“Shoe Box” (Barenaked Ladies Cover)

By Jim Fusco:

Tonight, another event in my ongoing tribute entitled, “Steven Page, we hardly knew ye.”  Steven Page leaving Barenaked Ladies has been traumatic for me, musically.  It’s like if John left the Beatles and the band went on without him.  They’d still be a great band with three songwriters, singers, and musicians, but you would always wonder if they’ll ever get back together, etc…

At first, I likened Steven Page leaving Barenaked Ladies after 20 years to Brian Wilson taking a self-inflicted leave from the Beach Boys starting in late 1967.  But, I then realized that Page leaving BNL is much worse in a way, but better in another.

You see, when Brian Wilson stopped making music with the Beach Boys on a regular basis (and being the producer), the other Boys (Carl, Dennis, Mike, Al, and Bruce) hadn’t really been accomplished songwriters yet.  I mean, it took them until 1968 to really put together an album and it definitely sounds like a first effort in many ways.  We were all just lucky to discover five brilliant songwriters behind Brian Wilson.  In many ways, for me, Brian recessing in the Beach Boys contributes to my love of the band because, well, they really became a band after that.  You had five songwriting members that played instruments and sang and went out and played concerts- that incarnation of the Beach Boys is almost unsurpassed, for me.

With Steven Page, he leaves the band with three accomplished songwriters (especially Ed Robertson, with a #1 single in “One Week” under his belt) and some fine singers, to boot.  So, BNL has a bit of a head-start.  In fact, there shouldn’t be too much of a hiccup, other than Page’s recent flurry of depressing songs and over-the-top oparetta vocals.

The thing that makes Page’s absence worse is that, at least for the forseeable future, it’s permanent.  With the Beach Boys, Brian was always still around in some form.  He always contributed at least one song to every album, even if they had to dig it up and force him to complete it.  Fans would always hope for the next Brian Wilson gem and it was comforting to know he was there, readying himself for a possible comeback that never really came.  Of course, I say this like I was there- I wasn’t even alive until after Brian’s amazingly talented brother Dennis died- I’m just speaking from what I’ve read in the past.

So, after that whole explanation, I’m really trying to say that I’m having a hard time getting over the restructuring of my second-all-time favorite band.  Tonight’s video is a little tribute to Steven Page.

“Shoe Box” (which I always thought was “Shoebox”) was a single and had its own EP (with includes a decent song in “Trust Me’) and served as a bridge between the style of the first three albums and the albums to follow (starting with “Stunt”).  The song was also on “Born On A Pirate Ship” in a much more subdued tone, much to that version’s detriment.  The rockin’ single version is my choice, and that’s what I did my video after.  How can you tell them apart?  Well, the album verison just starts off with the instruments and vocals at the same time.  The single goes through the chord progression before Steven Page starts in.

Listen to the words closely on this one- a very interesting message to it.  Also, you may have to look up the words, as it took Chris and I about five years to realize that he’s not saying, “And Rumplestiltskin side my shoe box!” and is in fact saying, “When talk turns to single malts and Stilton and my shoe box!”  Who would’ve thought?

Okay- a long post tonight to make up for last week.  Tomorrow night, I have a BIG announcement about my new album and that just means more work for me.  So, you’ll have to stay tuned until another all-new Original Wednesday comes your way!  Have a great night and I’ll catch you all tomorrow!

“If You Leave Me Now” (Chicago Cover)

By Jim Fusco:

Welcome to the start of “#1 Week”, where Chris Moore, Jeff Copperthite, and I are playing only songs that topped the Billboard Hot 100 charts, except for Original Wednesday, of course. But, I hope that the song I play on Original Wednesday will be a contender for a #1 week in the future! 🙂

Tonight, I bring you a song that I just can’t get enough of. It’s Chicago’s first #1 hit and was written by the great Peter Cetera.

It’s a slow song, but has a great tune and some great chords. The only problem with the song is that it marked the beginning of Chicago’s “power ballad” phase. It was fruitful for them, yes, but it was also the end of their highly creative rock-n-roll style.

This is one of my favorite performances and I hope it ends up being even more popular than my first Chicago video, “Wishing You Were Here” ( Wishing You Were Here cover ).

NOTE: In 2020, I remastered the original video (which was very dark- almost couldn’t see anything at all!) and re-uploaded it to YouTube, as you’ll see below.  I hope it breathes new life into the video!

Ranking every Beach Boys song/album: “Little Deuce Coupe” album (by Songwriter Jim Fusco)

By Jim Fusco:

ALBUM – LITTLE DEUCE COUPE

A Young Man is Gone – 6 (very beautiful sounding, but I was always a bit bored by it- don’t kill me, Mike!)
Little Deuce Coupe – 8
Be True to Your School (single version) – 4 (the only Beach Boys song I consistently skip past- I just never liked school enough to be “true” to it)
Be True to Your School (album cut) – (3)
No Go Showboat – 7 (love Brian’s great high voice here and the humor in Al’s lines)
Custom Machine – 7 (love the chorus and especially Mike’s bass singing!!)
Car Crazy Cutie – 6 (enjoyable)
Cherry, Cherry Coupe – 7 (I really like those chords and I love Dennis’ harmony part)
409 – 3 (never been a big fan of this song)
Our Car Club – 7 (I love the drums and vocal breaks! Also, really cool sounding)
Shut Down – 7
Spirit of America – 3 (not a big fan)
Ballad of Ole Betsy – 7 (great harmonies- the stereo separated vocals really show off the quality here)

*I love this album. To me, this is the happiest the Boys sounded on record. They are just so youthful and this album always reminds me of summer. The songs are great and the production, as minimalist as it is, just fits for these lighthearted songs about, well, cars! Plus, I always tell everyone it was the first “concept” album! Well, not really, I guess. Now, I was born in 1984, so any visions I have of the 60s come from the music I love. So, this album has always served as a window into that early 60s cars, girls, and teenage fun lifestyle that I never really got to replicate growing up in the 90s and 2000s. This album makes me reminiscent of a time that I wasn’t even alive! That’s pretty powerful stuff.*