“Saving Grace” (Tom Petty Cover)

By Jeff Copperthite:

It has been a great week here at guitarbucketlist.com’s Track 1 week. I had the privilege of opening it up with a U2 video that many have not found due to uploading difficulties. Thankfully, Chris & Jim have posted four awesome album openers during the week, and my U2 video is finally getting some more views.

Now I get to close out Track 1 week with what is probably going to be one of my favorite performances. I am going into the library of Tom Petty & the Heartbreakers and performing “Saving Grace” from their most recent album “Highway Companion”. I love the bluesy guitar riff and Tom Petty’s lyrical style. We also have this in the live library for The Laptop Sessions Live tour. We did play it at Testa’s back on April 12.

Speaking of the tour, we were on fire last night with our most recent live show at George’s II. There will be audio and pictures to come from that in the near future. If you’re a friend of mine on Facebook, though, you can see 5 images from the show right now.

I want to point out that I used to think/was taught that the instrumental riff went E-B-A-G, but upon closer listening to the song (oh, about 22 times), I figured out it actually is E-Bb-A-G, but the B chord going into the last verse is the correct chord.

This concludes track 1 week. We hope you enjoy it and in 2 weeks we get to break out another special week for you. Thank you again for being a regular visitor of guitarbucketlist.com!

Come on back tomorrow for another great session by Jim Fusco himself!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Mudcrutch’s “Mudcrutch” (2008) – The Weekend Review

By Chris Moore:

RATING: 3 / 5 stars

I’ll never forget the day I first read the biography of Mudcrutch.

It was a surreal set of circumstances — Mudcrutch was a band that had gone unnoticed by most and been forgotten by those few who had taken an interest during their five year run from 1970 to 1975. They had formed as a small town band, moved out to Los Angeles in pursuit of a record contract, and broken apart under the pressures of their record label and the departure of band members.

A year later, three of the Mudcrutch refugees would go on to form a band that you may have heard of…

It was a tantalizing tale, and I could barely contain my excitement for this music. In some small way, I felt like I would be able — for once! — to take part in the debut release of a band I felt truly passionate about. This was not simply the unveiling of a band’s first album; this was an opportunity to be transported back in time nearly four decades to an entirely different rock and roll landscape than I’ve grown accustomed to in the new millennium.

You get the idea.

And, at least initially, Mudcrutch held up to the hype.

Mudcrutch's self-titled debut (2008)

Mudcrutch's self-titled debut (2008)

The first song that caught my attention was “Scare Easy,” a mid-tempo number that may have Petty’s trademark vocals on it, but is clearly not your typical Heartbreakers track. If anything, it sounds more like his previous solo album, but even then, it has a unique sound.

Other tracks on the album are standouts, even amongst the considerable catalog items that Petty, Campbell, and Tench have amassed over the years. Songs like “The Wrong Thing To Do” and “Bootleg Flyer” are unique, upbeat, and very promising. “Orphan of the Storm” may be one of the best examples of what this band sounds like, blending older country and blues textures with a seventies rock and roll mentality lurking in the backbeat.

These excellent tracks notwithstanding, there are a number of tracks that suffer from that middle-of-the-road, “so what?” stupor that few can induce like Tom Petty. In fact, most of the second half of the album is forgettable, populated by a pedestrian tune from Benmont Tench, a forgettable Tom Leadon track that confirms why he fell short of the success his brother (the former Eagle) and Petty achieved, “June Apple,” and “Topanga Cowgirl.”

In fact, two of the best tracks on the album are covers: “Six Days on the Road” and “Lover of the Bayou.” The former is a pretty straightforward number, but an exemplar for country rock. The latter, co-written by Roger McGuinn (of the Byrds) and Jacques Levy (popularly known for his collaborations with Bob Dylan on 1978’s “Street Legal”), is a candidate for the best Mudcrutch performance on tape to date. Even the traditional “Shady Grove” is beautifully translated as the perfect opener.

On first listen, Mudcrutch was a joy. Track by track, I loved it. It was only after repeated listens that it began to lose its luster and fade into mediocrity. This is a case where I think my excitement for the story surrounding the band colored my perception of the music they produced.

Each time I return to it, I try to feel what I did that first week after its release in 2008, but to no avail. Even though I’ve hesitated to admit it, Mudcrutch is a three star album from what could have been — and, at least, three fifths went on to be — a five star band.

Take note of that: in music, as in life, some combinations just weren’t meant to be, no matter how much you love the individuals. You may look back and ponder what could have been.

It’s perhaps better left to the imagination.

