spirits gets off to a strong start.  “The Eastern Sun” is well-rendered, if a bit underwhelming, but the pacing is promptly reinvigorated by the rollicking “On The Road To Love,” a track vaguely reminiscent of a late sixties rock-paced album track.  The pace again slows down for the aptly titled “Lazy Afternoon,” though this track offers many more subtle layers and charms for repeated listens.  “In the Beginning” follows, offering up one of the mid-album gems that have practically become expected on Moody Blues albums since the sixties.  The following three songs form a suite of country/bluegrass tracks, only one of which is previously unreleased.  (Ironically, at least one Spirits  review has referred to these songs as a new direction for Hayward.)  Fans will quickly recognize Present alum “It’s Cold Outside of Your Heart,” as well as his solo track “Broken Dream” that was first released as track two on The View from the Hill (1996).  “What You Resist Persists” is the clear standout here, and not only because it is the only new effort.  The album proper concludes with “Captivated By You,” a fittingly dynamic ending to a strong solo effort.  What follows – an alternate, extended version of “One Day, Someday,” the hiccup of “Rising,” and two progressively worse remixes of “Out There Somewhere” – is a bit baffling, especially considering that it is not separated from the core tracks by so much as an extra space on the back of the album.  All told, with a couple exceptions, Spirits of the Western Sky is what you would expect from a Justin Hayward solo album and should only serve to fan the flames of desire burning in the hearts of Moody Blues fans for another release from what is perhaps the greatest, most ambitious studio band in the history of rock music.  For now, Spirits will have to do; and, to be fair, it is clearly a labor of love that is equal parts soaring energy and careful production, evidence that Justin Hayward’s smooth vocals and expert guitar work are as strong as ever, and a reminder that time and age have not removed or diminished the ambition and vision of this Moody Blue.

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“Surrender To Me” (McGuinn, Clark, & Hillman Cover)

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By Jim Fusco:

Welcome to your Monday, Monday edition of the Laptop Sessions with me, Jim Fusco!

If you take a look at the last few posts, you’ll notice all the work I’ve been doing over the past 24 hours.  I’ve managed to mix, master, and put online three concerts worth of material.  The last one has 35 songs!  Then, I finally posted my photos from our TNA Wrestling show back in May.  Finally, I went through and backed-up literally 100 gb of data that was clogging up my laptop’s harddrive.  I put all of it on DVDs, which meant that I needed to complete everything before I backed it up and deleted it from my hard drive.

This is the first time in about nine months that the coffee table is clear of five spindles of DVDs.

Today, I bring you a song that Chris, Becky, and I have been playing since the beginning.  Back in late high school, I fell in love with the music of Roger McGuinn, Gene Clark, and Chris Hillman.  I mean, I was already a fan of the Byrds, but we had recentely gotten this album called “McGuinn, Clark, and Hillman”.  It was recorded in the mid-seventies, long after the original Byrds broke up and reformed.

A few tracks on this album, including the first track (which Jeff did as a Laptop Session- Click HERE to view it!) meant a lot to me at the time.  I was with my first girlfriend (and so proud that I had a CD player in the car- my 1990 Camaro) and the way we got together was a little weird.  We kinda had a thing going a year or so earlier, but then something happened to make us not talk for a long time.  I’m being vague not because I want to be, but because I honestly don’t remember.  That’s why I wrote in a journal every single day, I guess.  I’ll have to go back and read up on it.  Anyway, when we finally made it happen, I just thought the song “Long Long Time” was perfect for it.  I hope you’ll listen closely to the words in Jeff’s version and you’ll see what I mean.

“Surrender To Me” is a great song for a couple of reasons- mostly because of McGuinn’s incredible guitar work.  I actually based our live version half on the album version and half on the acoustic demo with Hillman and McGuinn.  Having Chris there to play the rhythm guitar (back when we first started playing live, he had a ton of trouble doing harmony parts while playing), Becky singing with me, and me playing a guitar solo I could actually handle, this was a prime choice.  I just wish more people had heard of it.  But, that’s okay- most people probably think it’s an original, which is major points for me!

Actually, this song is a cover itself.  Neither McGuinn, Clark, or Hillman wrote this tune.  But I still think it’s a great one and a standout track on the album.  Coming up on my next Session starts my suite of videos recorded in the great outdoors.  These videos are part of what the Laptop Sessions is all about, coupled with those Jeff did while on vacation- they’re LAPTOP Sessions!  We can record them anywhere and bring them to you from whereever you may be.  Enjoy today’s Session!



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The Weekend Review: March 2012 Report

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Wrecking Ball (Bruce Springsteen)

Producer: Ron Aniello & Bruce Springsteen

Released: March 5, 2012

Rating:  2 / 5 stars

Top Two Tracks: “We Take Care of Our Own” & “This Depression”

Diverging from the string of excellent albums Springsteen has been releasing steadily since his return from a seven year hiatus (with 2002’s The Rising), Wrecking Ball comes across as a bunt where his past several albums have felt more like full-force swings aimed at the fences.  It’s not so much that this is a bad album: it is, just as disappointingly, a mediocre album.  Most songs fall into one beat from the opening bars on, often establishing a chorus line that becomes the repetitive chant throughout.  There are standouts, such as the album opener “We Take Care of Our Own” and “This Depression.”  And, of course, the tone and textures of Springsteen’s Americana sound are impressively rendered, incorporating acoustic and electric elements intermittently, as well as choir-style background singers (see: “Shackled and Drawn” to begin with) and other cultural textures (see: Death to My Hometown, itself perhaps a frown of an update to his 1985 hit “My Hometown,” then the seventh top ten hit off Born in the U.S.A.).  Still, these elements are not enough to lift Wrecking Ball into any real sense of artistic accomplishment, nor does it live up to the rock music energy and promise of the Bruce Springsteen & the E-Street Band performance of “We Take Care of Our Own” at the Grammys earlier this year.

 

 

 

Port of Morrow (The Shins)

Producer: Greg Kurstin & James Mercer

Released: March 20, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Simple Song” & “No Way Down”

Fresh off his 2010 collaboration with Danger Mouse as the indie duo Broken Bells, James Mercer returns with the Shins to deliver an alt pop/rock punch in Port of Morrow.  From the fast-paced opener “Rifle’s Spiral” to the lead single and album standout “Simple Song,” through three more excellent though more understated tracks, to the second standout “No Way Down” (which, unlike “Simple Song,” requires little warm-up to get up to full speed), and up to the subsequent ballad “For A Fool” and then the quirky, sonically unique “Fall of ’82,” finally arriving at the penultimate “40 Mark Strasse,” there isn’t a clunker in the set.  The final track feels, like so many title tracks throughout history, like a bonus track or a tack-on rather than a full member of the record.  The Shins are certainly guilty of finding a sound and falling into it, destined to draw claims of “the Shins are a good song,” and yet when you like the sound – as I certainly do – it’s difficult to criticize the nine tracks of gorgeous, bright, modern alt rock music that await you on Port of Morrow.

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