The Deep Racks Report: “A.M.”

By Chris Moore:

We’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to going deep into the CD racks to bring you brief but focused reports on ALBUMS that have not received as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS:  Chris – “Box Full of Letters”

A.M. by Wilco

This is an album that seems to get universally hated on.  It is Wilco’s first album, released in 1995 following the breakup of the alt.country band Uncle Tupelo.  All of Tupelo’s members except Jay Farrar became Wilco and proceeded to record an album of songs that sound very similar to Tupelo’s work with one significant difference — they sound somewhat more together, less raw than your average Uncle Tupelo tracks.

Reception?  Well, fans and critics alike appear to have agreed that Jay Farrar’s new band, Son Volt, released a superior debut album.  To be fair, I have only heard selected tracks from the Son Volt release and I do understand the inevitability of comparisons between Son Volt and Wilco.  Still, I haven’t been overly impressed with what I’ve heard from Son Volt.  (Please, send your letters and complaints care of Chris at Laptop Sessions!)  Yes, A.M. is a pretty simple rock record.  No, songs like “I Must Be High” and “Passenger Side” aren’t going to win any lyrical accolades with lines like “You’re pissed that you missed the very last kiss” and “You’re gonna make me spill my beer if you don’t learn how to steer,” respectively.  Even Jeff Tweedy expressed disatisfaction with the straightforwardness of the record, and he was among the first to suggest that this was Wilco “treading some water with a perceived audience.”

Okay, but it’s a fun record!  Anyone who is familiar with Wilco’s catalog now knows that, from the second album on, the band became progressively more experimental and interested in making great records.  A.M. is breath of fresh rock’n roll air!  Not until 2007’s Sky Blue Sky would their sound be as compositionally straightforward again, and as much as I love all the albums in between, isn’t the cliche “variety is the spice of life”?  I never skip these tracks when they come up on random and I continue to be drawn in by tracks like the catchy “Box Full of Letters,” the heart-breaking “Should’ve Been in Love,” and the haunting “Dash 7.”  (I’m excited that I finally figured out that “Dash 7” refers to, as Wikipedia states, “The de Havilland Canada DHC-7 [airplane], popularly known as the Dash 7.”)

So, contrary to the press it received, I would highly recommend you pick up a copy of A.M. today.  It’s not their best album, but who cares?  And please, for crying out loud, ignore the genre nonsense altogether — alt.country, country rock, rock’n roll, alternative rock??? — and just enjoy the music!

“Broken” by Jack Johnson – Chords, Tabs, & How to Play

“Broken”
Jack Johnson

D
With everything ahead of us
We left everything behind
But nothing that we needed
At least not at this time
D                  G
And now the feeling that I’m feeling
G                                                      D
Well it’s feeling like my life is finally mine
Em                                      G                           D
With nothing to go back to we just continue to drive

Em
Without you I was broken,
Em      G                                                         D
But I’d rather be broke down with you by my side. (x2)

I didn’t know what I was looking for
So I didn’t know what I’d find
I didn’t know what I was missing
I guess you’ve been just a little too kind
And if I find just what I need
I’ll put a little peace in my mind
Maybe you’ve been looking too
Or maybe you don’t even need to try

Without you I was broken,
But I’d rather be broke down with you by my side.  (x2)

INSTRUMENTAL

With everything in the past
Fading faster and faster until it was gone
Found out I was losing so much more than I knew all along
Because everything I’ve been working for
Was only worth nickels and dimes
But if I had a minute for every hour that I’ve wasted
I’d be rich  in time; I’d be doing fine.

Without you I was broken,
But I’d rather be broke down with you by my side. (x4)

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“A Winter’s Tale” Cover by the Moody Blues – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“A Winter’s Tale”
The Moody Blues

Intro: F   Bb   F   Bb   F   C   F

F                                Bb
The nights are colder now
Am                                   Bb
Maybe I should close the door
F              C                       Dm
And anyway the snow has covered all your footsteps
Gm                         C
And I can follow you no more

The fire still burns at night
My memories are warm and clear
F
But everybody knows
C                 Bb              C         F
It’s hard to be alone at this time of year

F                                Bb
It was only a winter’s tale
Just another winter’s tale
And why should the world take notice
F                                    C
Of one more love that’s failed?

F                                Bb
A love that can never be
Though it meant a lot to you and me
F
On a world-wide scale
C                                        F
We’re just another winter’s tale

Instrumental:  F   C   Dm   Dm/C/Bb   C   F

While I stand alone
A bell is ringing far away
I wonder if you’re here
I wonder if you’re listening
I wonder where you are today
Good luck, I wish you well
For all that wishes may be worth
I hope that love and strength
Are with you for the length
Of your time on earth

CHORUS

Instrumental

CHORUS

Instrumental (x2)

Sing the following over the end of the instrumental:
Bb                           C           F            C – F
We’re just another winter’s tale.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“After Midnight” by J.J. Cale – Chords, Tabs, and How to Play

“After Midnight”
J.J. Cale

(Popularly performed by Eric Clapton)

C                        D#                F                    C
After midnight, we’re gonna let it all hang down.
After midnight, we’re gonna chug-a-lug and shout.
C
We gonna stimulate some action,
F
We gonna get some satisfaction,
F                                           G
We gonna find out what it is all about…

After midnight, we’re gonna let it all hang down.
After midnight, we’re gonna shake your tambourine.
After midnight, it’s all gonna be peaches and cream.
We gonna cause talk and suspicion,
We gonna give an exhibition,
We gonna find out what it is all about…

After midnight, we’re gonna let it all hang down…

SOLO (over one full set of chord progression)

After midnight, we gonna let it all hang down.
After midnight, we gonna shake your tambourine.
After midnight, it’s all gonna be peaches and cream.
We gonna cause talk and suspicion,
We gonna give an exhibition,
We gonna find out what it is all about…

After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down.
After midnight, we gonna let it all hang down…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **