Incredible! It happened by surprise, as Jim Fusco logged-in to his YouTube account and noticed that he had 500 subscribers to his acoustic cover songs and original music videos! Jim’s looking forward to his next milestone of 250,000 views, which he hopes will come within the next couple of months.
It’s been a great run since Jim started recording his Laptop Sessions acoustic cover songs back in November of 2007. In less than a year and a half, Jim has rocketed to popularity with his YouTube videos, which he brings to the world on a weekly basis.
His new album, “Halfway There”, is slated for an April 7th release, and more details about the album are coming very soon.
Jim would like to thank all 500 of his loyal subscribers and here’s to 500 more!
Another Tuesday, another Jim Fusco cover song, another new band to the Laptop Sessions acoustic cover songs series, and yet another One-Hit-Wonder here in “Looking Glass” with their hti song, “Brandy (You’re a Fine Girl)”.
Big points to anyone who knew the name of the band that did this song. My roommate Dana yelled down, “You’re doing Looking Glass?” I was shocked. Turned out it’s one of his favorite songs. I’ve known this song by hearing it on the radio over the years and decided it would be a great one to cover for the music blog. I mean, it’s a catchy tune and tells an interesting story of a woman that everyone loves, but can never land the man she wants. Why? Because he’s a sailor. And a sailor’s love is the sea- first, foremost, and absolutely.
It’s funny the learning curve I have when doing these videos. I start off thinking I’m not going to get it. Then, it just comes to me and all of a sudden, I can play the whole song. The problem with these songs lately is the lyrics, as I’ve only heard them here and there on the radio and don’t know them all. So, I get all nervous and then sit down to do my takes. The first one or two takes are great- I make it almost all the way through the song and just mess up a little thing and decide to start over. Then, the floodgates open. I must’ve done 20 takes of this song- screwing up words like, “Harbor town” and “Western port”- I would switch them around and then the next lines wouldn’t rhyme. Ugh.
So, every Laptop Sessions session ends up in anger for me. Hope I don’t show it on the videos! 🙂
Now, last week, I promised I’d show you my brand new 12-string electric guitar. I was also going to show off my new lap steel guitar. Well, I’ve got one better for you- I’m going to start (hopefully very soon) a new YouTube series called “Jim’s Guitars”. This series will have me showing all of my guitars, why I have them, and how I use them all in a unique way. It’s finally a chance to get my guitars off the wall and out there for everyone to see. I love these things and hope to have quite the collection as life goes on. But, I think for now, I’ve resigned myself to buy them based on practicality rather than just looks. I mean, there were a few great looking guitars I really liked, but I decided to go with the 12-string electric because it’s so different and opens up a new world of sounds to me in the studio. Plus, since my parents got me the lap steel guitar for my birthday, I have a great new way to play solos and add some of that wonderful twang to some songs. I love it in the Beach Boys’ song, ‘Hold On Dear Brother” from “Carl and the Passions, ‘So Tough'”.
So, stay tuned for this new series. I really want to do it right- I’m hoping to do it in HD…but I need an HD camera first. Maybe one of those little ones that are under a hundred bucks. How bad can they be? At least for this kind of work, it might be worth it.
I hope you enjoy tonight’s cover song music video and stay tuned for more later this week from our own Jeff Copperthite- he’s sure to please! And congrats, Jeff!!
It’s finally on its way: April 7th, 2009 will mark the release of my new album, Halfway There. Every time I release a new album, I think it’s about 100 times better than the last. The same thing goes with this album- truly a “no regrets and no holding back” type of effort that I’m sure will end up being a bright spot in my musical career.
Before the album’s released, I’ll be making some acoustic music videos of songs from the album, continuing with “Exception” here tonight.
“Exception” is the only sappy love song on the album. Okay, it’s not THAT sappy. But, if you listen to the album, you’ll hear me bashing (whether it be fair or not) a very dear person, blaming that person for making me feel “Halfway There”. But, I recant later on in the album, saying that, yes, that person makes me feel “halfway there”, but I made the cognitive decision to stay that way, so it must be what I’ve wanted all along.
“Exception” is the song that tells about my decision to stick by, even though in many other aspects in life, I feel “halfway there”. I hope it makes sense- this post actually made even more sense when I typed it all last week. But, the stupid iPhone WordPress app decided to remove all the buttons from the bottom of the screen (some glitch) and it deleted my post.
So, we have a redo here tonight and I hope it makes my point about this song. This song is full of hooks and little catchy parts, combined with a cool guitar solo and harmonies throughout. It’s truly a unique cut on the album and sort of harks back to my earlier work in its style. The rest of the album is much “deeper”, but still manages to sound happy and peppy- you just have to actually listen to what I’m saying!
Okay- that’s all for me tonight. I have my plate full over the weekend with web work to do, so I hope that I’ll get to trick out the Laptop Sessions site with advertisements for “Halfway There”. I guess we’ll have to wait and see! Have a great night and see you all again on Tuesday.
Tonight, another event in my ongoing tribute entitled, “Steven Page, we hardly knew ye.” Steven Page leaving Barenaked Ladies has been traumatic for me, musically. It’s like if John left the Beatles and the band went on without him. They’d still be a great band with three songwriters, singers, and musicians, but you would always wonder if they’ll ever get back together, etc…
At first, I likened Steven Page leaving Barenaked Ladies after 20 years to Brian Wilson taking a self-inflicted leave from the Beach Boys starting in late 1967. But, I then realized that Page leaving BNL is much worse in a way, but better in another.
You see, when Brian Wilson stopped making music with the Beach Boys on a regular basis (and being the producer), the other Boys (Carl, Dennis, Mike, Al, and Bruce) hadn’t really been accomplished songwriters yet. I mean, it took them until 1968 to really put together an album and it definitely sounds like a first effort in many ways. We were all just lucky to discover five brilliant songwriters behind Brian Wilson. In many ways, for me, Brian recessing in the Beach Boys contributes to my love of the band because, well, they really became a band after that. You had five songwriting members that played instruments and sang and went out and played concerts- that incarnation of the Beach Boys is almost unsurpassed, for me.
With Steven Page, he leaves the band with three accomplished songwriters (especially Ed Robertson, with a #1 single in “One Week” under his belt) and some fine singers, to boot. So, BNL has a bit of a head-start. In fact, there shouldn’t be too much of a hiccup, other than Page’s recent flurry of depressing songs and over-the-top oparetta vocals.
The thing that makes Page’s absence worse is that, at least for the forseeable future, it’s permanent. With the Beach Boys, Brian was always still around in some form. He always contributed at least one song to every album, even if they had to dig it up and force him to complete it. Fans would always hope for the next Brian Wilson gem and it was comforting to know he was there, readying himself for a possible comeback that never really came. Of course, I say this like I was there- I wasn’t even alive until after Brian’s amazingly talented brother Dennis died- I’m just speaking from what I’ve read in the past.
So, after that whole explanation, I’m really trying to say that I’m having a hard time getting over the restructuring of my second-all-time favorite band. Tonight’s video is a little tribute to Steven Page.
“Shoe Box” (which I always thought was “Shoebox”) was a single and had its own EP (with includes a decent song in “Trust Me’) and served as a bridge between the style of the first three albums and the albums to follow (starting with “Stunt”). The song was also on “Born On A Pirate Ship” in a much more subdued tone, much to that version’s detriment. The rockin’ single version is my choice, and that’s what I did my video after. How can you tell them apart? Well, the album verison just starts off with the instruments and vocals at the same time. The single goes through the chord progression before Steven Page starts in.
Listen to the words closely on this one- a very interesting message to it. Also, you may have to look up the words, as it took Chris and I about five years to realize that he’s not saying, “And Rumplestiltskin side my shoe box!” and is in fact saying, “When talk turns to single malts and Stilton and my shoe box!” Who would’ve thought?
Okay- a long post tonight to make up for last week. Tomorrow night, I have a BIG announcement about my new album and that just means more work for me. So, you’ll have to stay tuned until another all-new Original Wednesday comes your way! Have a great night and I’ll catch you all tomorrow!