Christmas, Volume 2 – Playlists on Parade

By Chris Moore:

This is the second installment in my Christmas music playlist series, perhaps my most brilliantly titled one yet!  😉

As you’ll notice, I’ve done my best to present a wide span of time periods and topic matter, including songs that touch on winter in general, the legendary figures of Christmas (such as Santa, Rudolph, Frosty, etc.), and the spiritual music honed in on the “reason for the season” (i.e. the celebration of the birth of Christ).

Perhaps my greatest failing in this list (and, with a subject as broad as Christmas, I am sure to have many) is the lack of traditional Christmas songs, hymns and otherwise.  I have two comments about this: first, it is simply a fact that many, if not most, artists have tended to pour more of their creative energy into non-denominational tracks, perhaps hoping to avoid alienating their audiences, and second, there is also a tendency for truly great bands to record some of their best performances on their own original holiday music.

For this reason, you’ll see a lot of contemporary classics of the Christmas genre represented here.

If you’re a person who appreciates and perhaps even prefers traditional music, I would strongly recommend checking out the original Beach Boys Christmas album for “We Three Kings of Orient Are,” which was cut from this list only because “We Three Kings” is included in the BnL/Sarah McLachlan version of “God Rest Ye Merry, Gentlemen.”  Brian Wilson recorded some fine renditions of traditional tracks on his 2005 solo release What I Really Want for Christmas, including “O Holy Night,” “Hark the Herald Angels Sing,” “The First Noel,” and “Silent Night.”

And, if you can get beyond the gravel in his voice, Bob Dylan gives a bang-up, wannabe 1940’s treatment to many of these tracks, plus “O’ Come All Ye Faithful” and “O Little Town of Bethlehem.”

The track listing below is another assortment of Christmas songs, fast and slow, happy and sad.  In fact, starting with the hopeful but tentative tenor of Stevie Wonder’s “Someday at Christmas,” I plugged in several of my favorite somber yuletide tunes: BnL’s “Green Christmas,” the Moody Blues’ “A Winter’s Tale,” and Ben Fold’s Grinch soundtrack offering “Lonely Christmas Eve.”

Don’t fret, though, there are plenty of upbeat tracks to balance it all out.  Consider the typically punky/poppy Weezer take on “We Wish You A Merry Christmas,” the disaster-averted hilarity of Relient K’s “Santa Claus is Thumbing to Town,” and the Temptations’ excellent and unique arrangement of “Rudoplph the Red-Nosed Reindeer.”

As always, I hope you enjoy reading through this playlist, and that I’m able in some small way to nudge you toward getting into the spirit of the season, despite how busy or how burdened you may be.

Check back next week for the third installment in the series!

1. “Santa Bring My Baby Back (To Me)” – Elvis Presley

2. “We Wish You A Merry Christmas” – Weezer

3. “Jingle Bells” – The Brian Setzer Orchestra

4. “The Man with All the Toys” – Brian Wilson

5. “Someday at Christmas” – Stevie Wonder

6. “Green Christmas” – Barenaked Ladies

7. “A Winter’s Tale” – The Moody Blues

8. “Lonely Christmas Eve” – Ben Folds

9. “Away in a Manger” – Johnny Cash

10. “Wonderful Christmastime” – Paul McCartney

11. “Feliz Navidad” – Jose Feliciano

12. “Christmas All Over Again” – Tom Petty & the Heartbreakers

13. “Santa Claus is Thumbing to Town” – Relient K

14. “I Wanna Be Santa Claus” – Ringo Starr

15. “Hey Santa!” – The Wilsons

16. “Rudolph the Red-Nosed Reindeer” – The Temptations

17. “Frosty the Snowman” – The Beach Boys

18. “Merry Christmas, Baby” – The Beach Boys

19. “Christmas Evening” – Jim Fusco

20. “Auld Lang Syne” – Barenaked Ladies

“Scare Easy” by Mudcrutch – Chords, Tabs, and How to Play

“Scare Easy”
Mudcrutch

Am           G          Em         D
My love’s an ocean, you better not cross it
I’ve been the distance and I need some rest
Yeah, I had somebody once, and damn if I lost her
I’ve been running like a man possessed

        C      G          D
I don’t scare easy
Don’t fall apart when I’m under the gun
You can break my heart and I ain’t gonna run

        Am                D
I don’t scare easy for no one

Yeah, I’m a loser at the top of my game
I should have known to keep an eye on you
I got a sky that ain’t never the same
Yeah, I got a dream that don’t ever come true

CHORUS

SOLO to verse chords

Sun going down on a canyon wall
I’ve got a soul that ain’t never been blessed
Yeah, I’m a shadow at the back of the hall
Yeah, I got a sin I ain’t never confessed…

CHORUS 

CHORUS

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **