Author Archives: Chris Moore

The Other Half: A Look Back at Ten (Officially Released) Jim Fusco Rarities – PART TWO

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By Chris Moore:

Last week, I brought you the first five in a list of ten Jim Fusco rarities in preparation for the release of his new album Halfway There this “new music Tuesday,” April 7th, 2009.  After all, there’s no better way to anticipate an upcoming release than to go back and enjoy all previous releases in a series.

In the case of Fusco, there has been quite a variety of musical projects over the course of the past eight years.  There have been six solo studio albums, three band albums, four releases (of 20 tracks each) in the Laptop Sessions acoustic mp3 series, a single, a greatest hits disc (with accompanying music video DVD compilation), and assorted demos, covers, and other tracks.  Now that I’ve officially finished listening to all the Bob Dylan tracks in my collection (almost 700!), I’ve embarked on my “Jim Fusco Catalog” playlist.

Clocking in at “only” eleven hours or so, this should be much easier to tackle than my Bob Dylan playlist!

For those of you Jim Fusco faithfuls, I hope you’ll enjoy the final five tracks on this second installment of “A Look Back at Ten (Officially Released) Jim Fusco Rarities” worth remembering…

A Look Back at Five More (Officially Released) Jim Fusco Rarities…

6)  “The Red, White, and Blues” – This is yet another album starter that I love.  It is Fusco’s first foray into direct protest songwriting.  Indeed, his March 2008 Laptop Sessions version stirred up some controversy in the form of comments left on the site.  It was nice to see that at least some people listen to the lyrics, even if they misread and/or disagreed with their message.  As he wrote in the blog post, this was the first and last “protest” type song of its kind.

7)  “The Second Time” – All I have to say is: this better be at the wedding reception!  In 2003, Jim recorded and released Formula, an album whose material was clearly inspired by his now-fiance Becky Daly.  She joins him near the end of this track, offering up a preview of 2/3 of the Chris, Jim, and Becky trio that would go on to perform around the state and release a “live in the studio” album.  While this isn’t necessarily one of my favorite Jim Fusco songs, it’s always been one of my favorites from Formula and — if it’s not “best of” material, then — it’s “top ten rarities” material.

8)  “Sideshow” – There are so many different tracks that were up for inclusion on this list of rarities — there’s the simple, piano-based vulnerability of “My Angel” or the folky storytelling style of “Vision of Cobblestone Town,” to name just a couple.  “Sideshow” earns a spot in the top ten for its unique sound.  There’s something about this track that is controlled and yet sort of wild; it’s one of those songs whose sound truly meshes with and contributes to the meaning conveyed by the lyrics.  In addition, as the penultimate track on What About Today?, it’s truly the point at which the recurring instrumental section comes to a climax before the first chords of “Harmony” and the close of this concept album.

9)  “Never Taking Your Chances” – This is one of those songs that benefits from my memories surrounding its conception, recording, and release.  I vividly recall my conversations with Jim about the situation that resulted in the writing of this song, and I recall the then-groundbreaking recording methods that he was pioneering.  This is a clear example of early blending between vocals and distortion guitar.  With each album, Jim’s use of guitar effects has become more effective and more interesting, and I can’t wait to hear his latest leap forward on Halfway There.

10)  “Another Backwards Day” – Speaking of guitar effects, “Another Backwards Day” is a track that I always felt was left forgotten about, sandwiched between the live favorites “Can’t Count on Words” and “Sometimes.”  This song is every bit as upbeat and rocking as the other songs around it, and it boasts a Frampton-esque series of guitar solos and riffing.  If “She Waits” (another favorite and one that ALMOST made the list!) demonstrates Jim’s softer, piano-driven side, then “Another Backwards Day” pulls out the stops and allows him to flex his electric muscle.

“Forever Young” (Bob Dylan Cover)

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By Chris Moore:

Hello and welcome to my second to last Laptop Session of 2008!  For my selection tonight, I’ve gone back to the formidable catalog of Bob Dylan.  Specifically, I’ve chosen a song that I think everyone should hear — around this time of the year, especially.

“Forever Young” is a fairly simple and straightforward song, one about wishing someone health, happiness, self-confidence, and an overall high quality of life.  I think it’s really interesting that Dylan recorded two versions of this song.  Now, you may be wondering why this is out of the ordinary, as Dylan is well-known for recording multiple versions of the same song, often with various arrangements and different lyrics.  However, in this case, both versions (each very unique) were included on the same album, 1974’s Planet Waves…  Back to back!

I hope you enjoy my cover of this great song, and I hope you’ll accept it as a blessing extended from me to each one of you, each of you that has taken and continues to take the time to listen to my cover songs.  It’s been quite a year with some great videos, some mediocre videos, and a few that stretched the range of what I’m able to do.  And, at the end of this noble experiment we like to call “session-a-day,” I find myself being able to sing a song — this one, “Forever Young,” — that I wasn’t able to sing and play comfortably as recently as a year ago.

Before I leave you to watch the music video I’ve posted on YouTube for today, I’d like to thank Jim’s cousin Sarah for having us over tonight.  Jim, Becky, Sarah, and I went to see Jim Carrey in Yes Man (and it was excellent fun!), eat at Luigi’s (where I had delicious scallops over ziti), and even got to play Wii tennis, dodgeball, and volleyball.  Sarah and I were an unstoppable team, but Jim did beat me mercilessly in the gladiator event.  It was good to get out.

And, as a final note, I just finished reading Stephen Chbosky’s The Perks of Being a Wallflower, which was a Christmas present from my sister Jaime.  It was an excellent book, and as I mentioned to her, I wish I had read it in high school, as I was trying to figure out some essential things about myself.  That was in large part what the novel was all about — learning to understand and be confident about yourself before you can properly fit other people into your life.  Now, I’m 25 pages into Kurt Vonnegut’s Slaughterhouse Five and really enjoying it.  Vonnegut is great; his final novel, Timequake, really impressed me, and I have no doubts that I’ll be equally amazed with this one by the time I’ve finished reading it.

Okay, but this is enough for now.  You should go watch my video, and I’m going to go back to watching episodes from the eighth season of ER, one of my favorite shows of all time.  I forgot how much I cared about these characters — Greene, Carter, Lewis, and others.

Hurry on back, now, for Jeff’s video tomorrow.  Then, it’s one last time through the batting order before 2009!!

See you next and last (for 2008) session!

“Stage Fright” (The Band Cover)

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By Chris Moore:

I’m proud to present the first in a week-long event here at https://guitarbucketlist.com entitled “Title Tracks Week”!! Each day this week, we’ll unveil a new session devoted to a song whose title is the same as the album it was on. For instance, I chose a song from the Band’s 1970 album Stage Fright called — well, you may have guessed it already — “Stage Fright.”

This is an interesting song to me, as I’ve heard and read rumors over the years that this song was written by the Band’s Robbie Robertson in reference to Bob Dylan. If anyone would know, it would be someone like Robertson, who has played many shows with Dylan over the years, most often as his lead guitarist. (He’s particularly well-known for being the electric guitarist that powered Dylan’s sound in the mid-60s, when he first “went electric.”)

For anyone who’s seen Dylan play on stage, it does make sense that he might suffer from a form of stage fright…

So, without further ado, here’s the first of seven title tracks this week — even Original Wednesday this week will be a title track. I hope you’ll check back tomorrow for Jeff’s installment!

See you next session!



“Solitaire” by Wilco – Chords, Tabs, & How to Play

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For the acoustic cover song music video, CLICK HERE!

“Solitaire”
Wilco

(Capo I)

Intro:   E    F#m7    E    F#m7    E

E
Once I thought the world was crazy,
F#m7
Everyone was sad and chasing
Happiness and love and
I was the only one above it.

Once I thought, without a doubt,
I had it all figured out.
Universe with hands unseen;
I was cold as gasoline.

E      G               F#m7
Took too long to see
F#m7   C               F#m7              E              F#m7    E    F#m7    E
I was   wrong to believe in me only…

Once my life was a game so unfair
It beat me down and kept me there.
Unaware of my naysaying,
F#m7                                              E
Solitaire was all I was playing.

INSTRUMENTAL:   G    F#m7    C    F#m7  (x3)

Took too long to see
I was wrong to believe in me only…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **