Monthly Archives: October 2008

“Things Have Changed” (Bob Dylan Cover)

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By Jeff Copperthite:

I love doing covers this day of the week.  Why?

Because it’s Thumpin’ Thursday™! (Jim needs to learn how to insert special characters in the editor by the way)

And I always keep the solid beat songs in reserve for this day.  Make you want to tap your feet if I can.

Well, I decided today to break out a really cool (and relatively recent) Bob Dylan song called “Things Have Changed”.  The song itself is from a Soundtrack from the movie Wonder Boys.  Originally, I thought it was released on a different album (Love & Theft, if you were wondering), but alas it was not to be.

I heard this song thanks to the Bob Dylan master Chris Moore.  He also helped figure out that the song I had stuck in my head a few days back was this song.  So if it weren’t for him, i’d have something else up here today.

I love the beat of this song, but as with all Dylan songs, he sometimes fits a lot of words into the same measure, or a few words.  It can be tough to stay on top of that, and in this video you’ll notice me forgetting to change the chord for a beat.  It happens to the best of us I guess.

And I managed to sing similarly to Dylan as well.  The video works very nicely.

As with all Thumpin’ Thursday™ entries, I know you’ll enjoy this one. 

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

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Jim Fusco Reaches 400 YouTube Subscribers!

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Gotta love a milestone day.  I just predicted it would happen yesterday, as I had 397 subscribers.  Even as I write this now, I’m already up to 404!  Talk about progress- that’s 404 people that took the time to watch one of my videos and decided they needed to be updated every time I post one!  It’s so exciting to think about that, because I’m sure I don’t know anywhere close to 404 people…let alone 404 that ever gave our music the time of day here in CT.  So, I’m very proud of our worldwide success.

I’m looking forward to more milestones in the near future, as these things seem to happen exponentially.  So, we’ll look forward to the next great milestone very soon!

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“Tuesday Afternoon” (Moody Blues Cover)

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By Jim Fusco:

Wow, “Tuesday Afternoon” posted on a Tuesday afternoon!  Okay, well, a Tuesday evening, but still.  I swear I didn’t even plan it and even just realized as I was beginning to type my post.  But, it fits so well!

I love this song and the Moody Blues, of course.  “Tuesday Afternoon” is the afternoon section of the Moodies’ first album with their second lineup (after the addition of Justin Hayward and John Lodge and the subtraction of Denny Laine and Clint Warwick).  The album is “Days of Future Passed” and stands as one of the classics.  It has reached classic status because it’s one of the first true concept albums.  It also is the first real fusion of a rock band with a classical orchestra.  It’s almost surreal listening to the album.  This album alone (not to mention the ten great albums they did AFTER this one) should’ve given them a one-way ticket into the Rock’n’Roll Hall of Fame.  It’s so stupid that they’re not in.  I heard that the Hall doesn’t consider them a “rock” group.  Are you serious?  Have they ever even heard “Story in Your Eyes”?  Or, I don’t know, “I’m Just a Singer in A Rock’n’Roll Band”????  That doesn’t give it away?   My God, and they’re discounting the fact that the Moody Blues had some of the best musicians ever in Justin Hayward on guitar, John Lodge on bass, Graeme Edge on drums, Mike Pinder on piano and mellotron (which he truly pioneered as an instrument rather than just an effects machine), and Ray Thomas, who played a brilliant flute.  This issue always makes me so angry.  The Hall of Fame uses the same argument for not letting Chicago in.  Are you freakin’ serious?  Those guys had more hits than Muhammed Ali!  I just don’t get it.

Anyway, this song falls in the mid-point of the album, as the album takes the listener on a trip throughout an entire day.  I love that concept.  It’s so original.  Of course, the album ends with one of the all-time great songs in “Nights in White Satin”, but “Tuesday Afternoon” was a big hit in its own right.  In fact, I even heard it today while waiting in line at Subway for lunch.

By the way, in case anyone’s being keeping track, I got a new job.  It’s great: a nice atmosphere, professional collegues (what a change from my last job), and I’m getting paid 33% more than I ever have.  It took me three long months to land it, and I know I won’t let anything screw it up this time around.  I have a nice outlook now, especially because it’s good to be a part of a company that’s actually hiring in these economic times.  That’s a good sign for me…and for getting my loved ones Christmas presents, too!  I’m looking forward to a nice holiday season now.

I hope you enjoy this video as another Tuesday afternoon passes us by.  I was back on Friday with yet another acoustic cover song from the Beach Boys, whom I hadn’t covered in a very long time.  That one was from a composer I hadn’t covered yet — “Disney Girls (1957)”!

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“Bad, Bad Leroy Brown” (Jim Croce Cover)

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By Chris Moore:

Hello and welcome to your Sunday, Sunday, Sunday installment of the best acoustic cover song blog on the web today!  After a couple of nineties covers, I’ve decided to go back a bit further… to 1973 with Jim Croce’s “Bad, Bad Leroy Brown.”  This is a song that I remember hearing for the first time when my father bought an audio tape (that’s a hint at how long ago it was…) and played it for me, along with “You Don’t Mess Around with Jim,” explaining that he always liked the story in the songs.  I instantly agreed, thinking that the way Croce described Leroy Brown and his lifestyle was really funny and catchy.

I just learned that Jim Croce’s life was sad, though, as he died the same year that this song (considered his biggest single) was released.  I found it really interesting to learn, according to Wikipedia, that he was the third singer/songwriter to score a posthumous #1 single (for “Time in a Bottle”), after Otis Redding and Janis Joplin.  What is even more sad, I think, is that he died in a plane crash.  I’ve got to be honest here — I don’t consider myself a superstitious person, but if I ever get a record contract and any degree of fame, I’m not setting foot on an airplane…

One of the best parts of doing so many Laptop Sessions this year is that I’ve had a chance to learn so much about great singer/songwriters and to remember so many great songs like this one.  Now, you may wonder how I learned this song if I haven’t heard it in so long.  Well, one of the best parts about having over 11,000 tracks available at my fingertips on my iPod is that I have access to a lot of songs that I have forgotten over the years.  In fact, one of my favorite things to do is to set my iPod to shuffle and just wait to see what great music will come up.  Unfortunately, there are just as many if not more not-so-great tracks that come up in search of the great ones…

But, as they say, it’s the journey and not the destination, right?

If you didn’t already, you should read Jim’s post from yesterday.  He pretty much summed up our day that led to an as-usual great performance by Dewey Bunnell and Gerry Beckley, aka the band America.  Not only was the show great, but they are really nice guys.  After the show, they signed autographs and shook hands with the fans.  I got the chance to tell Dewey that, when teaching the Transcendentalism unit in my English class (Emerson and Thoreau, “Nature” and “Walden,” etc…), I used the Here & Now track “Walk in the Woods.”  He seemed interested, as Gerry smiled and said that he’d been thinking about playing that song in concert so they could do the whistling part!  We all laughed, and for a brief moment, it felt like Jim and I had broken the usually solid barrier between fan and artist.  Cool moment.

I have looked forward to their shows ever since the first time Jim took me to go see them several years ago, and I’ve regretted missing any opportunity to see them.  He had initially gotten into the band because of such songs as “Sister Golden Hair.”  As with many bands he’s gotten into, I felt like I was missing out on something and had no choice — I had to get into them too!  My only past experience with them had been their hit single “A Horse With No Name” that I first heard as a kid (where else?) on a seventies tape that my father had.

And so this session comes full circle!  I present to you an acoustic cover of a song my dad played for me as a kid, and not 24 hours after going to a concert by a band that I first heard in my father’s music collection.

See you next session!

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